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Showing 28 results for Kobori Enshū

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Letter by Kobori Enshu, Kobori Enshū Japanese, Hanging scroll; ink on paper, Japan — Letter by Kobori Enshu
Kobori Enshū
17th century

Sword Guard (Tsuba), Omori Hidenaga Japanese, Copper-gold alloy (shakudō), gold, copper, silver, Japanese — Sword Guard (Tsuba)
Omori Hidenaga
18th century

Terracotta fragment of a kylix (drinking cup), Koropi Painter ? [DvB], Terracotta, Greek, Attic — Terracotta fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE

Terracotta fragment of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic — Terracotta fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE

Terracotta fragments of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic — Terracotta fragments of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE

Peerless Fruit or Offering Tray (Morikago), Fujinuma Noboru Japanese, Timber bamboo, rattan, and lacquer, Japan — Peerless Fruit or Offering Tray (Morikago)
Fujinuma Noboru
2012

Terracotta rim fragment of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic — Terracotta rim fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE

Blade and Mounting for a Slung Sword (Tachi), Norimitsu Japanese, Steel, wood, lacquer, rayskin (samé), silver, leather, cloisonné, gold, copper, mother-of-pearl, Japanese — Blade and Mounting for a Slung Sword (Tachi)
Multiple artists/makers
blade, late 14th–early 15th century; mounting, 19th century

Sword Guard (Tsuba), Omori Teruhide Japanese, Copper-gold alloy (shakudō), gold, copper-silver alloy (shibuichi), Japanese — Sword Guard (Tsuba)
Omori Teruhide
18th century

Council of the Gods, Giacomo Zoboli Italian, Pen and brown ink, brush and brown wash, traces of black chalk — Council of the Gods
Giacomo Zoboli
n.d.

Christ Blessing, Giacomo Zoboli Italian, Black chalk, highlighted with white, on grayish brown paper (recto); faint black chalk study of the same figure and three studies for a left hand (verso) — Christ Blessing
Giacomo Zoboli
1681–1767

The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso), Giacomo Zoboli Italian, Red chalk. Verso: faint red chalk studies for the figures of Joseph and Zechariah — The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso)
Giacomo Zoboli
1681–1767

Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on blueish gray paper. — Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View.
Giacomo Zoboli
18th century

Study for the Figure of Christ, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Study for the Figure of Christ
Giacomo Zoboli
18th century

Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right.
Giacomo Zoboli
18th century

Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd), Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd)
Giacomo Zoboli
18th century

Academy Sketch of a Seated Male Figure., Giacomo Zoboli Italian, Black chalk — Academy Sketch of a Seated Male Figure.
Giacomo Zoboli
18th century

Finished Academy Study of a Seated Male Figure, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on brownish tinted paper — Finished Academy Study of a Seated Male Figure
Giacomo Zoboli
18th century

Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left., Giacomo Zoboli Italian, (recto) Red chalk with white chalk; (verso) red chalk. — Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left.
Giacomo Zoboli
18th century

Terracotta fragment of a kylix (drinking cup), Painter of the Louvre Komoi [DvB], Terracotta, Greek, Attic — Terracotta fragment of a kylix (drinking cup)
Painter of the Louvre Komoi
500–480 BCE

Terracotta fragment of a kylix (drinking cup), Painter of the Louvre Komoi [DvB], Terracotta, Greek, Attic — Terracotta fragment of a kylix (drinking cup)
Painter of the Louvre Komoi
second quarter of the 5th century BCE

Figure (Tadep), Wood, fiber, pigment, Mambila peoples, Kabri group — Figure (Tadep)
Mambila peoples, Kabri group
20th century

Helmet Mask (Nsua-Ndua), Wood, pigment, Mambila peoples, Kabri group — Helmet Mask (Nsua-Ndua)
Mambila peoples, Kabri group
20th century

Painter of the Louvre Komoi

ca. 500 BCE

Hitoyogiri (一節切), Attributed to Ōmori Sōkun 大森宗勲 Japanese, Bamboo, gilt, Japanese — Hitoyogiri (一節切)
Attributed to Ōmori Sōkun 大森宗勲
late 16th–early 17th century

An Hommage to Francisco Zubaran's "Lemons"

August von Briesen Gömöri

Fernand Mourlot

1977

An Hommage to Francisco Zubaran's "Lemons"

August von Briesen Gömöri

1977

Multiple artists/makers

1970