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29 results for Kobori Enshū
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Letter by Kobori Enshu, Kobori Enshū Japanese, Hanging scroll; ink on paper, Japan
Letter by Kobori Enshu
Kobori Enshū
17th century
Sword Guard (Tsuba), Omori Hidenaga Japanese, Copper-gold alloy (shakudō), gold, copper, silver, Japanese
Sword Guard (Tsuba)
Omori Hidenaga
18th century
Terracotta fragment of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic
Terracotta fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE
Terracotta fragments of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic
Terracotta fragments of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE
Terracotta rim fragment of a kylix (drinking cup), Koropi Painter [DvB], Terracotta, Greek, Attic
Terracotta rim fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE
Peerless Fruit or Offering Tray (Morikago), Fujinuma Noboru Japanese, Timber bamboo, rattan, and lacquer, Japan
Peerless Fruit or Offering Tray (Morikago)
Fujinuma Noboru
2012
Terracotta fragment of a kylix (drinking cup), Koropi Painter ? [DvB], Terracotta, Greek, Attic
Terracotta fragment of a kylix (drinking cup)
Koropi Painter
second quarter of the 5th century BCE
Blade and Mounting for a Slung Sword (Tachi), Norimitsu Japanese, Steel, wood, lacquer, rayskin (samé), silver, leather, cloisonné, gold, copper, mother-of-pearl, Japanese
Blade and Mounting for a Slung Sword (Tachi)
Multiple artists/makers
blade, late 14th–early 15th century; mounting, 19th century
Sword Guard (Tsuba), Omori Teruhide Japanese, Copper-gold alloy (shakudō), gold, copper-silver alloy (shibuichi), Japanese
Sword Guard (Tsuba)
Omori Teruhide
18th century
Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on blueish gray paper.
Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View.
Giacomo Zoboli
18th century
Study for the Figure of Christ, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper
Study for the Figure of Christ
Giacomo Zoboli
18th century
Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper
Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right.
Giacomo Zoboli
18th century
Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd), Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper
Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd)
Giacomo Zoboli
18th century
Academy Sketch of a Seated Male Figure., Giacomo Zoboli Italian, Black chalk
Academy Sketch of a Seated Male Figure.
Giacomo Zoboli
18th century
Finished Academy Study of a Seated Male Figure, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on brownish tinted paper
Finished Academy Study of a Seated Male Figure
Giacomo Zoboli
18th century
Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left., Giacomo Zoboli Italian, (recto) Red chalk with white chalk; (verso) red chalk.
Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left.
Giacomo Zoboli
18th century
Christ Blessing, Giacomo Zoboli Italian, Black chalk, highlighted with white, on grayish brown paper (recto); faint black chalk study of the same figure and three studies for a left hand (verso)
Christ Blessing
Giacomo Zoboli
1681–1767
The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso), Giacomo Zoboli Italian, Red chalk. Verso: faint red chalk studies for the figures of Joseph and Zechariah
The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso)
Giacomo Zoboli
1681–1767
Council of the Gods, Giacomo Zoboli Italian, Pen and brown ink, brush and brown wash, traces of black chalk
Council of the Gods
Giacomo Zoboli
n.d.
Crested Mynahs, (Morimoto) Itsuzan Mokuin Japanese, Handscroll: ink and color on paper, Japan
Crested Mynahs
(Morimoto) Itsuzan Mokuin
Ryū Kōbi
1764
Terracotta fragment of a kylix (drinking cup), Painter of the Louvre Komoi [DvB], Terracotta, Greek, Attic
Terracotta fragment of a kylix (drinking cup)
Painter of the Louvre Komoi
second quarter of the 5th century BCE
Terracotta fragment of a kylix (drinking cup), Painter of the Louvre Komoi [DvB], Terracotta, Greek, Attic
Terracotta fragment of a kylix (drinking cup)
Painter of the Louvre Komoi
500–480 BCE
Figure (Tadep), Wood, fiber, pigment, Mambila peoples, Kabri group
Figure (Tadep)
Mambila peoples, Kabri group
20th century
Helmet Mask (Nsua-Ndua), Wood, pigment, Mambila peoples, Kabri group
Helmet Mask (Nsua-Ndua)
Mambila peoples, Kabri group
20th century
Kylix
Painter of the Louvre Komoi
ca. 500 BCE
Hitoyogiri (一節切), Attributed to Ōmori Sōkun 大森宗勲 Japanese, Bamboo, gilt, Japanese
Hitoyogiri (一節切)
Attributed to Ōmori Sōkun 大森宗勲
late 16th–early 17th century
An Hommage to Francisco Zubaran's "Lemons"
August von Briesen Gömöri
Fernand Mourlot
1977
An Hommage to Francisco Zubaran's "Lemons"
August von Briesen Gömöri
1977
Puss in Boots
Multiple artists/makers
1970