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Showing 125 results for Lazzaro Baldi

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The Sacrifice of Noah, Lazzaro Baldi Italian, Pen and black ink, brush and gray wash; squared in red chalk — The Sacrifice of Noah
Lazzaro Baldi
1642–1703

Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration, Lazzaro Baldi Italian, Brush and brown wash, highlighted with white, over black chalk, on brown-washed paper. Lined — Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration
Lazzaro Baldi
1622–1703

Various mythological figures reclining on clouds, putti and other winged figures flying overhead, a winged horse at center, Zodiac arch at the top

George Szymonowitz

Lazzaro Baldi

ca. 1730

Diana reclining on clouds at right with various other mythological figures, Zodiac arch at top

George Szymonowitz

Lazzaro Baldi

ca. 1730

Apollo driving his sun chariot with various female figures and putti surrounding him, Zodiac arch at top

George Szymonowitz

Lazzaro Baldi

ca. 1730

Various goddesses seated amongst the clouds, Zodiac arch at the top

George Szymonowitz

Lazzaro Baldi

ca. 1730

Albarello, Lazzaro workshop, Maiolica (tin-glazed earthenware), Italian, Palermo, Sicily — Albarello
Lazzaro workshop
second half 16th century

Elisabetta Bianchini Vizzani, Lazzaro Casario Italian, Marble, Italian, Bologna — Elisabetta Bianchini Vizzani
Lazzaro Casario
1589

Allegorical Female Figure Holding a Branch and a Dish, Lazzaro Tavarone Italian, Pen and brown ink, brush and pale brown wash, highlighted with white, over black chalk, on blue paper. Faintly squared in black chalk — Allegorical Female Figure Holding a Branch and a Dish
Lazzaro Tavarone
1556–1641

Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches, Lazzaro Tavarone Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk — Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches
Lazzaro Tavarone
1576–1641

Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist, Lazzaro Tavarone Italian, Pen and brown ink, pale brown wash, over black chalk, on gray-green paper. Squared in black chalk — Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist
Lazzaro Tavarone
1556–1641

De verborum Vitruvianorum significatione

Multiple artists/makers

1612

Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio, Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10, Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching — Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Il Viticondo Poema.. in occasione delle Nozze dell'invittissimo Carlo Borbone, re di Napoli... Cola Serenissima Maria Amalia Valburga pricipessa regal di Polonia

Multiple artists/makers

1738

Christ falling on the road to Calvary, from two plates, Giovanni Battista Fontana Italian, Etching and engraving — Christ falling on the road to Calvary, from two plates
Multiple artists/makers
ca 1560–73 (re-published 1584)

Exercitationes Vitruvianae primae. Hoc est: Ioannis Poleni commentarius criticus de M. Vitruvii Pollionis Architecti X librorum editionibus, necnon de eorundem editoribus, atque de aliis, qui Vitruvium quocumque modo explicarunt, aut illustrarunt

Multiple artists/makers

1739

Exercitationes Vitruvianae primae. Hoc est: Ioannis Poleni commentarius criticus de M. Vitruvii Pollionis Architecti X librorum editionibus, necnon de eorundem editoribus, atque de aliis, qui Vitruvium quocumque modo explicarunt, aut illustrarunt

Multiple artists/makers

1739

M. Vitruvii Pollionis De architectura libri decem cum notis, castigationibus & observationibus Guilielmi Philandri integris; Danielis Barbari excerptis & Claudii Salmasii passim insertis.

Multiple artists/makers

1649

M. Vitruvii Pollionis De architectura libri decem cum notis, castigationibus & observationibus Guilielmi Philandri integris; Danielis Barbari excerptis & Claudii Salmasii passim insertis.

Multiple artists/makers

1649

M. Vitruvii Pollionis De architectura libri decem cum notis, castigationibus & observationibus Guilielmi Philandri integris; Danielis Barbari excerptis & Claudii Salmasii passim insertis.

Multiple artists/makers

1649

M. Vitruvii Pollionis De architectura libri decem cum notis, castigationibus & observationibus Guilielmi Philandri integris; Danielis Barbari excerptis & Claudii Salmasii passim insertis.

Multiple artists/makers

1649

M. Vitruvii Pollionis De architectura libri decem cum notis, castigationibus & observationibus Guilielmi Philandri integris; Danielis Barbari excerptis & Claudii Salmasii passim insertis.

Multiple artists/makers

1649

Madonna and Child with Saints Philip and Agnes, Donato de' Bardi Italian, Tempera on wood, gold ground — Madonna and Child with Saints Philip and Agnes
Donato de' Bardi
ca. 1425–30

An Ear of Mud, An Ear of Paste, Abdel Hadi El-Gazzar Egyptian, Oil on paperboard — An Ear of Mud, An Ear of Paste
Abdel Hadi El-Gazzar
1951

Ceremonial Textile (Geringsing), Cotton, Bali — Ceremonial Textile (Geringsing)
Bali
early to mid-20th century

Ceremonial Textile (Geringsing), Cotton, Bali — Ceremonial Textile (Geringsing)
Bali
early to mid-20th century

Shoulder Cloth (Selendang), Silk, metal thread, paper, Bali — Shoulder Cloth (Selendang)
Bali
late 19th–early 20th century

Two Nudes on a Settee

Vincenzo Galdi

1880s–90s

Decoration over an Arch with a Landscape Scene in a Round Compartment, Gaetano Galdi , 1770 Italian, Pen and brown and black ink, brush and brown, black and gray wash over traces of graphite — Decoration over an Arch with a Landscape Scene in a Round Compartment
Gaetano Galdi
1770

Carbine with Flintlock alla Fiorentina, Carlo Bottarelli Italian, Steel, wood (walnut), Italian, Brescia — Carbine with Flintlock alla Fiorentina
Carlo Bottarelli
Giovanni Lazzarino Cominazzo
ca. 1660–70