덴두르 신전은 4월 26일 일요일부터 5월 8일 금요일까지 휴관합니다. 메트로폴리탄 미술관 5번가 본관은 5월 4일 월요일에 휴관합니다.

방문 계획을 세우세요
티켓
한국어
기부하기멤버십
티켓
가능한 한 빨리 이 페이지를 번역하기 위해 노력하고 있습니다. 이해해 주셔서 감사합니다.

Search for Art

1-42 of 972 results for Leonardo dell'Arca
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Series of Cartouche Designs
Leonardo dell'Arca
ca. 1600–1620
A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Untitled, Leonardo Drew American, Mixed media (painted wood, paper, assorted fabric pieces, loose textile and wooden fibers, threads and cords, feathers)
Untitled
Leonardo Drew
1994
Number 1A, Leonardo Drew American, Asphaltum, oil paint, and black porous point pen on joined papers
Number 1A
Leonardo Drew
1999
Number 2A, Leonardo Drew American, Asphaltum, oil paint, and black porous point pen on joined papers
Number 2A
Leonardo Drew
1999
Number 24, Leonardo Drew American, Wood, rusted and patinated iron and cotton waste
Number 24
Leonardo Drew
1992
Keyed Trumpet in G, Leonardo Massarenti Italian, Brass, Italian
Keyed Trumpet in G
Leonardo Massarenti
ca. 1840
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Wall Design, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction
Wall Design
Leonardo Marini
18th century
Ornamental Design for Niche, Leonardo Marini Italian, Leadpoint or graphite
Ornamental Design for Niche
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Brush with brown, yellow, and red watercolor over leadpoint or graphite, with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Design for Door, Leonardo Marini Italian, Pen and brown ink, over graphite or leadpoint, with ruled and compass construction
Design for Door
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint
Design for Ceiling
Leonardo Marini
18th century
Ceiling Design, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction
Ceiling Design
Leonardo Marini
18th century
Design for Stage Set, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction
Design for Stage Set
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Architectural Design in Section, Leonardo Marini Italian, Pen and black ink, brush with gray-black wash, with ruled and compass construction
Architectural Design in Section
Leonardo Marini
18th century
Design for a Cartouche with garlands and antique vase, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction
Design for a Cartouche with garlands and antique vase
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite
Design for Ceiling
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Ornamental Design, Leonardo Marini Italian, Pen and brown ink, brush with brown and gray wash, over leadpoint or graphite; with ruled and compass construction
Ornamental Design
Leonardo Marini
18th century
Ceiling Design, Leonardo Marini Italian, Leadpoint or graphite; framing line in pen and brown ink
Ceiling Design
Leonardo Marini
18th century
Wall Design, Leonardo Marini Italian, Pen and brown ink, over leadpoint or graphite, with ruled and compass construction
Wall Design
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction
Design for Ceiling
Leonardo Marini
18th century
Halved Alternate Designs for a Ceiling Painting, Leonardo Marini Italian, Pen and gray ink, over black chalk, with ruled and compass construction
Halved Alternate Designs for a Ceiling Painting
Leonardo Marini
1700–1780
Design for One-Quarter of a Ceiling Decoration, Leonardo Marini Italian, Pen and brown ink, brush and brown wash, over graphite, with ruled and compass construction
Design for One-Quarter of a Ceiling Decoration
Leonardo Marini
1730–97
Design for a Palace Interior, Leonardo Marini Italian, Pen and brown ink, brush with gray, green, yellow, and red wash, over leadpoint
Design for a Palace Interior
Leonardo Marini
1730–97
Clean Copy Presentation Draft: One Quarter of a Design for a Ceiling of a Room (recto); Scales and Construction Lines for Another Design (verso), Leonardo Marini Italian, Pen with black and gray ink, brush and gray wash, over leadpoint or graphite, ruler and compass constructed
Clean Copy Presentation Draft: One Quarter of a Design for a Ceiling of a Room (recto); Scales and Construction Lines for Another Design (verso)
Leonardo Marini
1774–90
Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso), Leonardo Marini Italian, Pen and gray ink over black chalk with ruled and compass construction
Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso)
Leonardo Marini
1774–90
Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva, Leonardo Marini Italian, Pen and brown ink, brush with gray, blue, green and pink watercolor, over graphite or lead, on cream laid paper
Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva
Leonardo Marini
1780–90
Ornamental Motif Surmounted by a Coat of Arms, Leonardo Scaglia Italian, Pen and brown ink, brown wash
Ornamental Motif Surmounted by a Coat of Arms
Leonardo Scaglia
1640–50
Four Putti on Clouds, Leonardo Scaglia Italian, Pen and brown ink, brown wash, over black chalk
Four Putti on Clouds
Leonardo Scaglia
1640–50
Design for a Wall and a Ceiling Decoration, Leonardo Marini Italian, Leadpoint or graphite; ruler and compass constructed
Design for a Wall and a Ceiling Decoration
Leonardo Marini
1774–78
Design for One Half of a Ceiling with Medaillons with Figure Sketches Inside (recto); Design for an Interior Wall Elevation (verso), Leonardo Marini Italian, Black chalk or graphite with ruled and compass construction
Design for One Half of a Ceiling with Medaillons with Figure Sketches Inside (recto); Design for an Interior Wall Elevation (verso)
Leonardo Marini
18th century
Design for One Quarter of a Ceiling with a Medallion at the Center (recto); Design for a Quarter of a Ceiling with a Medallion at the Corner and a Medallion at the Center (verso), Leonardo Marini Italian, Graphite with some ruled and compass construction
Design for One Quarter of a Ceiling with a Medallion at the Center (recto); Design for a Quarter of a Ceiling with a Medallion at the Corner and a Medallion at the Center (verso)
Leonardo Marini
18th century
Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri, Leonardo Marini Italian, Black chalk or leadpoint; ruler and compass constructed
Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri
Leonardo Marini
1774–78
One Quarter of a Design for a Ceiling of a Room with Halved Variant Designs, Leonardo Marini Italian, Graphite with ruled and compass construction
One Quarter of a Design for a Ceiling of a Room with Halved Variant Designs
Leonardo Marini
1774–90
Three Dancing Putti, Leonardo Scaglia Italian, Pen and brown ink, brush and brown wash
Three Dancing Putti
Leonardo Scaglia
1640–50
Design for the Interior of a Gallery of a Palace, Leonardo Marini Italian, Pen and black ink, brush with gray, yellow, green and pink watercolor, over black chalk or leadpoint; ruler and compass constructed
Design for the Interior of a Gallery of a Palace
Leonardo Marini
1760–97