Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 806 results for Lorenzo Sacchetti

Sort by:

Design for a Stage Set Showing Interior of Rustic Kitchen ("Cucina Rustica"), Lorenzo Sacchetti Italian — Design for a Stage Set Showing Interior of Rustic Kitchen ("Cucina Rustica")
Lorenzo Sacchetti
1759–1829

Venus and Cupid, Lorenzo Lotto Italian, Oil on canvas — Venus and Cupid
Lorenzo Lotto
1520s

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini Italian, Marble, Italian, Rome — Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
Pietro Bernini
ca. 1616–17

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

Virgin of the Immaculate Conception, Lorenzo Vaccaro Italian, Bronze, fire-gilt; polychromy, silver, Italian, Naples — Virgin of the Immaculate Conception
Lorenzo Vaccaro
late 17th century

The Demidoff Table, Lorenzo Bartolini Italian, Marble, Italian, Florence — The Demidoff Table
Lorenzo Bartolini
Prince Anatole Demidov
1845

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics., Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

King's attendant, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silk and satin garments with silver and gold metallic thread; dagger with silver blade and gold cross guard in paper sheath, Italian, Naples — King's attendant
Lorenzo Mosca
second half 18th century

Shepherd, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton garments; leather belt with silver buckle; leather shoes and shoulder bag, Italian, Naples — Shepherd
Lorenzo Mosca
second half 18th century

Man, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with silver thread-wrapped buttons; leather belt with gold buckle, Italian, Naples — Man
Lorenzo Mosca
second half 18th century

Reliquary casket, Lorenzo Ghiberti Italian, Gilt copper and champlevé enamel, Italian, Florence — Reliquary casket
Lorenzo Ghiberti
1446

Woman, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics and lace, Italian, Naples — Woman
Lorenzo Mosca
second half 18th century

Brother Gregorio Belo of Vicenza, Lorenzo Lotto Italian, Oil on canvas — Brother Gregorio Belo of Vicenza
Lorenzo Lotto
1547

Madonna and Child Enthroned with Two Donors, Lorenzo Veneziano Italian, Tempera on wood, gold ground — Madonna and Child Enthroned with Two Donors
Lorenzo Veneziano
ca. 1360–65

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Tempera on wood — Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 1490s

Portrait of a Young Woman, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Oil on wood — Portrait of a Young Woman
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
ca. 1490–1500

Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

Saints John the Baptist and Matthew, Bicci di Lorenzo Italian, Tempera on wood, gold ground — Saints John the Baptist and Matthew
Bicci di Lorenzo
possibly 1433

Robes et Femmes, Enrico Sacchetti Italian, Reproductions with pochoir — Robes et Femmes
Enrico Sacchetti
Dorbon-Ainé
June 9, 1913

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence — Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, painted and gilded., possibly Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Madonna and Child, Lorenzo Ghiberti Italian, Terracotta, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, polychromed, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
ca. 1425–40

Alexander I of Russia, Lorenzo Bartolini Italian, Marble, Italian — Alexander I of Russia
Lorenzo Bartolini
19th century

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, Lorenzo Veneziano Italian, Pen and brown ink, yellow watercolor in the backgrounds of the niches. — Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin
Lorenzo Veneziano
ca. 1370

Violin, Lorenzo Carcassi, Spruce, maple, ebony, Italian, Florentine — Violin
Lorenzo Carcassi
1752

A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite — A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500

Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment — Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7

The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian — The Intercession of Christ and the Virgin
Lorenzo Monaco (Piero di Giovanni)
before 1402

The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406

Head of a Young Woman

Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)

late 15th–early 16th century

The Madonna Adoring the Child, with an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Pen and brown ink, traces of white, over red chalk underdrawing of the Madonna. — The Madonna Adoring the Child, with an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 16th century

Pair of five-light candelabra, Luigi Valadier Italian, Bronze, fire-gilt; porphyry, iron (pin), Italian, Rome — Pair of five-light candelabra
Luigi Valadier
Lorenzo Cardelli
1774

The Virgin seated, resting her head on her right hand and holding the sleeping infant Christ on her lap, Lorenzo Loli Italian, Etching — The Virgin seated, resting her head on her right hand and holding the sleeping infant Christ on her lap
Multiple artists/makers
ca. 1630–80