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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Lorenzo de' Ferrari

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Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink — Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44

Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso) — Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744

Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso) — Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
Lorenzo de' Ferrari
1680–1744

The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso) — The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744

Venus and Cupid, Lorenzo Lotto Italian, Oil on canvas — Venus and Cupid
Lorenzo Lotto
1520s

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini Italian, Marble, Italian, Rome — Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
Pietro Bernini
ca. 1616–17

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

Virgin of the Immaculate Conception, Lorenzo Vaccaro Italian, Bronze, fire-gilt; polychromy, silver, Italian, Naples — Virgin of the Immaculate Conception
Lorenzo Vaccaro
late 17th century

The Demidoff Table, Lorenzo Bartolini Italian, Marble, Italian, Florence — The Demidoff Table
Lorenzo Bartolini
Prince Anatole Demidov
1845

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics., Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

King's attendant, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silk and satin garments with silver and gold metallic thread; dagger with silver blade and gold cross guard in paper sheath, Italian, Naples — King's attendant
Lorenzo Mosca
second half 18th century

Shepherd, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton garments; leather belt with silver buckle; leather shoes and shoulder bag, Italian, Naples — Shepherd
Lorenzo Mosca
second half 18th century

Man, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with silver thread-wrapped buttons; leather belt with gold buckle, Italian, Naples — Man
Lorenzo Mosca
second half 18th century

Reliquary casket, Lorenzo Ghiberti Italian, Gilt copper and champlevé enamel, Italian, Florence — Reliquary casket
Lorenzo Ghiberti
1446

Woman, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics and lace, Italian, Naples — Woman
Lorenzo Mosca
second half 18th century

Brother Gregorio Belo of Vicenza, Lorenzo Lotto Italian, Oil on canvas — Brother Gregorio Belo of Vicenza
Lorenzo Lotto
1547

Madonna and Child Enthroned with Two Donors, Lorenzo Veneziano Italian, Tempera on wood, gold ground — Madonna and Child Enthroned with Two Donors
Lorenzo Veneziano
ca. 1360–65

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Tempera on wood — Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 1490s

Portrait of a Young Woman, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Oil on wood — Portrait of a Young Woman
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
ca. 1490–1500

Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood — Saints John the Evangelist and Lawrence
Defendente Ferrari

Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk. — Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530

Saints John the Baptist and Matthew, Bicci di Lorenzo Italian, Tempera on wood, gold ground — Saints John the Baptist and Matthew
Bicci di Lorenzo
possibly 1433

Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper — Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726

Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk — Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726

Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper — Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726

Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso) — Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90

The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash — The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726

Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso) — Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726

Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite — Susanna and the Elders
Gregorio de' Ferrari
1647–1726

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence — Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, painted and gilded., possibly Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Madonna and Child, Lorenzo Ghiberti Italian, Terracotta, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, polychromed, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
ca. 1425–40

Alexander I of Russia, Lorenzo Bartolini Italian, Marble, Italian — Alexander I of Russia
Lorenzo Bartolini
19th century

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, Lorenzo Veneziano Italian, Pen and brown ink, yellow watercolor in the backgrounds of the niches. — Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin
Lorenzo Veneziano
ca. 1370