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Showing 1,334 results for Matthieu Guillemot

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Illustration from "L'Ariane" by Desmarets de Saint-Sorlin; Palamede on Horseback Confronts His Enemies while Searching for Epicharis, Abraham Bosse French, Etching — Illustration from "L'Ariane" by Desmarets de Saint-Sorlin; Palamede on Horseback Confronts His Enemies while Searching for Epicharis
Multiple artists/makers
1639

Marie Stuart, espouse du Roy François II (from Histoire de France depuis Faramond jusqu'à maintenant [...], volume 2, page 808), François Eudes de Mézeray French, Engraving — Marie Stuart, espouse du Roy François II (from Histoire de France depuis Faramond jusqu'à maintenant [...], volume 2, page 808)
Multiple artists/makers
1646

L'Ariane. . .de Nouveau reveue, et augmentee de plusieurs histoires par l'autheur

Multiple artists/makers

1639

Feuillant monks carry the bier with the body of Jean de la Barrière, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Feuillant monks carry the bier with the body of Jean de la Barrière
Matthieu Elias
Reverend Jean de la Barrière
1706–07

The arrest of Jean de La Barrière by the League at Lombez, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — The arrest of Jean de La Barrière by the League at Lombez
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Matthieu Elias
Reverend Jean de la Barrière
1707

Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes
Matthieu Elias
Reverend Jean de la Barrière
1706

Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600
Matthieu Elias
Reverend Jean de la Barrière
1706

Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
Matthieu Elias
Reverend Jean de la Barrière
1706

Jean de La Barrière blessing a cardinal, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Jean de La Barrière blessing a cardinal
Matthieu Elias
Reverend Jean de la Barrière
1706

Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Multiple artists/makers
1706–07

Young Vendor, Matthieu Oesterreich, Etching and engraving — Young Vendor
Matthieu Oesterreich
Edme Bouchardon
1752

La mort de Pierrot

Multiple artists/makers

1889

Family Portrait, Georg David Matthieu German, Black and red chalk, white gouache, blue pastel — Family Portrait
Georg David Matthieu
1737–78

Ten Scenes from the Life of the Reverend Jean de la Barrière (1544-1600)

Matthieu Elias

Reverend Jean de la Barrière

1706–07

Matthieu Molé, Claude Mellan French, Engraving; second state of four (BN) — Matthieu Molé
Claude Mellan
Matthieu Molé

Le Maréchal, Alan Glass Canadian, 3 portfolios of drypoint prints in boxes covered with black linen and with images inset on front and back of each box. Each box contains 11 drypoint prints and one sheet of letterpress text with a poem. Works in boxes 1 and 2 printed on BFK Rives 100% cotton, 250 grs and box 3 printed on Hahnemühle 100% cotton, 300 grs. — Le Maréchal
Multiple artists/makers
2016

Le Decameron de Jean Bocace (The Decameron), vol. 3

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 4

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 5

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 1

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 2

Multiple artists/makers

1757–61

Shrine, Matthias Walbaum German, Ebony, silver, gilded silver, gouache on parchment, German, Augsburg — Shrine
Matthias Walbaum
Anton Mozart
1598–1600

Armet, Guillem Margot Flemish, Steel, copper alloy, South Netherlandish, Brussels — Armet
Guillem Margot
ca. 1505

Virgin and Child, Guillem Seguer Catalan, Limestone with polychromy and gilding, Catalan — Virgin and Child
Guillem Seguer
second quarter 14th century

End of the Day, Matthew Wong Canadian, Oil on canvas — End of the Day
Matthew Wong
2019

Untitled, Guillermo Kuitca Argentinian, Oil-based silkscreen ink and acrylic paint on canvas — Untitled
Guillermo Kuitca
1991

Hot milk pot, Mathieu Bouvier, Silver, French, Trévoux (Lyons Mint) — Hot milk pot
Mathieu Bouvier
Lyons Mint
ca. 1746–49

Landscape with Hilltop Villa, Guillerot French, Pen and brown ink over faint graphite underdrawing — Landscape with Hilltop Villa
Guillerot
17th century

Composed Armor, Guillem Margot Flemish, Steel, leather, Italian, probably Milan — Composed Armor
Guillem Margot
ca. 1500–1520

Spoon, Matthias Lemaire American, Silver, American — Spoon
Matthias Lemaire
1790–1800

Tankard, Matthias Smid, Tin-glazed earthenware, pewter, German, Nuremberg — Tankard
Matthias Smid
ca. 1720–30

Side table (one of a pair), Matthias Lock British, Carved gilded pine with modern scagliola top, British — Side table (one of a pair)
Matthias Lock
ca. 1740

Table, Matthias Lock British, Pine, marble, British — Table
Matthias Lock
Henry Flitcroft
ca. 1740–45

Side table (one of a pair), Matthias Lock British, Carved gilded pine with modern scagliola top, British — Side table (one of a pair)
Matthias Lock
ca. 1740

Double Cup, Mattheus Epfenhauser German (Nuremberg), Silver gilt, silver medallions, German — Double Cup
Mattheus Epfenhauser
1574/1575

Snuffbox, Mathieu Coiny fils, Gold, enamel, gem stones, French, Paris — Snuffbox
Mathieu Coiny fils
Jean-Baptiste Beckers
1759–60

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855