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Showing 1,297 results for Matthieu Molé

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Matthieu Molé, Claude Mellan French, Engraving; second state of four (BN) — Matthieu Molé
Claude Mellan
Matthieu Molé

Sword with Scabbard of Faustin I (1782–1867), Emperor of Haiti, Robert Mole British, Steel, silver, gold, wood, textile (velvet), British, Birmingham — Sword with Scabbard of Faustin I (1782–1867), Emperor of Haiti
Robert Mole
1850

The Human American Eagle, Mole and Thomas, Gelatin silver print — The Human American Eagle
Multiple artists/makers
1918

Sincerely Yours, Woodrow Wilson, Mole and Thomas, Gelatin silver print — Sincerely Yours, Woodrow Wilson
Multiple artists/makers
1918

The Human Liberty Bell, Mole and Thomas, Gelatin silver print — The Human Liberty Bell
Multiple artists/makers
1918

Human Statue of Liberty, Mole and Thomas, Gelatin silver print — Human Statue of Liberty
Multiple artists/makers
ca. 1918

The Human U.S. Shield, Mole and Thomas, Gelatin silver print — The Human U.S. Shield
Multiple artists/makers
1918

Gallerie des Modes et Costumes Français Desinés D'Apres Nature, G. F. R. Molé French, plates: engraving, aquatint — Gallerie des Modes et Costumes Français Desinés D'Apres Nature
Multiple artists/makers
1778 [to 1787]

Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Matthieu Elias
Reverend Jean de la Barrière
1707

Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes
Matthieu Elias
Reverend Jean de la Barrière
1706

The arrest of Jean de La Barrière by the League at Lombez, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — The arrest of Jean de La Barrière by the League at Lombez
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Feuillant monks carry the bier with the body of Jean de la Barrière, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Feuillant monks carry the bier with the body of Jean de la Barrière
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600
Matthieu Elias
Reverend Jean de la Barrière
1706

Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Multiple artists/makers
1706–07

Young Vendor, Matthieu Oesterreich, Etching and engraving — Young Vendor
Matthieu Oesterreich
Edme Bouchardon
1752

Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
Matthieu Elias
Reverend Jean de la Barrière
1706

Jean de La Barrière blessing a cardinal, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Jean de La Barrière blessing a cardinal
Matthieu Elias
Reverend Jean de la Barrière
1706

Cattle at a watering hole in a valley, John Henry Mole British, Watercolor over graphite with gouache (bodycolor) and reductive techniques — Cattle at a watering hole in a valley
John Henry Mole
1846–86

Family Portrait, Georg David Matthieu German, Black and red chalk, white gouache, blue pastel — Family Portrait
Georg David Matthieu
1737–78

Ten Scenes from the Life of the Reverend Jean de la Barrière (1544-1600)

Matthieu Elias

Reverend Jean de la Barrière

1706–07

Illustration from "L'Ariane" by Desmarets de Saint-Sorlin; Palamede on Horseback Confronts His Enemies while Searching for Epicharis, Abraham Bosse French, Etching — Illustration from "L'Ariane" by Desmarets de Saint-Sorlin; Palamede on Horseback Confronts His Enemies while Searching for Epicharis
Multiple artists/makers
1639

Marie Stuart, espouse du Roy François II (from Histoire de France depuis Faramond jusqu'à maintenant [...], volume 2, page 808), François Eudes de Mézeray French, Engraving — Marie Stuart, espouse du Roy François II (from Histoire de France depuis Faramond jusqu'à maintenant [...], volume 2, page 808)
Multiple artists/makers
1646

L'Ariane. . .de Nouveau reveue, et augmentee de plusieurs histoires par l'autheur

Multiple artists/makers

1639

Le Maréchal, Alan Glass Canadian, 3 portfolios of drypoint prints in boxes covered with black linen and with images inset on front and back of each box. Each box contains 11 drypoint prints and one sheet of letterpress text with a poem. Works in boxes 1 and 2 printed on BFK Rives 100% cotton, 250 grs and box 3 printed on Hahnemühle 100% cotton, 300 grs. — Le Maréchal
Multiple artists/makers
2016

Le Decameron de Jean Bocace (The Decameron), vol. 1

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 2

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 3

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 4

Multiple artists/makers

1757–61

Le Decameron de Jean Bocace (The Decameron), vol. 5

Multiple artists/makers

1757–61

Shrine, Matthias Walbaum German, Ebony, silver, gilded silver, gouache on parchment, German, Augsburg — Shrine
Matthias Walbaum
Anton Mozart
1598–1600

End of the Day, Matthew Wong Canadian, Oil on canvas — End of the Day
Matthew Wong
2019

Hot milk pot, Mathieu Bouvier, Silver, French, Trévoux (Lyons Mint) — Hot milk pot
Mathieu Bouvier
Lyons Mint
ca. 1746–49

Spoon, Matthias Lemaire American, Silver, American — Spoon
Matthias Lemaire
1790–1800

Table, Matthias Lock British, Pine, marble, British — Table
Matthias Lock
Henry Flitcroft
ca. 1740–45

Tankard, Matthias Smid, Tin-glazed earthenware, pewter, German, Nuremberg — Tankard
Matthias Smid
ca. 1720–30

Side table (one of a pair), Matthias Lock British, Carved gilded pine with modern scagliola top, British — Side table (one of a pair)
Matthias Lock
ca. 1740

Side table (one of a pair), Matthias Lock British, Carved gilded pine with modern scagliola top, British — Side table (one of a pair)
Matthias Lock
ca. 1740

Double Cup, Mattheus Epfenhauser German (Nuremberg), Silver gilt, silver medallions, German — Double Cup
Mattheus Epfenhauser
1574/1575