Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 7,011 results for Mauro Antonio Ollér y Bono
Sort by:
Multiple artists/makers
1759
Mourner, Pere Oller  Catalan, Alabaster, Catalan
Pere Oller
ca. 1417
Madonna and Child with Angels, Antonio Rossellino  Italian, Marble with gilt details on halo and dress, Italian, Florence
Antonio Rossellino
ca. 1455–60
Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
"Antonius" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1693
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
Chalice and Paten, Antonio Forcada y la Plaza, Silver gilt, Mexican
Antonio Forcada y la Plaza
late 18th and early 19th century
The Man of Sorrows, Michele Giambono (Michele Giovanni Bono)  Italian, Tempera and gold on wood
Michele Giambono (Michele Giovanni Bono)
ca. 1430
A Sheet of Heads, Mauro Gandolfi  Italian, Pen and brown ink
Mauro Gandolfi
late 18th–mid-19th century
Perspective Design for a Stage Set of an Italian Cityscape, Antonio Mauro II  Italian, Pen and black ink, brown and gray wash and leadpoint with vertical lines in leadpoint for the architectural construction
Antonio Mauro II
1784–97
One Quarter Design for a Painted Ceiling, Mauro Antonio Tesi  Italian, Pen and brown ink, brush and gray wash
Mauro Antonio Tesi
1730–66
Façade and Ruins, Mauro Antonio Tesi  Italian, Pen and brown ink, brush and gray wash
Mauro Antonio Tesi
1750–66
Design for an Altar Erected for the Holy Week, Mauro Antonio Tesi  Italian, Pen and brown ink, brush and brown wash
Mauro Antonio Tesi
1750–66
Design for the Left Half of an Altar, Mauro Antonio Tesi  Italian, Pen and deep brown ink, brush and brown wash
Mauro Antonio Tesi
1750–66
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso), Mauro Antonio Tesi  Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Mauro Antonio Tesi
mid-18th century
Left Half Design for an Architectural Project, Mauro Antonio Tesi  Italian, Pen and brown ink, brush and brown wash
Mauro Antonio Tesi
Piazza San Marco, Canaletto (Giovanni Antonio Canal)  Italian, Oil on canvas
Canaletto (Giovanni Antonio Canal)
late 1720s
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Saint John the Baptist, Antonio Pollaiuolo  Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Antonio Pollaiuolo
probably ca. 1460–80
Tomb of Antonio Canova, Antonio Fabris  Italian, Bronze, Italian, Venice
Antonio Fabris
1827
Saint Jerome in the Wilderness, Antonio Rossellino  Italian, Marble, Italian, Florence
Antonio Rossellino
ca. 1470
Venus Italica, Antonio Canova  Italian, Carrara marble, Italian, Rome
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
ca. 1822–23, original marble version completed November 1812
The crucified Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Meleager, Antonio Gai  Italian, Marble, Italian, Venice
Antonio Gai
1735
Empress Maria (1520–1603), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola  Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Antonio Guisasola
Juan Navaro
dated 1796
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini  Italian, Marble, Italian, Genoa
Antonio Tamagnini
late 15th century
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Saint John, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Cupid and Psyche, Antonio Canova  Italian, Plaster, Italian, Rome
Antonio Canova
1794
Head and wings of an angel and forehead of another, Antonio Rossellino  Italian, Marble, Italian, Florence
Antonio Rossellino
ca. 1475–90
Saint Matthew, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Madonna and Child with Angels, Antonio Rossellino  Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Antonio Rossellino
third quarter 15th century
The risen Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Vase, Antonio Prieto  American, born Spain, Stoneware, American
Antonio Prieto
ca. 1950–55