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1-42 of 7,091 results for Mauro Antonio Ollér y Bono
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Porclamacion del Rey Ntro. Sor. Dn. Carlos III (Que Dios garde) en su fidelissima cuidad de Valencia, presentada al publico en esta memoria...
Multiple artists/makers
1759
Mourner, Pere Oller Catalan, Alabaster, Catalan
Mourner
Pere Oller
ca. 1417
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Chalice and Paten, Antonio Forcada y la Plaza, Silver gilt, Mexican
Chalice and Paten
Antonio Forcada y la Plaza
late 18th and early 19th century
A Sheet of Heads, Mauro Gandolfi Italian, Pen and brown ink
A Sheet of Heads
Mauro Gandolfi
late 18th–mid-19th century
Design for an Altar Erected for the Holy Week, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash
Design for an Altar Erected for the Holy Week
Mauro Antonio Tesi
1750–66
Design for the Left Half of an Altar, Mauro Antonio Tesi Italian, Pen and deep brown ink, brush and brown wash
Design for the Left Half of an Altar
Mauro Antonio Tesi
1750–66
Perspective Design for a Stage Set of an Italian Cityscape, Antonio Mauro II Italian, Pen and black ink, brown and gray wash and leadpoint with vertical lines in leadpoint for the architectural construction
Perspective Design for a Stage Set of an Italian Cityscape
Antonio Mauro II
1784–97
Façade and Ruins, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash
Façade and Ruins
Mauro Antonio Tesi
1750–66
One Quarter Design for a Painted Ceiling, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash
One Quarter Design for a Painted Ceiling
Mauro Antonio Tesi
1730–66
Left Half Design for an Architectural Project, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash
Left Half Design for an Architectural Project
Mauro Antonio Tesi
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso), Mauro Antonio Tesi Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso)
Mauro Antonio Tesi
mid-18th century
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Vase, Antonio Prieto American, born Spain, Stoneware, American
Vase
Antonio Prieto
ca. 1950–55
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796
Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence
Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa
Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century
Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome
Cupid and Psyche
Antonio Canova
1794
Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80
Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice
Adonis
Antonio Corradini
ca. 1723–25
Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian
Empress Maria (1520–1603)
Antonio Abondio
1575
Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence
Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470
Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome
Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova Italian, Marble, Italian, Rome
Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century
Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice
Tomb of Antonio Canova
Antonio Fabris
1827
Saint John, Antonio Susini Italian, Bronze, Italian, Florence
Saint John
Antonio Susini
Giambologna
1596
Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence
Saint Matthew
Antonio Susini
Giambologna
1596
Meleager, Antonio Gai Italian, Marble, Italian, Venice
Meleager
Antonio Gai
1735
The risen Christ, Antonio Susini Italian, Bronze, Italian, Florence
The risen Christ
Antonio Susini
Giambologna
1596
The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence
The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian
Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575
Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas
Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745
Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Cruet and Stopper
Antonio Salviati
late 19th century