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Showing 5,989 results for Mauro Antonio Tesi

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Left Half Design for an Architectural Project, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash — Left Half Design for an Architectural Project
Mauro Antonio Tesi

Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso), Mauro Antonio Tesi Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso)
Mauro Antonio Tesi
mid-18th century

One Quarter Design for a Painted Ceiling, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash — One Quarter Design for a Painted Ceiling
Mauro Antonio Tesi
1730–66

Façade and Ruins, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash — Façade and Ruins
Mauro Antonio Tesi
1750–66

Design for an Altar Erected for the Holy Week, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash — Design for an Altar Erected for the Holy Week
Mauro Antonio Tesi
1750–66

Design for the Left Half of an Altar, Mauro Antonio Tesi Italian, Pen and deep brown ink, brush and brown wash — Design for the Left Half of an Altar
Mauro Antonio Tesi
1750–66

Plate 17 from "Raccolta di disegni originali di Mauro Tesi"

Mauro Antonio Tesi

18th century

Plate 12 from "Raccolta di disegni originali di Mauro Tesi"

Mauro Antonio Tesi

18th century

Plate 19 from "Raccolta di disegni originali di Mauro Tesi"

Mauro Antonio Tesi

18th century

Plate 21 from "Raccolta di disegni originali di Mauro Tesi"

Mauro Antonio Tesi

18th century

Plate 20 from "Raccolta di disegni originali di Mauro Tesi"

Mauro Antonio Tesi

18th century

Drawing of an Altar

Mauro Antonio Tesi

1750–66

Raccolta Di Disegni Originali di Mauro Tesi

Multiple artists/makers

1787

Giovanni Fabbri

Mauro Antonio Tesi

18th century

Design for an altar

Giovanni Fabbri

Mauro Antonio Tesi

18th century

The interior of a tomb and a theater set, volume 3, plate 227 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

A Sheet of Heads, Mauro Gandolfi Italian, Pen and brown ink — A Sheet of Heads
Mauro Gandolfi
late 18th–mid-19th century

Perspective Design for a Stage Set of an Italian Cityscape, Antonio Mauro II Italian, Pen and black ink, brown and gray wash and leadpoint with vertical lines in leadpoint for the architectural construction — Perspective Design for a Stage Set of an Italian Cityscape
Antonio Mauro II
1784–97

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas — Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence — Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90

Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa — Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century

Saint John, Antonio Susini Italian, Bronze, Italian, Florence — Saint John
Antonio Susini
Giambologna
1596

Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence — Saint Matthew
Antonio Susini
Giambologna
1596

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome — Cupid and Psyche
Antonio Canova
1794

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century

The risen Christ, Antonio Susini Italian, Bronze, Italian, Florence — The risen Christ
Antonio Susini
Giambologna
1596

Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian — Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575