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1-42 of 94 results for Mauro Poggi
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Alfabeto Di Lettere Iniziale, Mauro Poggi Italian, Engraving
Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760
Alfabeto Di Lettere Iniziale, Mauro Poggi Italian, Engraving
Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760
Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760
Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760
A Sheet of Heads, Mauro Gandolfi Italian, Pen and brown ink
A Sheet of Heads
Mauro Gandolfi
late 18th–mid-19th century
Drawing for a Frontispiece, Mauro Soderini Italian
Drawing for a Frontispiece
Mauro Soderini
1704–39
Vignette with an Allegorical Figure of Astronomy, Mauro Gandolfi Italian, Pen and brown ink, watercolor, over black chalk; framing lines in pen and brown ink
Vignette with an Allegorical Figure of Astronomy
Mauro Gandolfi
ca. 1798
Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue, Mauro Berti Italian, Pen and brown ink, brush with brown and gray wash
Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue
Mauro Berti
1792–1842
The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni, Mauro Gandolfi Italian, Engraving
The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni
Mauro Gandolfi
Guido Reni
1812
Framed Design for a Stage Set, Mauro Berti Italian, Pen and brown ink, brush and gray and brown wash, over graphite
Framed Design for a Stage Set
Mauro Berti
1772–1842
Judith holding the head of Holofernes and a sword, her maid behind her at right, Mauro Gandolfi Italian, Engraving
Judith holding the head of Holofernes and a sword, her maid behind her at right
Multiple artists/makers
1819
Design for a Festival Gondola, Alessandro Mauro (Mauri) Italian, Pen and brown ink, over graphite; framing lines in pen and brown ink
Design for a Festival Gondola
Alessandro Mauro (Mauri)
? – 1737
One Quarter Design for a Painted Ceiling, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash
One Quarter Design for a Painted Ceiling
Mauro Antonio Tesi
1730–66
Left Half Design for an Architectural Project, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash
Left Half Design for an Architectural Project
Mauro Antonio Tesi
Perspective Design for a Stage Set of an Italian Cityscape, Antonio Mauro II Italian, Pen and black ink, brown and gray wash and leadpoint with vertical lines in leadpoint for the architectural construction
Perspective Design for a Stage Set of an Italian Cityscape
Antonio Mauro II
1784–97
Façade and Ruins, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash
Façade and Ruins
Mauro Antonio Tesi
1750–66
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso), Mauro Antonio Tesi Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso)
Mauro Antonio Tesi
mid-18th century
Design for an Altar Erected for the Holy Week, Mauro Antonio Tesi Italian, Pen and brown ink, brush and brown wash
Design for an Altar Erected for the Holy Week
Mauro Antonio Tesi
1750–66
Design for the Left Half of an Altar, Mauro Antonio Tesi Italian, Pen and deep brown ink, brush and brown wash
Design for the Left Half of an Altar
Mauro Antonio Tesi
1750–66
L'albero e il vento
Mauro Fornari
1990
Venus teaching Cupid to read, both nude in a landscape
Mauro Gandolfi
Pelagio Palagi
ca. 1800–34
Venus teaching Cupid to read, both nude in a landscape
Mauro Gandolfi
Pelagio Palagi
ca. 1800–34
Saint Cecilia playing the piano, while an angel holds music for her at left
Mauro Gandolfi
Gaetano Gandolfi
ca. 1810–35
Two Pilaster with White Putti on Tan Ground, Giovanni Mauro della Rovere Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk
Two Pilaster with White Putti on Tan Ground
Giovanni Mauro della Rovere
1595–1640
Two Pilaster with White Putti on Tan Ground, Giovanni Mauro della Rovere Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk
Two Pilaster with White Putti on Tan Ground
Giovanni Mauro della Rovere
1595–1640
The Virgin and Child, Saint Dominic, and Angels Distributing Chaplets to the Faithful, Giovanni Mauro della Rovere Italian, Pen and brown ink, brush and pale brown wash, highlighted with white, over traces of black chalk, on blue paper. All four borders of paper defined in pen and brown ink
The Virgin and Child, Saint Dominic, and Angels Distributing Chaplets to the Faithful
Giovanni Mauro della Rovere
1575–1640
A Deacon Led to Martyrdom, Giovanni Mauro della Rovere Italian, Pen and brown ink, brush and blue wash, highlighted with chinese white, on blue paper
A Deacon Led to Martyrdom
Giovanni Mauro della Rovere
1575–1640
Flying Angel with Arms Upraised, Giovanni Mauro della Rovere Italian, Black chalk, brush and gray wash, highlighted with white, on blue paper; framing lines in pen and dark brown ink
Flying Angel with Arms Upraised
Giovanni Mauro della Rovere
1575–1640
The Battle of Bunker's Hill (June 17, 1775), Johann Gotthard Müller German, Engraving; second state of seven (Rümelin)
The Battle of Bunker's Hill (June 17, 1775)
Multiple artists/makers
1788–98
Leopold I of Austria as Jupiter with his wife enthroned in the clouds, looking down on the struggling giants below, Mathäus Küsel German, Engraving
Leopold I of Austria as Jupiter with his wife enthroned in the clouds, looking down on the struggling giants below
Mathäus Küsel
Mauro Oddi
ca. 1659–82
Drawing of an Altar
Mauro Antonio Tesi
1750–66
Raccolta Di Disegni Originali di Mauro Tesi
Multiple artists/makers
1787
Plate 17 from "Raccolta di disegni originali di Mauro Tesi"
Mauro Antonio Tesi
18th century
Plate 12 from "Raccolta di disegni originali di Mauro Tesi"
Mauro Antonio Tesi
18th century
Plate 19 from "Raccolta di disegni originali di Mauro Tesi"
Mauro Antonio Tesi
18th century
Plate 21 from "Raccolta di disegni originali di Mauro Tesi"
Mauro Antonio Tesi
18th century
Plate 20 from "Raccolta di disegni originali di Mauro Tesi"
Mauro Antonio Tesi
18th century
Stage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei', Gianantonio Lorenzini Italian, Etching
Stage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei'
Multiple artists/makers
1690
Plate 2 [counterproof]; stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli's "Il Favore De Gli Dei", Gianantonio Lorenzini Italian, Etching
Plate 2 [counterproof]; stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli's "Il Favore De Gli Dei"
Multiple artists/makers
1690
Eloisa
John Raphael Smith
Antonio Cesare Poggi
1792
Porclamacion del Rey Ntro. Sor. Dn. Carlos III (Que Dios garde) en su fidelissima cuidad de Valencia, presentada al publico en esta memoria...
Multiple artists/makers
1759
Catafalque
Giovanni Fabbri
Mauro Antonio Tesi
18th century