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1-42 of 46,780 results for Mexican (Zapotec peoples)
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Object type / material
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Department
Ensemble, silk, cotton, Mexican (Zapotec peoples)
Ensemble
Mexican (Zapotec peoples)
20th century
Effigy urn, Zapotec (Be'ena'a) artist(s), Ceramic, pigments, Zapotec
Effigy urn
Zapotec (Be'ena'a) artist(s)
350–600 CE
Basin, Master Potter A, Tin-glazed earthenware, Mexican
Basin
Master Potter A
ca. 1650
Covered jar, Earthenware, burnished, with white paint and silver leaf, Mexican
Covered jar
Mexican
ca. 1675–1700
The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773
Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710
Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican
Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764
Bell, clay, Zapotec (?)
Bell
Zapotec (?)
before 1889
Funerary Urn
Zapotec
100 BCE–200 CE
Chalice, Silver gilt, enamel, Mexican
Chalice
Mexican
mid-17th century
Chalice and Paten, Antonio Forcada y la Plaza, Silver gilt, Mexican
Chalice and Paten
Antonio Forcada y la Plaza
late 18th and early 19th century
Cup, Tin-glazed earthenware, Mexican
Cup
Mexican
ca. 1840
Plate, Tin-glazed earthenware, Mexican
Plate
Mexican
ca. 1760
Jar, Tin-glazed earthenware, Mexican
Jar
Mexican
ca. 1840
Jar, Tin-glazed earthenware, Mexican
Jar
Mexican
ca. 1840
Shield (<i>Adarga</i>), Leather, polychromy, Mexican
Shield (Adarga)
Mexican
probably mid-18th century
Double-gourd Bottle, Tin-glazed earthenware, Mexican
Double-gourd Bottle
Mexican
ca. 1800
Charles III of Spain, as Protector of the Royal Academy of Mexico, Geronimo Antonio Gil, Silver gilt, Mexican
Charles III of Spain, as Protector of the Royal Academy of Mexico
Geronimo Antonio Gil
18th century
Pendant, Crystal, enamel, gold, pearls, boxwood, Mexican
Pendant
Mexican
16th century
Covered jar, Earthenware, burnished, with white paint and silver leaf, Mexican
Covered jar
Mexican
ca. 1675–1700
The Baptism of Christ, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Baptism of Christ
Nicolás Enríquez
1773
The Return of the Holy Family from Egypt, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Return of the Holy Family from Egypt
Nicolás Enríquez
1773
The Virgin of El Camino with St. Fermín and St. Saturnino, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez
1773
The Apparition of the Virgin of El Pilar to St. James, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez
1773
The Entombment of Christ, Juan Rodríguez Juárez Mexican, Oil and gold on copper, Mexican
The Entombment of Christ
Juan Rodríguez Juárez
ca. 1702
Chalice, Antón Dantés Mexican, Silver, gilt, repoussé, chased, cast, and lathed, with burnished punchwork, Mexican
Chalice
Antón Dantés
ca. 1560–1570
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720
The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican
The Marriage of the Virgin
José Sánchez
ca. 1690
Relief Block with Coat of Arms of Cholula, Stone, traces of stucco, Mexican
Relief Block with Coat of Arms of Cholula
Mexican
early 16th century
Charango, Marcos Manufactory, Wood (sprunce, mahagony, rosewood), armadillo shell, Mexican
Charango
Marcos Manufactory
late 19th century
Guitarra Séptima (Seven-course guitar), M. Fernandez Mexican, Spruce, rosewood, mother-of-pearl, Mexican
Guitarra Séptima (Seven-course guitar)
M. Fernandez
ca. 1880
Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal, Dan peoples
Female portrait lü me (figure in wood)
Zlan of Belewale
Sonzlanwon
First half 20th century
Pendant mask of Ìyọ́bà Idià, Ìgbèsànmwà (ivory- and wood- carving guild) artists, Ivory, iron, brass, coal, traces of iron oxides, Edo peoples
Pendant mask of Ìyọ́bà Idià
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century
Mukudj (mask), Punu artist, Wood, pigment, kaolin, Punu peoples
Mukudj (mask)
Punu artist
mid-19th–mid-20th century
Seated couple, "Barnes Foundation Master", Wood, copper and iron alloy, applied organic materials, Dogon peoples
Seated couple
"Barnes Foundation Master"
18th–early 19th century
Nkishi (community power figure), Songye artist and nganga (ritual specialist), Wood, copper, brass, iron, fiber, snakeskin, leather, fur, feathers, mud, resin, Songye peoples
Nkishi (community power figure)
Songye artist and nganga (ritual specialist)
19th–first half of 20th century
Dilukai (gable figure), Belauan artist, Wood, paint, Belauan peoples
Dilukai (gable figure)
Belauan artist
late 19th–early 20th century
Kpeliye’e headdress, Senufo artist, Wood, horns, quills, raffia fiber, cotton cloth, feathers, metal, applied organic materials, Senufo peoples
Kpeliye’e headdress
Senufo artist
19th–mid-20th century
Priest with raised arms, Dogon blacksmith, Wood, applied organic materials, Dogon peoples
Priest with raised arms
Dogon blacksmith
14th–17th century
Òpó (veranda post) with equestrian and female figure, Olowe of Ise Nigerian, Iroko wood, paint, resin, Yoruba peoples
Òpó (veranda post) with equestrian and female figure
Olowe of Ise
before 1938
Nsodie (memorial head), Akan artist, Terracotta, Akan peoples
Nsodie (memorial head)
Akan artist
17th–mid-18th century
Bata (ram) mask for a beete performance, Kwele artist, Wood, pigment, kaolin, Kwele peoples
Bata (ram) mask for a beete performance
Kwele artist
19th–first half of 20th century