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1-42 of 4,166 results for Michele da Verona
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A Gentleman, a Young Woman, and a Dog, Michele da Verona (?), Brush and gray and brown ink, heightened with white, on light brown paper.
A Gentleman, a Young Woman, and a Dog
Michele da Verona
early 16th century
Madonna and Child with Saints Roch and Sebastian, Michele da Verona, Tip of the brush and brown ink, brown and some blue wash, heightened with white, on paper tinted brown.
Madonna and Child with Saints Roch and Sebastian
Michele da Verona
early 16th century
Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown.
Saint Paul
Michele da Verona
ca. 1510
Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood
Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s
Scene from a Novella, Liberale da Verona Italian, Tempera on wood
Scene from a Novella
Liberale da Verona
Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman)
Harpsichord
Multiple artists/makers
ca. 1670
The Chess Players, Liberale da Verona Italian, Tempera on wood
The Chess Players
Liberale da Verona
ca. 1475
Allegory of Sacred and Profane Love, Michele Desubleo Flemish, Oil on canvas
Allegory of Sacred and Profane Love
Michele Desubleo
1665–75
Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Shield
Girolamo da Treviso
ca. 1535
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Saint Francis Before the Bishop, Niccolò Solimani (Niccolò da Verona), Pen and light and dark brown ink, brown wash, over traces of black chalk.
Saint Francis Before the Bishop
Niccolò Solimani (Niccolò da Verona)
ca. 1469
The Crucifixion, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Tempera on wood, gold ground
The Crucifixion
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
ca. 1400
The Descent of the Holy Spirit, Francesco Orlandini, Walnut and other woods, Italian, Verona
The Descent of the Holy Spirit
Francesco Orlandini
1547
Saint Jerome with a lion, Francesco Orlandini, Walnut and other woods, Italian, Verona
Saint Jerome with a lion
Francesco Orlandini
1547
Architectural Capriccio, Francesco Orlandini, Walnut and other woods, Italian, Verona
Architectural Capriccio
Francesco Orlandini
1547
Two Angels, North Italian Painter (Verona?) Italian, Fresco
Two Angels
North Italian Painter (Verona?)
ca. 1330
Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence
Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470
Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Multiple artists/makers
ca. 1565–73
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609), Michele Mazzafirri, Bronze, cast, Italian, Florence
Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609)
Michele Mazzafirri
1588
Repeating Flintlock Pistol, Michele Lorenzoni Italian, Steel, wood, silver, Italian, Florence
Repeating Flintlock Pistol
Michele Lorenzoni
ca. 1690–1700
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), Michele Gordigiani Italian, Oil on canvas
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)
Michele Gordigiani
1864
Standing Apostle or Saint, Michele Giambono (Michele Giovanni Bono) (?) Italian, Pen and brown ink, touches of brush and darker brown wash, over black chalk.
Standing Apostle or Saint
Michele Giambono (Michele Giovanni Bono)
Bartolomeo Vivarini
mid-fifteenth century
The Man of Sorrows, Michele Giambono (Michele Giovanni Bono) Italian, Tempera and gold on wood
The Man of Sorrows
Michele Giambono (Michele Giovanni Bono)
ca. 1430
Jupiter with a thunderbolt, Joseph de Levis Italian, Bronze, Italian, possibly Verona
Jupiter with a thunderbolt
Joseph de Levis
late 16th–early 17th century
Naval Battle, from "Speculum Romanae Magnificentiae", Michele Lucchese Italian, Etching and engraving
Naval Battle, from "Speculum Romanae Magnificentiae"
Michele Lucchese
Polidoro da Caravaggio
16th century
A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood
The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Barbute, Pietro da Castello Italian, Steel, Italian, Brescia
Barbute
Pietro da Castello
ca. 1470–80
Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence
Farnese Hercules
Pietro da Barga
modeled ca. 1576; cast 17th century
Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence
Madonna and Child
Benedetto da Maiano
ca. 1490
Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan
Barbute
Bernardino da Carnago
ca. 1475
Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence
Corbel
Giuliano da Sangallo
late 15th century
Madonna and Child with Donors, Giovanni da Milano Italian, Tempera on wood, gold ground
Madonna and Child with Donors
Giovanni da Milano
ca. 1365
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434
Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware)
Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30
Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole.
Tondo mirror frame
Benedetto da Maiano
ca. 1480