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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 405 results for Minna Keene
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Minna Keene
ca. 1906
Decanter, Keene Glass Works  American, Blown-molded glass, American
Keene Glass Works
1815–41
Figured flask, Keene Glass Works  American, Blown-molded glass, American
Keene Glass Works
1830–40
Inkwell, Keene Glass Works  American, Blown-molded glass, American
Keene Glass Works
1815–41
Flask, Keene Marlboro Street Glassworks  American, Free-blown molded green glass, American
Keene Marlboro Street Glassworks
1820–30
Pint flask, Keene Marlboro Street Glassworks  American, Free-blown molded green glass, American
Keene Marlboro Street Glassworks
ca. 1828–40
Staten Island Ferry, Minna Wright Citron  American, Aquatint and etching
Minna Wright Citron
Eldindean Press, New York
1940
Head, Minna Wright Citron  American, Charcoal and chalk on paper
Minna Wright Citron
1943
Figured flask, Coventry Glass Works or American, Blown-molded glass, American
Coventry Glass Works
Keene Glass Works
1824–40
Flask, Coventry Glass Works  American, Free-blown molded green glass, American
Coventry Glass Works
Keene Marlboro Street Glassworks
1830–40
Façade of a Gothic Revival Church, Henry Keene  British, Pen and black ink, brush and wash and watercolor
Henry Keene
1745–76
Squid Under Pier, Minna Wright Citron  American, Color soft-ground etching and engraving
Minna Wright Citron
1948
Prêle, Minna Wright Citron  American, Colored etching and aquatint
Minna Wright Citron
ca. 1950
Stillness of the Ore, Minna Wright Citron  American, Colored etching, engraving and aquatint
Minna Wright Citron
1953
Anticipation (for Punch, or the London Charivari, October 23, 1876), Charles Samuel Keene  British, Pen and brown ink, brush and wash with touches of white gouache (bodycolor)
Charles Samuel Keene
1876
Two Nursemaids, Charles Samuel Keene  British, Pen and brown ink, brush and wash
Charles Samuel Keene
1870–1891
"A Tight Fit", Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1872
She was "Sorry She Spoke", Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1870–1891
"The Soldier's Tear"–Old Song, Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
ca. 1879
"So Considerate", Charles Samuel Keene  British, Pen and brown ink, brush and brown wash, heightened with white
Charles Samuel Keene
1870–91
"A Reproof", Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1870–1891
"Tract Distributor", Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1870–1891
"Happy Thought" (for Punch, December 16, 1876), Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1876
"A Wolf in Sheep's Clothing", Charles Samuel Keene  British, Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1870–1891
A Vicar and a Curate, Charles Samuel Keene  British, Pen and brown ink, brush and gray wash, touches of white gouache (bodycolor)
Charles Samuel Keene
1870–1891
Minna Wright Citron
ca. 1965
Minna Wright Citron
1945–1955
Minna Wright Citron
1969
Minna Weiss Zellner
1889–82
Minna Weiss Zellner
1889–82
Minna Weiss Zellner
1929
Minna Wright Citron
Atelier 17
1947
Minna Wright Citron
1965
Minna Wright Citron
1941
Minna Wright Citron
1949
Minna Wright Citron
1957
Minna Wright Citron
1947
Elliott and Fry
Charles Samuel Keene
1860s
Charles Samuel Keene
1868
Charles Samuel Keene
Joseph Swain
n.d.