Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 337 results for Niccolò Vicentino

Sort by:

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in black and lime (state ia/ii) — Hercules and the Nemean Lion
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–50

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in orange (state ia/ii) — Hercules and the Nemean Lion
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–1550

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in pale blue (state ia/ii) — Hercules and the Nemean Lion
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–50

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in pale brown (state ib/ii) — Hercules and the Nemean Lion
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–50

Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut printed from three blocks in blue ink; third state of six — Olympus (Surprise)
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50

Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in blue; first state of two — Christ healing the Lepers
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two — Christ healing the Lepers
Multiple artists/makers
1540–50 (published by Andreani 1608)

The escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green ink (trimmed along bottom) — The escape of Cloelia
Niccolò Vicentino
Maturino da Firenze
1540–50

Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown (state i/ii) — Christ healing the Lepers
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

The Escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green; second state of two — The Escape of Cloelia
Multiple artists/makers
1540–50 (published by Andreani in 1608)

Ajax lower left holding a shield aloft, at the right stands Agamemnon surrounded by his soldiers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in gray — Ajax lower left holding a shield aloft, at the right stands Agamemnon surrounded by his soldiers
Niccolò Vicentino
Polidoro da Caravaggio
1540–50

Circe drinking from a cup, an oval composition, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in gray, state one of two — Circe drinking from a cup, an oval composition
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50

People paying homage to Psyche's beauty, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown, probably first state — People paying homage to Psyche's beauty
Niccolò Vicentino
Giuseppe Salviati (Giuseppe Porta, called Il Salviati)
ca. 1540–50

Joshua addressing the people at Schechem, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in gray — Joshua addressing the people at Schechem
Multiple artists/makers
1520–50 (published 1608)

Right hand section of St Peter preaching to the apostles, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown — Right hand section of St Peter preaching to the apostles
Multiple artists/makers
ca. 1540–50

Joshua addressing the people at Schechem, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown — Joshua addressing the people at Schechem
Multiple artists/makers
1520–50

The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown — The Miraculous Draught of Fishes
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–50

The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii) — The Miraculous Draught of Fishes
Multiple artists/makers
1540–50 (republished 1609)

The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii) — The Miraculous Draught of Fishes
Multiple artists/makers
1540–50 (republished 1609)

Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown ink; fourth state of six — Olympus (Surprise)
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50

Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; first state of six — Olympus (Surprise)
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50

Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown ink; sixth state of six — Olympus (Surprise)
Multiple artists/makers
ca. 1540–50

Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut printed from three blocks in brown ink; sixth state of six — Olympus (Surprise)
Multiple artists/makers
ca. 1540–50

The contest between Apollo and Marysas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown — The contest between Apollo and Marysas
Multiple artists/makers
ca. 1540–1550

Marsyas drawing the Syrinx from the river, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown, trimmed around oval — Marsyas drawing the Syrinx from the river
Multiple artists/makers
ca. 1540–50

The contest between Apollo and Marsyas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown — The contest between Apollo and Marsyas
Multiple artists/makers
ca. 1540–50

The contest between Apollo and Marysas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown; Greek text printed in red on verso — The contest between Apollo and Marysas
Multiple artists/makers
ca. 1540–50

Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two (Bartsch) — Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,
Niccolò Vicentino
Maturino da Firenze
1540–50

Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in blue — Adoration of the Magi
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green — Adoration of the Magi
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green — Adoration of the Magi
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green, second state of two (Bartsch) — The Adoration of the Magi
Multiple artists/makers
1540–50; 1605 (date published by Andreani)

The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green; second state of two (Bartsch) — The Adoration of the Magi
Multiple artists/makers
1540–50; 1605 (date published by Andreani)

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in green (state ii) — Hercules and the Nemean Lion
Multiple artists/makers
1540–50

Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in green (state ii) — Hercules and the Nemean Lion
Multiple artists/makers
1540–50

The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green-brown — The Adoration of the Magi
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown — The Adoration of the Magi
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50

The Adoration of the Magi, Niccolò Vicentino Italian, Woodcut printed in blue — The Adoration of the Magi
Multiple artists/makers
1540–50; 1605 (date published by Andreani)

The Miraculous Draught of Fishes, after Raphael, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in tan brown — The Miraculous Draught of Fishes, after Raphael
Multiple artists/makers
1540–50 (republished 1609)

Christ healing the paralytic, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in gray-blue — Christ healing the paralytic
Niccolò Vicentino
Perino del Vaga (Pietro Buonaccorsi)
1540–50