The Temple of Dendur will be closed Sunday, April 26, through Friday, May 8. The Met Fifth Avenue will be closed on Monday, May 4.

Plan your visit

Search for Art

1-42 of 1,435 results for Orpha Mae Klinker
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
Object type / material
Geographic location
Department
Orpha Mae Klinker
ca. 1915–55
Jar, Christian Klinker  American, Earthenware; Redware with slip decoration, American
Christian Klinker
ca. 1773
Evening cape, Mae & Hattie Green, silk, metal, French
Mae & Hattie Green
ca. 1935
Shape of Things (female), Carrie Mae Weems  American, Gelatin silver print
Carrie Mae Weems
1993, printed 2000
Strip Medallion quilt, Annie Mae Young  American, Top: cotton and cotton-polyester blend; back: cotton-polyester blend
Annie Mae Young
1976
Woman Scolding Her Companion, Nellie Mae Rowe  American, Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board
Nellie Mae Rowe
1981
Atlanta's Missing Children, Nellie Mae Rowe  American, Commercial paint, crayon, oil pastel, graphite, ink marker, and cut and pasted paper on paperboard
Nellie Mae Rowe
1981
Nellie's Birthday, Nellie Mae Rowe  American, Colored pencil, crayon, and graphite on paper
Nellie Mae Rowe
1981
Empty Chair, Nellie Mae Rowe  American, Crayon, wax crayon and graphite with pastel on paper
Nellie Mae Rowe
1981
Humpy (Hubert Humphrey), Nellie Mae Rowe  American, Wax crayon and graphite with red porous-point pen on paper
Nellie Mae Rowe
1978
You Became a Scientific Profile, A Negroid Type, An Anthropological Debate, & A Photographic Subject
, Carrie Mae Weems  American, Chromogenic prints with sand-blasted text on frame glass
Carrie Mae Weems
1995–96
Carrie Mae Weems
1992, printed 2000
[Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times], Louise Lawler  American, Newsprint booklet
Multiple artists/makers
May 22, 1988
Galatea, Max Klinger  German, Cast silver; marble, German
Max Klinger
Noack and Brückner Foundry
1906
The Beginning, Max Beckmann  German, Oil on canvas
Max Beckmann
1946–49
Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German
Hans Klocker
ca. 1475
Going Under (from the series A Life), Max Klinger  German, Etching and aquatint; final state of six
Max Klinger
1884, 4th edition 1898
Mondnacht, from Intermezzi, plate 4, Max Klinger  German, Etching and aquatint
Max Klinger
n.d.
Kämpfende Centauren (Fighting Centaurs), Max Klinger  German, Etching and aquatint; second state
Max Klinger
1870–1920
Title Page from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching
Max Klinger
Wilhelm Felsing
1898
Eva from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching; eighth state of eight
Max Klinger
Wilhelm Felsing
1898
Erste Zukunft from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching and aquatint; seventh state of seven
Max Klinger
Wilhelm Felsing
1898
Die Schlange from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching; ninth state of nine
Max Klinger
Wilhelm Felsing
1898
The Head of a Young Woman Wearing a Bonnet, Max Klinger  German, Graphite with pen, brush and ink
Max Klinger
ca. 1880–82
Zweite Zukunft from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching and aquatint; eighth state of eight
Max Klinger
Wilhelm Felsing
1898
Adam from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching and aquatint; seventh state of seven
Max Klinger
Wilhelm Felsing
1898
Dritte Zukunft from Eva und die Zukunft (Rad.-Werk  III), Max Klinger  German, Etching; ninth state of nine
Max Klinger
Wilhelm Felsing
1898
Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition, Max Klinger  German, Title-page with an etching; housed in original portfolio; first edition
Max Klinger
F. Felsing
1881
Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Action (plate two from Paraphrase on the Finding of a Glove), Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition; state three of six
Max Klinger
F. Felsing
1881
Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Rescue (plate four from Paraphrase on the Finding of a Glove), Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition; state four of seven
Max Klinger
F. Felsing
1881
Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Abduction (plate nine from Paraphrase on the Finding of a Glove), Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition; state two of five
Max Klinger
F. Felsing
1881
Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition, Max Klinger  German, Etching, drypoint and aquatint on chine collé; first edition
Max Klinger
F. Felsing
1881
Three Studies of Heads of Women, Max Klinger  German, Pen and black ink
Max Klinger
1883
Self-Portrait, Max Klinger  German, Etching
Max Klinger
1918
Titelblatt, from the series "Radierte Skizzen", Max Klinger  German, Etching and aquatint on chine collé
Max Klinger
n.d.
Malerische Zueignung, from the series Radierte Skizzen, Max Klinger  German
Max Klinger
n.d.