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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,500 results for Orpha Mae Klinker

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Shadows in the Dell

Orpha Mae Klinker

ca. 1915–55

Jar, Christian Klinker American, Earthenware; Redware with slip decoration, American — Jar
Christian Klinker
ca. 1773

Woman Scolding Her Companion, Nellie Mae Rowe American, Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board — Woman Scolding Her Companion
Nellie Mae Rowe
1981

Atlanta's Missing Children, Nellie Mae Rowe American, Commercial paint, crayon, oil pastel, graphite, ink marker, and cut and pasted paper on paperboard — Atlanta's Missing Children
Nellie Mae Rowe
1981

Nellie's Birthday, Nellie Mae Rowe American, Colored pencil, crayon, and graphite on paper — Nellie's Birthday
Nellie Mae Rowe
1981

Empty Chair, Nellie Mae Rowe American, Crayon, wax crayon and graphite with pastel on paper — Empty Chair
Nellie Mae Rowe
1981

Strip Medallion quilt, Annie Mae Young American, Top: cotton and cotton-polyester blend; back: cotton-polyester blend — Strip Medallion quilt
Annie Mae Young
1976

Evening cape, Mae & Hattie Green, silk, metal, French — Evening cape
Mae & Hattie Green
ca. 1935

Shape of Things (female), Carrie Mae Weems American, Gelatin silver print — Shape of Things (female)
Carrie Mae Weems
1993, printed 2000

Humpy (Hubert Humphrey), Nellie Mae Rowe American, Wax crayon and graphite with red porous-point pen on paper — Humpy (Hubert Humphrey)
Nellie Mae Rowe
1978

You Became a Scientific Profile; A Negroid Type; An Anthropological Debate; & A Photographic Subject

Carrie Mae Weems

1995–96

Carrie Mae Weems

1992, printed 2000

[Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times], Louise Lawler American, Newsprint booklet — [Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times]
Multiple artists/makers
May 22, 1988

Galatea, Max Klinger German, Cast silver; marble, German — Galatea
Max Klinger
Noack and Brückner Foundry
1906

Rayograph, Man Ray American, Gelatin silver print — Rayograph
Man Ray
1923

Compass, Man Ray American, Gelatin silver print — Compass
Man Ray
1920

The Beginning, Max Beckmann German, Oil on canvas — The Beginning
Max Beckmann
1946–49

Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German — Saint George and the Dragon
Hans Klocker
ca. 1475

Simplicius in der Waldeinöde, from the series Intermezzi, Max Klinger German — Simplicius in der Waldeinöde, from the series Intermezzi
Max Klinger
n.d.

Simplici Schreibstunde, from the series Intermezzi, Max Klinger German — Simplici Schreibstunde, from the series Intermezzi
Max Klinger
n.d.

Verfolgter Centaur, from the series Intermezzi, Max Klinger German, Etching and aquatint on chine collé — Verfolgter Centaur, from the series Intermezzi
Max Klinger
n.d.

Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition, Max Klinger German, Title-page with an etching; housed in original portfolio; first edition — Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition
Max Klinger
F. Felsing
1881

Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition
Max Klinger
F. Felsing
1881

Action (plate two from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state three of six — Action (plate two from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition
Max Klinger
F. Felsing
1881

Rescue (plate four from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state four of seven — Rescue (plate four from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition
Max Klinger
F. Felsing
1881

Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
F. Felsing
1881

Three Studies of Heads of Women, Max Klinger German, Pen and black ink — Three Studies of Heads of Women
Max Klinger
1883

Wounded Crane with an Arrow in its Breast Before Setting Sun, Max Klinger German, Pen and ink on buff stock — Wounded Crane with an Arrow in its Breast Before Setting Sun
Max Klinger
late 19th–early 20th century

The Release of Prometheus, Max Klinger German, Pen and black ink on buff stock — The Release of Prometheus
Max Klinger
late 19th–early 20th century

Pegasus and the Young Bellephron, Max Klinger German, Pen and black ink on buff stock — Pegasus and the Young Bellephron
Max Klinger
late 19th–early 20th century

Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V), Max Klinger German, Pen and ink on blue paper — Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V)
Max Klinger
1878

An die Schönheit, from the series Vom Tode Zweiter Teil, Max Klinger German, Engraving and etching — An die Schönheit, from the series Vom Tode Zweiter Teil
Max Klinger
1898–1910

Siesta I, from the series Radierte Skizzen, Max Klinger German, Etching and aquatint; third or fourth state of four — Siesta I, from the series Radierte Skizzen
Max Klinger
n.d.

Mondnacht, from Intermezzi, plate 4, Max Klinger German, Etching and aquatint — Mondnacht, from Intermezzi, plate 4
Max Klinger
n.d.

Kämpfende Centauren (Fighting Centaurs), Max Klinger German, Etching and aquatint; second state — Kämpfende Centauren (Fighting Centaurs)
Max Klinger
1870–1920

Intermezzi, Opus IV, Max Klinger German, Etching and aquatint — Intermezzi, Opus IV
Max Klinger
Stroefer
1881

Design for a Title Page for Sheet Music, Max Klinger German, Pen and black ink, brush and gray wash, red gouache, corrected with white; partially incised for transfer; strips added at top and at right — Design for a Title Page for Sheet Music
Max Klinger
late 19th–early 20th century

The Head of a Young Woman Wearing a Bonnet, Max Klinger German, Graphite with pen, brush and ink — The Head of a Young Woman Wearing a Bonnet
Max Klinger
ca. 1880–82