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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,499 results for Orpha Mae Klinker

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Shadows in the Dell

Orpha Mae Klinker

ca. 1915–55

Jar, Christian Klinker American, Earthenware; Redware with slip decoration, American — Jar
Christian Klinker
ca. 1773

Evening cape, Mae & Hattie Green, silk, metal, French — Evening cape
Mae & Hattie Green
ca. 1935

Shape of Things (female), Carrie Mae Weems American, Gelatin silver print — Shape of Things (female)
Carrie Mae Weems
1993, printed 2000

Woman Scolding Her Companion, Nellie Mae Rowe American, Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board — Woman Scolding Her Companion
Nellie Mae Rowe
1981

Atlanta's Missing Children, Nellie Mae Rowe American, Commercial paint, crayon, oil pastel, graphite, ink marker, and cut and pasted paper on paperboard — Atlanta's Missing Children
Nellie Mae Rowe
1981

Nellie's Birthday, Nellie Mae Rowe American, Colored pencil, crayon, and graphite on paper — Nellie's Birthday
Nellie Mae Rowe
1981

Empty Chair, Nellie Mae Rowe American, Crayon, wax crayon and graphite with pastel on paper — Empty Chair
Nellie Mae Rowe
1981

Strip Medallion quilt, Annie Mae Young American, Top: cotton and cotton-polyester blend; back: cotton-polyester blend — Strip Medallion quilt
Annie Mae Young
1976

Humpy (Hubert Humphrey), Nellie Mae Rowe American, Wax crayon and graphite with red porous-point pen on paper — Humpy (Hubert Humphrey)
Nellie Mae Rowe
1978

You Became a Scientific Profile; A Negroid Type; An Anthropological Debate; & A Photographic Subject

Carrie Mae Weems

1995–96

Carrie Mae Weems

1992, printed 2000

[Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times], Louise Lawler American, Newsprint booklet — [Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times]
Multiple artists/makers
May 22, 1988

Galatea, Max Klinger German, Cast silver; marble, German — Galatea
Max Klinger
Noack and Brückner Foundry
1906

Compass, Man Ray American, Gelatin silver print — Compass
Man Ray
1920

Rayograph, Man Ray American, Gelatin silver print — Rayograph
Man Ray
1923

The Beginning, Max Beckmann German, Oil on canvas — The Beginning
Max Beckmann
1946–49

Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German — Saint George and the Dragon
Hans Klocker
ca. 1475

Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition, Max Klinger German, Title-page with an etching; housed in original portfolio; first edition — Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition
Max Klinger
F. Felsing
1881

Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition
Max Klinger
F. Felsing
1881

Action (plate two from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state three of six — Action (plate two from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition
Max Klinger
F. Felsing
1881

Rescue (plate four from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state four of seven — Rescue (plate four from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition
Max Klinger
F. Felsing
1881

Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
F. Felsing
1881

Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition
Max Klinger
F. Felsing
1881

Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition
Max Klinger
F. Felsing
1881

Abduction (plate nine from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state two of five — Abduction (plate nine from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Three Studies of Heads of Women, Max Klinger German, Pen and black ink — Three Studies of Heads of Women
Max Klinger
1883

Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition
Max Klinger
F. Felsing
1881

"Integer Vitae...", from "Vom Tode Zweiter Teil", Max Klinger German, Copper engraving — "Integer Vitae...", from "Vom Tode Zweiter Teil"
Max Klinger
1878, later edition

Herrscher, from the series Vom Tode Zweiter Teil, Max Klinger German, Etching — Herrscher, from the series Vom Tode Zweiter Teil
Max Klinger
n.d.

Philosopher (from the series On Death II), Max Klinger German, Etching and aquatint — Philosopher (from the series On Death II)
Max Klinger
1898–1910

Genie (Künstler), from the series Vom Tode Zweiter Teil, Max Klinger German, Etching and aquatint — Genie (Künstler), from the series Vom Tode Zweiter Teil
Max Klinger
1910

Plague (Pest), from the series Death, Part II (Vom Tode Zweiter Teil), Max Klinger German, Etching — Plague (Pest), from the series Death, Part II (Vom Tode Zweiter Teil)
Max Klinger
1903 (published 1904)

Krieg, from the series Vom Tode Zweiter Teil, Max Klinger German — Krieg, from the series Vom Tode Zweiter Teil
Max Klinger
n.d.

Elend, from the series Vom Tode Zweiter Teil, Max Klinger German — Elend, from the series Vom Tode Zweiter Teil
Max Klinger
n.d.

Ex Libris of Eduard Arnhold, Max Klinger German — Ex Libris of Eduard Arnhold
Max Klinger
n.d.

Ex Libris of Elsa Asenijeff, Max Klinger German — Ex Libris of Elsa Asenijeff
Max Klinger
n.d.

Old Man Praying (St. Anthony), Max Klinger German — Old Man Praying (St. Anthony)
Max Klinger
n.d.