Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 183 results for Pedro Duque Cornejo

Sort by:

The Annunciation (Angel Approaching From the Right), Pedro Duque Cornejo Spanish, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper — The Annunciation (Angel Approaching From the Right)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Figure of an Angel, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper — Standing Figure of an Angel
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Male Saint (an Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper — Standing Male Saint (an Apostle?)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Visitation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper — Visitation
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18

The Flight into Egypt, Pedro Duque Cornejo Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper — The Flight into Egypt
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper — The Annunciation
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper — The Annunciation
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper — Standing Saint (Apostle?)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

The Infant Saint John the Baptist with the Infant Christ in the Wilderness (recto); Fragment of Architectural Design with Engaged Corinthian Columns (verso), Pedro Duque Cornejo Spanish, Pen and light brown ink, selectively reinforced with dark brown ink, over black chalk underdrawing. Border lines in the same brown ink (recto). Fragment of architectural design with engaged Corinthian columns. Pen and light brown ink over ruling in black chalk (verso). On off-white paper — The Infant Saint John the Baptist with the Infant Christ in the Wilderness (recto); Fragment of Architectural Design with Engaged Corinthian Columns (verso)
Pedro Duque Cornejo
Anonymous, Spanish, 17th century
ca. 1700–50

John the Baptist with a Lamb in the Wilderness, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper — John the Baptist with a Lamb in the Wilderness
Pedro Duque Cornejo
Anonymous, Spanish, 17th century
ca. 1700–50

Head of Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Some contours reinforced with pen and darker brown ink. On off-white paper — Head of Christ
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro Duque Cornejo Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper — Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

The Annunciation (Angel Approaching from Left), Pedro Duque Cornejo Spanish, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper — The Annunciation (Angel Approaching from Left)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Figure of an Evangelist, Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper — Standing Figure of an Evangelist
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Saint Francis Borja, Pedro Duque Cornejo Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn with pen and brown ink. On off-white paper — Saint Francis Borja
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33

Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn in pen and dark brown ink. On off-white paper — Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33

Two Figures of Evangelists Writing, Pedro Duque Cornejo Spanish, Pen and black ink, brush and gray wash, over black chalk underdrawing on ivory paper — Two Figures of Evangelists Writing
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Figure of the Dead Christ with Mourning Angel (The Lamentation), Pedro Duque Cornejo Spanish, Black chalk. On off-white paper — Figure of the Dead Christ with Mourning Angel (The Lamentation)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?), Pedro Duque Cornejo Spanish, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper — Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Saint Anthony of Padua, Pedro Duque Cornejo Spanish, Black chalk on ivory paper; framing lines in black chalk — Saint Anthony of Padua
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
1700–50

Holy Family, Pedro Duque Cornejo Spanish, Black chalk; composition outlined in black chalk along left and bottom. On off-white paper — Holy Family
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Kneeling Angel With Hands Outstretched, Pedro Duque Cornejo Spanish, Pen and dark brown ink on off-white paper — Kneeling Angel With Hands Outstretched
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Female Figure with Large Medallion, Pedro Duque Cornejo Spanish, Pen and dark brown ink over black chalk underdrawing; composition outlined in black chalk. On off-white paper — Standing Female Figure with Large Medallion
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Seated Male Nude with Open Book, Pedro Duque Cornejo Spanish, Black chalk partly reinforced with pen and dark brown ink; black chalk lines along right and left borders of sheet. On ivory paper — Seated Male Nude with Open Book
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Saint Sebastian (?) Tied to a Tree, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing. On off-white paper — Saint Sebastian (?) Tied to a Tree
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Saint Sebastian, Pedro Duque Cornejo Spanish, Black chalk underdrawing reinforced with pen and dark brown ink; composition outlined in black chalk. On ivory paper — Saint Sebastian
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Figure Holding Cross, Pedro Duque Cornejo Spanish, Pen and dark brown ink over some traces of black chalk underdrawing — Standing Figure Holding Cross
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), Pedro Duque Cornejo Spanish, Pen and dark brown ink over black chalk underdrawing (recto); black chalk drawing in the same hand (verso). On off-white paper — Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink with ground line in same. On off-white paper — Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33

Angel with Palm Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper — Angel with Palm Seated on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
1700–50

Angel Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper — Angel Seated on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Saint (apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper — Standing Saint (apostle?)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper — Standing Saint (Apostle?)
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Standing Male Figure, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper — Standing Male Figure
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Scissors, Pedro Diaz Spanish, Steel, Spanish, Albacete — Scissors
Pedro Diaz
1738 (?)