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Showing 6,265 results for Pellegrini Antonio Orlandi

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Repertorium sculptile-typicum: or a complete collection and explanation of the several marks and cyphers by which the best engravers are distinguished...

Pellegrini Antonio Orlandi

Sam Hardin

1730

Bacchus and Ariadne, Giovanni Antonio Pellegrini Italian, Oil on canvas — Bacchus and Ariadne
Giovanni Antonio Pellegrini
1720s

The Last Supper, Giovanni Antonio Pellegrini Italian, Pen and brown ink, wash — The Last Supper
Giovanni Antonio Pellegrini
ca. 1705

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

The Annunciation, Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and brown wash, over graphite or lead; framing lines with scalloped top border in brush and brown wash — The Annunciation
Giovanni Antonio Pellegrini
1695–1741

Virgin Standing on Clouds Holding a Scapular in Her Left Hand, Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and gray wash, over black chalk — Virgin Standing on Clouds Holding a Scapular in Her Left Hand
Giovanni Antonio Pellegrini
1675–1741

Design for a Ceiling: Allegories of the Four Continents, Giovanni Antonio Pellegrini Italian, Brush and gray wash, over graphite or lead; framing lines in pen and black ink; four sections of paper, two center parts joined together — Design for a Ceiling: Allegories of the Four Continents
Giovanni Antonio Pellegrini
1725

The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and brown wash, over red and black chalk; traces of white chalk at upper right edge (recto); pen and brown ink, brush and brown wash, over black chalk (verso) — The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso)
Giovanni Antonio Pellegrini
1675–1741

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

Saint John, Antonio Susini Italian, Bronze, Italian, Florence — Saint John
Antonio Susini
Giambologna
1596

Meleager, Antonio Gai Italian, Marble, Italian, Venice — Meleager
Antonio Gai
1735

Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian — Empress Maria (1520–1603)
Antonio Abondio
1575

Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence — Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470

Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome — Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810

Paris, Antonio Canova Italian, Marble, Italian, Rome — Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812

Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome — Cupid and Psyche
Antonio Canova
1794

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian — Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575

Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice — Adonis
Antonio Corradini
ca. 1723–25

Vase, Antonio Prieto American, born Spain, Stoneware, American — Vase
Antonio Prieto
ca. 1950–55

Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar — Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796

Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts. — Cruet and Stopper
Antonio Salviati
late 19th century

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas — Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745

Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt. — Footed vase
Antonio Salviati
late 19th–early 20th century

Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed. — Bottle
Antonio Salviati
late 19th century

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century

Violin, Antonio Gragnani Italian, Spruce, maple, ebony, Italian — Violin
Antonio Gragnani
1783

Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence — Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90