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1-42 of 133 results for Peter Lely
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Barbara Villiers (1640–1709), Duchess of Cleveland, Sir Peter Lely Dutch, British, Oil on canvas
Barbara Villiers (1640–1709), Duchess of Cleveland
Workshop of Sir Peter Lely
Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon, Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon
Sir Peter Lely (Pieter van der Faes)
Study for a Portrait of a Woman, Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Study for a Portrait of a Woman
Sir Peter Lely (Pieter van der Faes)
1670s
Sir Henry Capel (1638–1696), Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Sir Henry Capel (1638–1696)
Sir Peter Lely (Pieter van der Faes)
Study of the Forearms and Hands of a Woman, Sir Peter Lely (Pieter van der Faes) Dutch, British, Black chalk with touches of red, heightened with white, on buff paper.
Study of the Forearms and Hands of a Woman
Sir Peter Lely (Pieter van der Faes)
ca. 1665
Studies of Hands, Sir Peter Lely (Pieter van der Faes) Dutch, British, Red, black, and white chalk
Studies of Hands
Sir Peter Lely (Pieter van der Faes)
1630–80
A Knight of the Order of the Garter, Sir Peter Lely (Pieter van der Faes) Dutch, British, Black and white chalk, gray pastel, on blue-gray paper
A Knight of the Order of the Garter
Sir Peter Lely (Pieter van der Faes)
1663–71
Lucy Loftus (incorrectly called Jenny Deering)
Multiple artists/makers
1757
Portrait Study, Anthony van Dyck Flemish, Black chalk
Portrait Study
Anthony van Dyck
Former Attribution Sir Peter Lely (Pieter van der Faes)
1635–41
Countess of Ossory, after Lely
After Sir Peter Lely (Pieter van der Faes)
Sitter Amelia Butler, Countess of Ossory
1902
Lady with a Lamb
Engraver James McArdell
After Sir Peter Lely (Pieter van der Faes)
Publisher James McArdell
1746–65
Abraham Cowley
Engraver William Faithorne the Elder
After Sir Peter Lely (Pieter van der Faes)
Sitter Abraham Cowley
ca. 1668
Mary Fielding
Engraver Isaac Beckett
After Sir Peter Lely (Pieter van der Faes)
Sitter Lady Mary Fielding
1683–87
Sir John Moore, Knight, Lord Mayor of London
Engraver James McArdell
After Sir Peter Lely (Pieter van der Faes)
Sitter Sir John Moore
1746–65
Madame Davis
Multiple artists/makers
1782
Maria Princeps Auriaca (Princess Mary of Orange)
Engraver Abraham Blooteling
After Sir Peter Lely (Pieter van der Faes)
Sitter Mary, Princess of Orange
1680–90
Lady Gertrude, Marchioness of Halifax
Francesco Bartolozzi
After Sir Peter Lely (Pieter van der Faes)
Sitter Portrait of Gertrude Pierrepont, Marchioness of Halifax
November 20, 1776
John Wilmot, Earl of Rochester
Engraver Robert White
After Sir Peter Lely (Pieter van der Faes)
Sitter John Wilmot, 2nd Earl of Rochester
1680–1702
John Wilmot, Earl of Rochester
Engraver Robert White
After Sir Peter Lely (Pieter van der Faes)
Sitter John Wilmot, 2nd Earl of Rochester
1680–1702
Elizabeth, Countess of Northumberland
Multiple artists/makers
1779
A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools
Multiple artists/makers
1803
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations, Virgil Italian, Illustrations: etching
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Multiple artists/makers
1654
Lady Whitmore, from Beauties of Windsor
Multiple artists/makers
January 1778
Sir William Temple
Multiple artists/makers
1738
The Fables of Aesop: Paraphrased in Verse: Adorned with Sculpture, and Illustrated with Annotations
Multiple artists/makers
1668
Anthony Ashley Cooper, Earl of Shaftesbury
Multiple artists/makers
1738–42
Court Beauties of the Reign of Charles II, from the Originals in the Royal Gallery at Windsor
Multiple artists/makers
[1872]
The Compleat Angler or the Contemplative Man's Recreation: Being a Discourse of Rivers, Fish Ponds Fish & Fishing: Instructions How to Angle for a Trout or Grayling in a Clear Stream, Vol. I
Multiple artists/makers
1902
The Compleat Angler or the Contemplative Man's Recreation: Being a Discourse of Rivers, Fish Ponds Fish & Fishing: Instructions How to Angle for a Trout or Grayling in a Clear Stream
Multiple artists/makers
1902
The Compleat Angler or the Contemplative Man's Recreation: Being a Discourse of Rivers, Fish Ponds Fish & Fishing: Instructions How to Angle for a Trout or Grayling in a Clear Stream, vol. II
Multiple artists/makers
1902
The Genuine Poetical Remains of Samuel Butler
Multiple artists/makers
1827
The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58
Adam and Eve flanked by two trees, a town in the background, Marcantonio Raimondi Italian, Engraving
Adam and Eve flanked by two trees, a town in the background
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1512–14
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
Lot and his daughters, from "Ten Old Testament Scenes", Georg Pencz German, Engraving
Lot and his daughters, from "Ten Old Testament Scenes"
Georg Pencz
ca. 1531
Joseph fleeing from Potiphar's wife, Marcantonio Raimondi Italian, Engraving
Joseph fleeing from Potiphar's wife
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–25
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, Marcantonio Raimondi Italian, Engraving
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair
Marcantonio Raimondi
Designed by Raphael (Raffaello Sanzio or Santi)
Or (?) Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–25
The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left, Marcantonio Raimondi Italian, Engraving
The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
or Giovanni Francesco Penni
ca. 1517–20
Portrait of Pietro Aretino, Marcantonio Raimondi Italian, Engraving; second state of two
Portrait of Pietro Aretino
Marcantonio Raimondi
After (?) Titian (Tiziano Vecellio)
Sitter Pietro Aretino
ca. 1517–20
The Pietà: the Virgin standing over the dead Christ, her hands outspread, Marcantonio Raimondi Italian, Engraving
The Pietà: the Virgin standing over the dead Christ, her hands outspread
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–17

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