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Showing 2,901 results for Philippe Thomassin

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Allegorical thesis print with various figures, set in an architectural structure, Philippe Thomassin French, Engraving — Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
Francesco Nappi
1608

The Entombment, Philippe Thomassin French, Engraving — The Entombment
Philippe Thomassin
Federico Barocci
1589

Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels, Philippe Thomassin French, Engraving — Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Multiple artists/makers
1611–12

Design for an Ornamental Bowl with the Battle of the Triton and the arms of Joannes Vitiello

Multiple artists/makers

ca. 1617–19

Dance of the Muses, with Apollo at center and a musician at each end

Philippe Thomassin

Baldassarre Tommaso Peruzzi

1615

The Virgin in glory standing on a cloud surrounded by her attributes, after Barocci

Multiple artists/makers

1591

The victory of Scipio over Syphax, Master of the Die Italian, Engraving — The victory of Scipio over Syphax
Master of the Die
Philippe Thomassin
1530–60

The Triumph of Scipio who rides on a horse followed by captured slaves, Master of the Die Italian, Engraving — The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
Philippe Thomassin
1530–60

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, Master of the Die Italian, Engraving — Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
Philippe Thomassin
1530–60

Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90

A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90

A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90

Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Jacopo Zucchi

Philippe Thomassin

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', Master of the Die Italian, Engraving — Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Multiple artists/makers
1530–60

The Rape of Ganymede, Anonymous, Engraving — The Rape of Ganymede
Multiple artists/makers
1542–60

The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left, Master of the Die Italian, Engraving — The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Multiple artists/makers
1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving — Aeneas carrying Anchises on his shoulders while Troy burns in the background
Multiple artists/makers
1530–60

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left, Master of the Die Italian, Engraving — Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left
Multiple artists/makers
1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving — Aeneas carrying Anchises on his shoulders while Troy burns in the background
Multiple artists/makers
1530–60

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving — Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Two Figures, a Faun, and a Satyr approach a Recliniing Woman, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Reclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Reclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Man Grappling with Winged Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Man Grappling with Winged Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Man and Woman Sacrificing a Goat, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Man and Woman Sacrificing a Goat, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Man with Torch between Flaming Altar and Statuette, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Man with Torch between Flaming Altar and Statuette, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Sacrifice of a Swan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state — Sacrifice of a Swan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622