Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 9,557 results for Pietro Testa
Sort by:
Alexander the Great Rescued from the River Cydnus, Pietro Testa  Italian, Oil on canvas
Pietro Testa
ca. 1650
Allegory of Fortune, Pietro Testa  Italian, Pen and brown ink, brown wash, over black chalk, highlighted with white
Pietro Testa
1612–50
The garden of Venus, proof impression of upper left corner, Pietro Testa  Italian, Etching; proof
Pietro Testa
ca. 1631–37
The Holy Family attended by Angels, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1642–44
The Departure of the Prodigal Son, Shown About to Mount a Horse, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Prodigal Son Among the Swine, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
Three Luchese saints interceding with the Virgin for the victims of the plague, Pietro Testa  Italian, Etching
Pietro Testa
Callisto Ferranti
ca. 1630–31
Mary Magdalene in the desert, a cross borne by angels at the right, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1630
Self-Portrait, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
ca. 1645
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
1631–37
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
1637–38
The Holy Family with the infant Saint John holding an apple, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1630
The sacrifice of Isaac by his father Abraham, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–42
The birth and the infancy of Achilles, Pietro Testa  Italian, Etching
Pietro Testa
1648–50
The Holy Family fed by Angels, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1642–44
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by  Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
Vicenzo Billi
1648
Achilles dragging the body of Hector around the walls of Troy, Pietro Testa  Italian, Etching
Pietro Testa
Arnold van Westerhout
1648–50
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa  Italian, Etching
Pietro Testa
Arnold van Westerhout
1680–1700
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–1700
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
Arnold van Westerhout
1648
Standing Male Figure Supporting a Shield, Pietro Testa  Italian, Pen and brown ink, over a little black chalk, on beige paper
Pietro Testa
1612–50
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa  Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso)
Pietro Testa
1612–50
The Triumph of Galatea, Pietro Testa  Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk
Pietro Testa
1612–50
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa  Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso).
Pietro Testa
1612–50
Allegory of Penance and Death, Pietro Testa  Italian, Pen and brown ink, over traces of black chalk
Pietro Testa
1612–50
Sacrifice of Isaac, Pietro Testa  Italian, Etching
Pietro Testa
ca.1645–50
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–50
Venus Giving Arms to Aeneas, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1638–40
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1635–37
St. Carlo Borromeo surrounded by angels, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–70
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1631–37
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1630–31
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The garden of charity, woman representing Charity at right surrounded by children, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1631–37
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1631–37
The Sacrifice of Isaac by his Father Abraham, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–42
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
1648
The Return of the Prodigal Son, Shown Embracing His Son, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645