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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 9,625 results for Pietro Testa

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Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas — Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650

Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper — Standing Male Figure Supporting a Shield
Pietro Testa
1612–50

The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso). — The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50

The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper — The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50

Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk — Allegory of Penance and Death
Pietro Testa
1612–50

A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper — A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50

The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint — The Sacrifice of Iphigenia
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1640–42

The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids, Pietro Testa Italian, Etching — The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37

The garden of Venus, proof impression of upper left corner, Pietro Testa Italian, Etching; proof — The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37

The Garden of Charity, Pietro Testa Italian, Etching — The Garden of Charity
Pietro Testa
ca.1631–37

The Adoration of the Magi, set before and architectural colonnade, Pietro Testa Italian, Etching — The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca. 1640

Sacrifice of Isaac, Pietro Testa Italian, Etching — Sacrifice of Isaac
Pietro Testa
ca.1645–50

The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa Italian, Etching — The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty
Pietro Testa
ca. 1640–50

An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching — An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
Giovanni Giacomo De Rossi
1637–38

The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa Italian, Etching — The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1635–37

St. Carlo Borromeo surrounded by angels, Pietro Testa Italian, Etching — St. Carlo Borromeo surrounded by angels
Pietro Testa
François Collignon
1650–70

Mary Magdalene in the desert, a cross borne by angels at the right, Pietro Testa Italian, Etching — Mary Magdalene in the desert, a cross borne by angels at the right
Pietro Testa
ca. 1630

Self-Portrait, Pietro Testa Italian, Etching — Self-Portrait
Pietro Testa
François Collignon
ca. 1645

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa Italian, Etching — An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
Frans van den Wyngaerde
1637

Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning, Pietro Testa Italian, Etching — Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640

The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples, Pietro Testa Italian, Etching — The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648

Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa Italian, Etching — Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648

The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples, Pietro Testa Italian, Etching — The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
Arnold van Westerhout
1648

Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning, Pietro Testa Italian, Etching — Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1640

Achilles dragging the body of Hector around the walls of Troy, Pietro Testa Italian, Etching — Achilles dragging the body of Hector around the walls of Troy
Pietro Testa
Arnold van Westerhout
1648–50

The Suicide of Dido, Pietro Testa Italian, Etching — The Suicide of Dido
Pietro Testa
Vicenzo Billi
1650–1700

Self portait as an artist, holding a drawing board and implement, Pietro Testa Italian, Etching — Self portait as an artist, holding a drawing board and implement
Pietro Testa
Arnold van Westerhout
ca. 1645

The deluge, figures being pulled from the water, Pietro Testa Italian, Etching — The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42

Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brown wash, over black chalk, highlighted with white — Allegory of Fortune
Pietro Testa
1612–50

Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso) — Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50

The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk — The Triumph of Galatea
Pietro Testa
1612–50

Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink — Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50

The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11) — The Holy Family with Attendant Angels
Pietro Testa
1612–50

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa Italian, Etching — An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
Arnold van Westerhout
1680–1700

Venus Giving Arms to Aeneas, Pietro Testa Italian, Etching — Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40

Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching — Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1631–37

Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa Italian, Etching — Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1630–31

The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, Pietro Testa Italian, Etching — The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints
Pietro Testa
ca. 1645

The Holy Family with the infant Saint John holding an apple, Pietro Testa Italian, Etching — The Holy Family with the infant Saint John holding an apple
Pietro Testa
ca. 1630

The sacrifice of Isaac by his father Abraham, Pietro Testa Italian, Etching — The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42