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The Crucified Christ, Pietro da Rimini  Italian, Tempera and gold on wood
Pietro da Rimini
Barbute, Pietro da Castello  Italian, Steel, Italian, Brescia
Armorer Pietro da Castello
ca. 1470–80
Farnese Hercules, Pietro da Barga  Italian, Bronze, Italian, Florence
Modeler After a model by Pietro da Barga
modeled ca. 1576; cast 17th century
Sallet, Pietro Giacomo da Castello  Italian, Steel, Italian
Armorer Attributed to Pietro Giacomo da Castello
ca. 1510–20
Madonna and Child with Angels, Pietro di Domenico da Montepulciano  Italian, Tempera on wood, gold ground
Pietro di Domenico da Montepulciano
1420
Neptune, Pietro da Barga  Italian, Copper alloy with light brown patina under a verdigris patina.
Attributed to Pietro da Barga
ca. 1580
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona)  Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
Saint Ursula and Her Maidens, Niccolò di Pietro  Italian, Tempera and gold on wood
Niccolò di Pietro
ca. 1410
Medal:  Federigo da Montefeltro, Filarete (Antonio di Pietro Averlino)  Italian, Bronze (Copper alloy with brown to green patina with traces of black wax).
Follower of Filarete (Antonio di Pietro Averlino)
model ca. 1474 (possibly cast 19th or 20th century)
Jupiter, Benvenuto Cellini  Italian, Bronze, Italian, probably Florence
Modeler After a model by Benvenuto Cellini
Probably cast by Pietro da Barga
late 16th century
The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango  French, Black chalk
Jean Robert Ango
After Pietro da Cortona (Pietro Berrettini)
ca. 1759–70
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli)  Italian, Oil on wood
Giampietrino (Giovanni Pietro Rizzoli)
Guarino da Verona, Humanist, Matteo de' Pasti  Italian, Bronze, Italian, Verona
Medalist: Matteo de' Pasti
ca. 1441
Author Written by Gabriele D'Annunzio
Illustrator Illustrated by Adolphus da Karolis
Publisher Published by I Fratelli Treves
1902
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago  Italian, Engraving
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini)  Italian, Red chalk
Attributed to Pietro da Cortona (Pietro Berrettini)
Possibly by Giovanni Francesco Romanelli
Purchased as Anonymous, Italian, 17th century
ca. 1640–60
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini)  Italian, Red chalk, glued onto a light cardboard mount
Pietro da Cortona (Pietro Berrettini)
1629–39
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini)  Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Pietro da Cortona (Pietro Berrettini)
1637
A Wind God, Pietro da Cortona (Pietro Berrettini)  Italian, Black chalk, highlighted with white, on brownish paper
Pietro da Cortona (Pietro Berrettini)
1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, over black chalk
Pietro da Cortona (Pietro Berrettini)
1637
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1674–92
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini)  Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini)  Italian, Black chalk
Pietro da Cortona (Pietro Berrettini)
1637
Pietro Dovizielli
ca. 1855
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Pietro da Cortona (Pietro Berrettini)
1596–1669
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini)  Italian, Black chalk
Pietro da Cortona (Pietro Berrettini)
1647–51
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, brush and brown wash, over black chalk
Pietro da Cortona (Pietro Berrettini)
1637
The Last Supper, with a Spaniel, Giovanni Pietro da Birago  Italian, Engraving
Attributed to Giovanni Pietro da Birago
After Leonardo da Vinci
ca. 1500
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini)  Italian, Engraving
After Pietro da Cortona (Pietro Berrettini)
Engraver William Walker
Publisher John Boydell
1766
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, over black chalk
Pietro da Cortona (Pietro Berrettini)
17th century
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini)  Italian, Red chalk
After Pietro da Cortona (Pietro Berrettini)
1596–1669
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, brush and brown wash over traces of black chalk
Attributed to Pietro da Cortona (Pietro Berrettini)
1596–1669
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink
Pietro da Cortona (Pietro Berrettini)
1596–1669
Sea Battle, Pietro da Cortona (Pietro Berrettini)  Italian, Brush and brown wash
Pietro da Cortona (Pietro Berrettini)
1596–1669