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The Crucified Christ, Pietro da Rimini Italian, Tempera and gold on wood
The Crucified Christ
Pietro da Rimini
Barbute, Pietro da Castello Italian, Steel, Italian, Brescia
Barbute
Armorer Pietro da Castello
ca. 1470–80
Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence
Farnese Hercules
Modeler After a model by Pietro da Barga
modeled ca. 1576; cast 17th century
Sallet, Pietro Giacomo da Castello Italian, Steel, Italian
Sallet
Armorer Attributed to Pietro Giacomo da Castello
ca. 1510–20
Madonna and Child with Angels, Pietro di Domenico da Montepulciano Italian, Tempera on wood, gold ground
Madonna and Child with Angels
Pietro di Domenico da Montepulciano
1420
Neptune, Pietro da Barga Italian, Copper alloy with light brown patina under a verdigris patina.
Neptune
Attributed to Pietro da Barga
ca. 1580
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
Saint Ursula and Her Maidens, Niccolò di Pietro Italian, Tempera and gold on wood
Saint Ursula and Her Maidens
Niccolò di Pietro
ca. 1410
Medal: Federigo da Montefeltro, Filarete (Antonio di Pietro Averlino) Italian, Bronze (Copper alloy with brown to green patina with traces of black wax).
Medal: Federigo da Montefeltro
Follower of Filarete (Antonio di Pietro Averlino)
model ca. 1474 (possibly cast 19th or 20th century)
Jupiter, Benvenuto Cellini Italian, Bronze, Italian, probably Florence
Jupiter
Modeler After a model by Benvenuto Cellini
Probably cast by Pietro da Barga
late 16th century
The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango French, Black chalk
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
After Pietro da Cortona (Pietro Berrettini)
ca. 1759–70
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary, Giovanni Pietro da Cemmo Italian, Tempera, ink and gold on parchment; leather binding, Italian
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary
Giovanni Pietro da Cemmo
ca. 1490
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli) Italian, Oil on wood
Diana the Huntress
Giampietrino (Giovanni Pietro Rizzoli)
Guarino da Verona, Humanist, Matteo de' Pasti Italian, Bronze, Italian, Verona
Guarino da Verona, Humanist
Medalist: Matteo de' Pasti
ca. 1441
Francesca da Rimini
Author Written by Gabriele D'Annunzio
Illustrator Illustrated by Adolphus da Karolis
Publisher Published by I Fratelli Treves
1902
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago Italian, Engraving
Cupid riding a goat accompanied by two satyrs, landscape in the background
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
Design for the Coat of Arms of a Cardinal with three Angels
Attributed to Pietro da Cortona (Pietro Berrettini)
Possibly by Giovanni Francesco Romanelli
Purchased as Anonymous, Italian, 17th century
ca. 1640–60
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk, glued onto a light cardboard mount
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
A Wind God, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, highlighted with white, on brownish paper
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1674–92
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
Study of a Seated Youth for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Veduta del Tevere da Marmorata
Pietro Dovizielli
ca. 1855
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
The Last Supper, with a Spaniel, Giovanni Pietro da Birago Italian, Engraving
The Last Supper, with a Spaniel
Attributed to Giovanni Pietro da Birago
After Leonardo da Vinci
ca. 1500
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona (Pietro Berrettini) Italian, Engraving
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
After Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1662
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini) Italian, Engraving
Christ Appearing to Mary in the Garden
After Pietro da Cortona (Pietro Berrettini)
Engraver William Walker
Publisher John Boydell
1766
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini) Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
The Virgin Immaculate
After Pietro da Cortona (Pietro Berrettini)
1596–1669
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash over traces of black chalk
St. Michael Expurging Heresy
Attributed to Pietro da Cortona (Pietro Berrettini)
1596–1669
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Sea Battle, Pietro da Cortona (Pietro Berrettini) Italian, Brush and brown wash
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century