Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 4,862 results for Rafael Mariana

Sort by:

Two sheets (printed as one) with verses in Valencian for masquerades, Rafael Mariana Spanish, Wood engraving and letterpress — Two sheets (printed as one) with verses in Valencian for masquerades
Rafael Mariana
1861

A recital sheet featuring different characters for use at social gatherings, Rafael Mariana Spanish, Wood engraving and letterpress — A recital sheet featuring different characters for use at social gatherings
Rafael Mariana
1861

Two sheets (printed as one) with verses in Valencian for masquerades, Rafael Mariana Spanish, Wood engraving and letterpress — Two sheets (printed as one) with verses in Valencian for masquerades
Rafael Mariana
V. Leon
1867

Timbales, Calixto Rafael Rivera American, Stainless steel, plastic heads, wood, American — Timbales
Calixto Rafael Rivera
2004

Round plate with lobster, Rafael Bordalo Pinheiro Portuguese, Glazed earthenware, Portugal, Caldas de Rainha — Round plate with lobster
Rafael Bordalo Pinheiro
Fabrica de Faianças das Caldas da Rainha
1889

Book of American figure painters, Mariana Griswold Van Rensselaer American — Book of American figure painters
Mariana Griswold Van Rensselaer
J. B. Lippincott Company
1886

Barack and Michelle Obama, Chicago, Illinois, Mariana Cook American, Gelatin silver print — Barack and Michelle Obama, Chicago, Illinois
Multiple artists/makers
1996, printed 2009

Purse, Rafael Sanchez, synthetic, silk, wood, onyx, plastic, American — Purse
Rafael Sanchez
Geoffrey Beene
ca. 1986

Architectural Model Based on the Alhambra, Rafael Contreras Spanish, Plaster colored — Architectural Model Based on the Alhambra
Rafael Contreras
1847-1890

Architectural Model Based on the Alhambra, Rafael Contreras Spanish, Plaster colored — Architectural Model Based on the Alhambra
Rafael Contreras
1847-1890

Architectural Model based on the Alhambra, Rafael Contreras Spanish, Plaster colored, alabaster, bisque — Architectural Model based on the Alhambra
Rafael Contreras
1847-1890

Architectural Model Based on the Alhambra, Rafael Contreras Spanish, Plaster colored — Architectural Model Based on the Alhambra
Rafael Contreras
19th century (?)

Architectural Model Based on the Alhambra, Rafael Contreras Spanish, Plaster colored (original stone) — Architectural Model Based on the Alhambra
Rafael Contreras
19th century (?)

Merengue en Boca Chica, Rafael Ferrer American, Oil on canvas — Merengue en Boca Chica
Rafael Ferrer
1983

Resume, Rafael Ferrer American, Crayon on brown Kraft paper — Resume
Rafael Ferrer
1973

Abstract, Rafael Ferrer American, Oil on canvas — Abstract
Rafael Ferrer
1998–99

Remembrance of an Afternoon on the Way, Rafael Ferrer American, Oil on canvas — Remembrance of an Afternoon on the Way
Rafael Ferrer
1983

Traitor Series, Number 2, Rafael Ferrer American, Oil pastel on paper — Traitor Series, Number 2
Rafael Ferrer
1979

Architectural Model Based on the Alhambra, Rafael Contreras Spanish, Plaster (original stucco, tiling and wood) colored. — Architectural Model Based on the Alhambra
Rafael Contreras
1847-1890

Dorothy Norman, East Hampton

Mariana Cook

1986

Maurice Sendak; Ridgefield, Connecticut

Mariana Cook

Maurice Sendak

September 25, 2005

[Cordoba, The Mihrab at the Mosque]

Rafael Garzón

1880s–90s

[Exterior of the Cathedral and Giralda, Seville]

Rafael Garzón

1880s–90s

[Cordova, Interior of the Mosque]

Rafael Garzón

1880s–90s

[Cordova, Interior of the Mosque]

Rafael Garzón

1880s–90s

[Sevilla, General View of the Patio of the Pilate House]

Rafael Garzón

1880s–90s

[Patio of the Acequia in the Generalife]

Rafael Garzón

1880s–90s

[Generalife. Gallery in the Patio of the Aceguia]

Rafael Garzón

1880s–90s

[Fortress of Sevilla. Interior of the Alcove of the Sultan]

Rafael Garzón

1880s–90s

The youth of Emiliano Zapata: an objective lesson (La juventud de Emiliano Zapata: leccion objetiva), Plate 53 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Mariana Yampolsky American, Offset lithograph — The youth of Emiliano Zapata: an objective lesson (La juventud de Emiliano Zapata: leccion objetiva), Plate 53 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1960

Revolutionaries resting for the night (vivac de Revolucionarios), Plate 87 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Mariana Yampolsky American, Offset lithograph — Revolutionaries resting for the night (vivac de Revolucionarios), Plate 87 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1960

Lopez Mateos destroying the 'latifundo' system (Lopez Mateos destruye latifundios), Plate 134 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Mariana Yampolsky American, Offset lithograph — Lopez Mateos destroying the 'latifundo' system (Lopez Mateos destruye latifundios), Plate 134 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1960

Girl Resting, Mariana Yampolsky American, Linocut — Girl Resting
Mariana Yampolsky
1952

Movies, Geniuses, and Lawyers (Cine genios y abogados), Mariana Yampolsky American, Linocut — Movies, Geniuses, and Lawyers (Cine genios y abogados)
Mariana Yampolsky
1940s

Attack on the Guadalajara train, directed by Father Angulo. April 13, 1927 (Asalto al tren de Guadalajara, dirigido por el cura Angulo. 13 de abril de 1927), Plate 101 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Mariana Yampolsky American, Offset lithograph — Attack on the Guadalajara train, directed by Father Angulo. April 13, 1927 (Asalto al tren de Guadalajara, dirigido por el cura Angulo. 13 de abril de 1927), Plate 101 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1960

Two sheets (printed as one) with verses in Valencian for masquerades, Julian Mariana Spanish, Wood engraving and letterpress — Two sheets (printed as one) with verses in Valencian for masquerades
Julian Mariana
ca. 1860–70

Allusive verses for masquerades, Julian Mariana Spanish, Wood engraving and letterpress — Allusive verses for masquerades
Julian Mariana
ca. 1860–70

Eight wonders of the world and mythical Gods, Julian Mariana Spanish, Wood engraving and letterpress — Eight wonders of the world and mythical Gods
Julian Mariana
ca. 1860–70

The dress of the regions of Spain, Julian Mariana Spanish, Wood engraving and letterpress — The dress of the regions of Spain
Julian Mariana
ca. 1860–70

Plate 63: an attack on a train directed by a priest (cura Angulo), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Mariana Yampolsky American, Linocut — Plate 63: an attack on a train directed by a priest (cura Angulo), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1947