Tickets
English
DonateMembership
Tickets

Search for Art

17 results for Renaissance humanism
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Lira da braccio, Giovanni d'Andrea, Varnished softwood and maple, ivory, ebony, bone, parchment, brass, gut strings, Italian
On loan to The Met
Lira da braccio
Giovanni d'Andrea
1511
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
Venus and Mars Gondola Cup
French, Fontainebleau or Paris
1600–1650
Allegory of Music, Leather, blind stamped, embossed, molded and incised; on later wooden mount, Northern French
Allegory of Music
Northern French
ca. 1570–90
Cabinet (Fassadenschrank), Pine, oak, walnut; Hungarian ash, birch, various fruitwoods, walnut, palisander, other woods, partly stained (marquetry veneer); wrought iron,, German, Nuremberg
Cabinet (Fassadenschrank)
German, Nuremberg
early 17th century
Portrait of Pisanello (after a medal from the workshop of Pisanello), Georg Pencz German, Ink and watercolor on paper
Portrait of Pisanello (after a medal from the workshop of Pisanello)
Georg Pencz
ca. 1540–41
Portrait of Pier Candido (after a medal by Pisanello), Georg Pencz German, Ink and watercolor on paper
Portrait of Pier Candido (after a medal by Pisanello)
Georg Pencz
ca. 1540–41
Anatomical Studies: a left forearm in two positions and a right forearm, Peter Paul Rubens Flemish, Pen and brown ink
Anatomical Studies: a left forearm in two positions and a right forearm
Peter Paul Rubens
ca. 1600–05
Ewer and stand (présentoir), Martin Gizl Austrian, Alpine ibex horn, gold and gilded copper, Austrian, Salzburg
Ewer and stand (présentoir)
Martin Gizl
1758
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Allegory of Virtues and Vices at the Court of Charles V, Hans Daucher German, Honestone (Jurassic limestone), traces of gilding, German, probably Augsburg
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher
ca. 1522
Toad, Bronze, Italian, Padua
Toad
Italian, Padua
possibly 16th century
Toad with a Young Toad on its Back, Bronze, Italian, Padua
Toad with a Young Toad on its Back
Italian, Padua
possibly 16th century
Sleeping Hercules, Bronze, Italian, possibly Bologna
Sleeping Hercules
Italian, possibly Bologna
ca. 1505 or later
Antoine Perrenot de Granvelle, Lambert Suavius Netherlandish, Engraving, with touches of gray wash
Antoine Perrenot de Granvelle
Lambert Suavius
Sitter Cardinal Antoine Perrenot de Granvelle
1554
Hermaphrodite, Giovanni Francesco Susini Italian, Bronze, Italian, Florence
Hermaphrodite
Giovanni Francesco Susini
1639
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus Netherlandish, Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Allegory of the Course of Human Life (Choosing Virtue)
Jan van der Straet, called Stradanus
Former Attribution Paolo Veronese (Paolo Caliari)
1570 or before