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35 results for Richard+Dadd
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Sketch to Illustrate the Passions—Senility or Peevishness, Richard Dadd  British, Watercolor
Richard Dadd
1855
Portrait of Mr. George Bailey, Richard Dadd  British, Watercolor
Richard Dadd
Sitter George Bailey
August 15, 1855
Sketch to Illustrate the Passions–Ambition, Richard Dadd  British, Pen and gray ink and watercolor, mounted on card
Richard Dadd
1854
Multiple artists/makers
1847
Multiple artists/makers
1842
Multiple artists/makers
[after 1876, probably 1881]
Multiple artists/makers
1877–81
Multiple artists/makers
1886–91
Fantastical Landscape with Exotic Plants and Three Figures, Jean Pillement  French, Black chalk and a little red chalk, blue and red pastel, blue and red wash.
Jean Pillement
1771
The Entrance to a Wood, Robert Walter Weir  American, Watercolor and graphite on buff wove paper, American
Robert Walter Weir
1836
View in the Gardens of Arcueil, Jean-Baptiste Oudry  French, Charcoal, stumped, black chalk, heightened with white chalk, on blue-green paper
Jean-Baptiste Oudry
1744
Fantasy, Pierre Puvis de Chavannes  French, Pen and brown ink on calque, laid down on wove paper
Pierre Puvis de Chavannes
1824–98
Le Bon Samaritain (The Good Samaritan), Rodolphe Bresdin  French, Lithograph
Rodolphe Bresdin
Printer Lemercier & Cie.
after 1861
The Draftsman, Jean Honoré Fragonard  French, Black chalk
Jean Honoré Fragonard
1770s
The Spring, William Trost Richards  American, Graphite on green wove paper, American
William Trost Richards
1863
Berry Pomeroy Castle in Devon, Francis Towne  British, Watercolor and pen and ink on two joined sheets
Francis Towne
1773–80, with additions in 1805
Maiden, Cupid and Frog, William Henry Romaine Walker  British, Ink and watercolor
William Henry Romaine Walker
1890–1920
Cottage with a Distant Village, French  French, Pen and grayish brown ink, brush and washes in blue, green, grayish brown and pink; original framing line in gray., French or Dutch
Possibly French
or Dutch
18th century
Cottage with Cart and Pigs, Thomas Rowlandson  British, Etching
Thomas Rowlandson
1783–89
Fantastic Animals Left off the Ark, Herbert E. Crowley  British, Watercolor, pen and ink
Herbert E. Crowley
1902–36
Illustration to the poem “The Flower’s Revenge” (Der Blumen Rache – Ferdinand Freiligrath), Eugen Neureuther  German, Etching
Eugen Neureuther
Author Ferdinand Freiligrath
1852
The Temptation of Eve, Peter van Lint  Flemish, Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk; framing lines in pen and brown ink
Peter van Lint
After Raphael (Raffaello Sanzio or Santi)
1639
A Refuge from the Storm (Shadow from the Heat), David Pell Secor  American, Pen and India ink on Bristol board, American
David Pell Secor
The Garden Porch, James McNeill Whistler  American, Transfer lithograph; only state (Chicago); printed on cream laid Japan
James McNeill Whistler
1894
Outing in a Wood, Jean Michel Moreau le Jeune  French, Pen and black ink, brown wash, over black chalk, on beige paper.
Jean Michel Moreau le Jeune
n.d.
Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), David Lucas  British, Mezzotint; progress proof touched with white chalk
Engraver David Lucas
After John Constable
Subject William Shakespeare
1830
Untitled (Squirrels in a Chestnut Tree), Susan Catherine Moore Waters  American, Oil on canvas, American
Susan Catherine Moore Waters
ca. 1875–80
Various Insects by a Fungus, Rochus van Veen  Dutch, Watercolor and gouache over traces of black chalk. A ruled line in brown ink along the lower edge.
Rochus van Veen
1681
Butterflies on a branch, from "The Swedish Fine Art Print Society Portfolio" (Föreningen för Grafisk Konst), Harald Sallberg  Swedish, Wood engraving
Harald Sallberg
Publisher Föreningen för Grafisk Konst
1937
Stags in a Landscape, Johann Elias Ridinger  German, Pen and brown ink, brush and brown wash
Johann Elias Ridinger
early to mid-18th century
Stags in Woods, Charles-François Daubigny  French, Etching; third state of three (Delteil)
Charles-François Daubigny
1850
Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of three
Designed and etched by Joseph Mallord William Turner
Engraver George Clint
Publisher Joseph Mallord William Turner
February 14, 1812
Enraged Vicar, Thomas Rowlandson  British, Hand-colored etching
Thomas Rowlandson
March 1, 1807
Wooded hillside with deer, Thomas Rowlandson  British, Pen and brown ink, brush and wash, graphite
Thomas Rowlandson
1780–1827
Hagar Consoled by the Angel, Anthonie Waterloo  Dutch, Etching
Anthonie Waterloo
17th century

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