Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 957 results for Rosa Rush

Sort by:

Rosa Rush

WPA

1935–43

Rosa Rush

WPA

1935–43

Rosa Rush

WPA

1935–43

Rosa Rush

WPA

1935–43

Rosa Rush

WPA

1935–43

Rosa Rush

WPA

1935–43

Man at Construction

Rosa Rush

WPA

1935–43

The Horse Fair, Rosa Bonheur French, Oil on canvas — The Horse Fair
Rosa Bonheur
1852–55

Eagle, William Rush American, Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted, American — Eagle
William Rush
1809–11

Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas — Bandits on a Rocky Coast
Salvator Rosa
1655–60

The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

Bill of Sale, William Rush American, Ink on paper, American — Bill of Sale
William Rush
1809–11

Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny — Plate
Salvator Rosa
ca. 1733–37

Reclining Ox, Rosa Bonheur French, Bronze, dark brown patina; wood base, French, Paris — Reclining Ox
Rosa Bonheur
François-August-Hippolyte Peyrol
modeled 1846

Shorn Ewe (Brebis Tondue), Rosa Bonheur French, Bronze, French — Shorn Ewe (Brebis Tondue)
Rosa Bonheur
modeled ca. 1842, cast probably before 1891

Portrait of a Lady, Rosa Hooper American, Watercolor on ivory, American — Portrait of a Lady
Rosa Hooper

Self-Portrait, Salvator Rosa Italian, Oil on canvas — Self-Portrait
Salvator Rosa
ca. 1647

Weaning the Calves, Rosa Bonheur French, Oil on canvas — Weaning the Calves
Rosa Bonheur
1879

A Limier Briquet Hound, Rosa Bonheur French, Oil on canvas — A Limier Briquet Hound
Rosa Bonheur
ca. 1856

Walking Bull, Rosa Bonheur French, Bronze, French — Walking Bull
Rosa Bonheur
modeled 1846

Autograph Album of Polly Rush

Polly Rush

ca. 1886

Idyl: Settimello

Andrew Rush

Associated American Artists

1966–67

Andrew Rush

Associated American Artists

ca. 1973

The crucifixion of Polycrates the tyrant after his capture by the Persians
, Salvator Rosa Italian, Etching — The crucifixion of Polycrates the tyrant after his capture by the Persians
Salvator Rosa
ca. 1662

Landscape with Cattle, Rosa Bonheur French, Graphite on blue paper faded to gray — Landscape with Cattle
Rosa Bonheur

Illustrated letter to M. Roland, Rosa Bonheur French, Pen and brown ink on machine-laid paper — Illustrated letter to M. Roland
Rosa Bonheur
1840–99

Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper — Death of Regulus
Salvator Rosa
1615–73

A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper — A Large Tree
Salvator Rosa
1615–73

Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Witches' Sabbath
Salvator Rosa
1640–1649

Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk — Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite — Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73

Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Studies of Kneeling Figures
Salvator Rosa
1615–73

The Raising of Lazarus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over a little black chalk — The Raising of Lazarus
Salvator Rosa
1615–73

Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto — Two Standing Men Gesticulating
Salvator Rosa
1615–73

The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal — The Fall of the Giants
Salvator Rosa
ca. 1663

The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper — The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73

Milo of Crotona, Salvator Rosa Italian, Pen and brown ink — Milo of Crotona
Salvator Rosa
1615–73

Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk — Three Figures around a globe
Salvator Rosa
1615–73

Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso) — Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73

Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk — Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73