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1-42 of 405 results for Salvador Dalí
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The Accommodations of Desire, Salvador Dalí Spanish, Oil and cut-and-pasted printed paper on wood
The Accommodations of Desire
Salvador Dalí
1929
Crucifixion (Corpus Hypercubus), Salvador Dalí Spanish, Oil on canvas
Crucifixion (Corpus Hypercubus)
Salvador Dalí
1954
Berthe David-Weill, Salvador Dalí Spanish, Oil on canvas, Spanish
Berthe David-Weill
Salvador Dalí
1952
Return of Ulysses, Salvador Dalí Spanish, Black ink on paper
Return of Ulysses
Salvador Dalí
1936
Three Nudes, Salvador Dalí Spanish, Brush and black ink on pink paper
Three Nudes
Salvador Dalí
1944
Bathers at the Beach, Salvador Dalí Spanish, Brush and black ink and opaque watercolor on illustration board
Bathers at the Beach
Salvador Dalí
1939
Study for "Don Quixote", Salvador Dalí Spanish, Pen and black ink on paper
Study for "Don Quixote"
Salvador Dalí
ca. 1945
Study for "Vogue" cover, Salvador Dalí Spanish, Cut and pasted papers and black ink, watercolor, opaque watercolor and graphite on board
Study for "Vogue" cover
Salvador Dalí
1944
The Lacemaker (after Vermeer), Salvador Dalí Spanish, Oil on canvas
The Lacemaker (after Vermeer)
Salvador Dalí
1955
Madonna, Salvador Dalí Spanish, Oil on canvas
Madonna
Salvador Dalí
1958
Salvador Dalí, George Platt Lynes American, Gelatin silver print with applied pigment
Salvador Dalí
George Platt Lynes
Salvador Dalí
1939
Sculpture involontaire: enroulement élémentaire, obtenu chez un 'débile mental’ [Involuntary Sculpture: Rudimentary [Paper] Roll Obtained from a Mentally Disabled Person], Brassaï French, born Romania (Transylvania), Gelatin silver print

Sculpture involontaire: enroulement élémentaire, obtenu chez un 'débile mental’ [Involuntary Sculpture: Rudimentary [Paper] Roll Obtained from a Mentally Disabled Person]

Brassaï
Salvador Dalí
1932
The Visible Woman, Salvador Dalí Spanish, Heliogravure
The Visible Woman
Salvador Dalí
Lacourière
1930
A Christmas card to the Lucas family, a kneeling angel and two other figures, Salvador Dalí Spanish, Etching
A Christmas card to the Lucas family, a kneeling angel and two other figures
Salvador Dalí
1967
Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951), Salvador Dalí Spanish, Chromolithograph (?)
Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951)
Salvador Dalí
1950
Compact, Schiaparelli French, metal, enamel, French
Compact
Multiple artists/makers
ca. 1935
Exposition internationale du surréalisme : invitation pour le 17 janvier 1938, a 22 heures signal d'ouverture par André Breton, André Breton French
Exposition internationale du surréalisme : invitation pour le 17 janvier 1938, a 22 heures signal d'ouverture par André Breton
Multiple artists/makers
1938
Saint George and the Dragon
Salvador Dalí
1947
Roi, je t'attends à Babylone...
Multiple artists/makers
1973
Dress, Gilbert Adrian American, (a–c) rayon, American
Dress
Multiple artists/makers
1947
The House Without Windows, Maurice Sandoz Swiss, Illustrations: color lithographs
The House Without Windows
Multiple artists/makers
1955
Essays of Michel de Montaigne
Multiple artists/makers
1947
Wine, Women and Words
Multiple artists/makers
1948
Les Chants de Maldoror
Multiple artists/makers
1934
Profile of a man facing left, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Salvador Negrete Mexican, Woodcut
Profile of a man facing left, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Salvador Negrete
ca. 1924
A seated man and a standing woman in front of a building, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Salvador Negrete Mexican, Woodcut
A seated man and a standing woman in front of a building, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Salvador Negrete
ca. 1924
Violette Nozières
Multiple artists/makers
1933
This Quarter, vol. V, no. 1
Multiple artists/makers
September 1932
Armor for the Torso and Hips, Leather, lacquer, copper alloy, iron, Dali Kingdom (present-day Yunnan, China)
Armor for the Torso and Hips
Dali Kingdom (present-day Yunnan, China)
12th–13th century
The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?)
The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.
Stage Set Design; Left Half of Elaborate Baroque-Rococo Style Proscenium Opening (recto); Several Sketches of Name Plaques and Wreaths, framed by Swags, with names "Verdi" and "Aida" (verso), Salvador Alarma Tastás Spanish, Graphite on gray paper, measuring lines in graphite (recto); pen and brown ink, graphite (verso)
Stage Set Design; Left Half of Elaborate Baroque-Rococo Style Proscenium Opening (recto); Several Sketches of Name Plaques and Wreaths, framed by Swags, with names "Verdi" and "Aida" (verso)
Salvador Alarma Tastás
1870–1941
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns, Salvador Alarma Tastás Spanish, Black chalk on tan paper
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns
Salvador Alarma Tastás
1870–1941
Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania, Salvador Alarma Tastás Spanish, Pen and black and gray ink, over traces of blue pencil; double framing lines in pen and black ink
Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania
Salvador Alarma Tastás
1870–1941
Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso), Salvador Alarma Tastás Spanish, Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental color (recto); graphite on unprepared buff-colored paper (verso)
Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso)
Salvador Alarma Tastás
1870–1941
Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column, Salvador Alarma Tastás Spanish, Black chalk over graphite on tan paper
Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column
Salvador Alarma Tastás
1870–1941
Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso), Salvador Alarma Tastás Spanish, Graphite on tan paper
Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso)
Salvador Alarma Tastás
1870–1941
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700
Allegorical portrait of Carlos III standing on a pedestal flanked by figures (War and Peace?), Manuel Salvador Carmona Spanish, Engraving
Allegorical portrait of Carlos III standing on a pedestal flanked by figures (War and Peace?)
Manuel Salvador Carmona
Antonio Vázquez
1778
Allegorical portrait of Felipe el Bueno (Philip the Good Duke of Burgundy) founder of the Order of the Golden Fleece, Manuel Salvador Carmona Spanish, Engraving
Allegorical portrait of Felipe el Bueno (Philip the Good Duke of Burgundy) founder of the Order of the Golden Fleece
Manuel Salvador Carmona
Antonio Vázquez
1778
Portrait of the venerable Franciscan Father Sebastian Sillero, Manuel Salvador Carmona Spanish, Engraving
Portrait of the venerable Franciscan Father Sebastian Sillero
Manuel Salvador Carmona
Gregorio Ferro
1782
Portrait of Pedro de Salvador Carmona and his wife María García, Manuel Salvador Carmona Spanish, Etching and engraving
Portrait of Pedro de Salvador Carmona and his wife María García
Manuel Salvador Carmona
1780
Portrait of Charles III, half length within a roundel, Manuel Salvador Carmona Spanish, Engraving; proof before letters
Portrait of Charles III, half length within a roundel
Manuel Salvador Carmona
ca. 1765–70