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1-42 of 14,708 results for Sir William Hamilton
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From Sir William Hamilton's Collection, James Gillray British, Hand-colored etching
From Sir William Hamilton's Collection
Multiple artists/makers
May 8, 1801
The Monarch Swain
Multiple artists/makers
1796
George IV (1762–1830), When Prince of Wales, Sir William Beechey and Workshop British, Oil on canvas
George IV (1762–1830), When Prince of Wales
Sir William Beechey
A Cognocenti Contemplating ye Beauties of ye Antique, James Gillray British, Hand-colored etching
A Cognocenti Contemplating ye Beauties of ye Antique
Multiple artists/makers
February 11, 1801
Drawings Faithfully Copied from Nature at Naples...
Multiple artists/makers
[1794] (?)
Outlines from Figurines & Compositions, from Greek, Roman and Etruscan Vases of the Late Sir William Hamilton
Multiple artists/makers
1804
Drawings Faithfully Copied from Nature at Naples...
Multiple artists/makers
1797
Captain George K. H. Coussmaker (1759–1801), Sir Joshua Reynolds British, Oil on canvas
Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
1782
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence British, Oil on canvas
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence
1790
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau, Count Anthony Hamilton Irish
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau
Multiple artists/makers
1876
The Love Song, Sir Edward Burne-Jones British, Oil on canvas
The Love Song
Sir Edward Burne-Jones
1868–77
Male with a staff in a storm (recto). Anatomical studies of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and gray wash, over graphite<br/>Verso: pen and brown ink
Male with a staff in a storm (recto). Anatomical studies of a foot (verso)
William Hamilton
William Shakespeare
1770–80
Medal cabinet, William Vile British, Mahogany with carved and applied decoration, British
Medal cabinet
William Vile
John Cobb
1760–61
Portrait of a Woman, Sir William Beechey British, Oil on canvas
Portrait of a Woman
Sir William Beechey
ca. 1805
Edward Miles (1752–1828), Sir William Beechey British, Oil on canvas
Edward Miles (1752–1828)
Sir William Beechey
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage, William Hamilton British, Stipple engraving with etching, printed with some color
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage
Multiple artists/makers
1788
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England"), William Hamilton British, Etching and stipple engraving
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England")
Multiple artists/makers
May 1, 1787
John the Baptist and two men, with Christ, William Hamilton British, Pen and black ink, brush and brown wash over graphite
John the Baptist and two men, with Christ
William Hamilton
1770–80
A king with his horse, alarmed by ghostly women, William Hamilton British, Pen and brown ink, brush and brown and gray wash and watercolor, over graphite
A king with his horse, alarmed by ghostly women
William Hamilton
1770–80
A man in chains converses with a woman, William Hamilton British, Pen and brown and gray ink, brush and gray and brown wash, over graphite
A man in chains converses with a woman
William Hamilton
1770–80
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and brown ink and graphite
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
William Hamilton
1770–80
The Abduction of Deianira, William Hamilton British, Pen and black ink over graphite, with watercolor
The Abduction of Deianira
William Hamilton
1770–80
Amymone (?) with a lecherous satyr, William Hamilton British, Pen and black ink over graphite, with watercolor
Amymone (?) with a lecherous satyr
William Hamilton
1770–80
A figure in armor, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
A figure in armor
William Hamilton
1770–80
Classical military subject, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
Classical military subject
William Hamilton
1770–80
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and black ink, brush and wash, over graphite
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso)
William Hamilton
1770–80
Woman sheltering a child in a landscape, William Hamilton British, Pen and brown ink, brush and gray wash, over graphite
Woman sheltering a child in a landscape
William Hamilton
1770–80
Evening dress, Dran Hamilton American, plastic (polyvinyl chloride), American
Evening dress
Dran Hamilton
1967
Evening bonnet, Jean Hamilton American, silk, linen, jet, American
Evening bonnet
Jean Hamilton
ca. 1895
Coat, J. Hamilton American, cotton, silk, American
Coat
J. Hamilton
1900–1905
Beach Scene, James Hamilton American, born Ireland, Watercolor and gouache on off-white wove paper, American
Beach Scene
James Hamilton
ca. 1865
On Hampstead Heath, James Hamilton American, born Ireland, Oil on canvas, American
On Hampstead Heath
James Hamilton
1856
abc, Ann Hamilton American, Single-channel digital video, transferred from Beta tape, black-and-white, silent, 13 min.
abc
Ann Hamilton
1994
Self-Portrait, Richard Hamilton British, Color screenprint
Self-Portrait
Richard Hamilton
1967
TiT, Richard Hamilton British, Screenprint
TiT
Richard Hamilton
2002
Flower - Piece B, Richard Hamilton British, Lithograph and color lithographs (three prints)
Flower - Piece B
Richard Hamilton
1976
Just what was it that made yesterday's homes so different, so appealing?, Richard Hamilton British, Electrophotographic print
Just what was it that made yesterday's homes so different, so appealing?
Richard Hamilton
Waddington Graphics
1992
Picasso's meninas, from ¦Hommage à Picasso¦ portfolio, Richard Hamilton British, Hard, soft-ground and stipple etching, roulette, open-bite and lift-ground aquatint, drypoint and burnishing
Picasso's meninas, from ¦Hommage à Picasso¦ portfolio
Multiple artists/makers
1973
Curve and Shadow, No. 2, Juan Hamilton American, Bronze
Curve and Shadow, No. 2
Juan Hamilton
1983
Fragment XO, Juan Hamilton American, Bronze
Fragment XO
Juan Hamilton
1983
Sunset, Richard Hamilton British, Lithograph, chine applique
Sunset
Richard Hamilton
1976
Pot, Juan Hamilton American, Painted plaster
Pot
Juan Hamilton
1974