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Showing 2,266 results for Stefano della Bella

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Drawing (design for fork and spoon), Antonio Gentili (Antonio da Faenza) Italian, Ink on paper, Italian, Rome — Drawing (design for fork and spoon)
Antonio Gentili (Antonio da Faenza)
Stefano della Bella
ca. 1580

Death carrying a child, from 'The five deaths' (Les cinq Morts), Stefano della Bella Italian, Etching; second state of three — Death carrying a child, from 'The five deaths' (Les cinq Morts)
Stefano della Bella
ca. 1648

Death Carrying an Infant, from 'The five deaths' (Les cinq Morts), Stefano della Bella Italian, Etching; second state of three — Death Carrying an Infant, from 'The five deaths' (Les cinq Morts)
Stefano della Bella
ca. 1648

Death on the Battlefield, from 'The five deaths' (Les cinq Morts), Stefano della Bella Italian, Etching; proof state retouched with graphite and pen and brown ink — Death on the Battlefield, from 'The five deaths' (Les cinq Morts)
Stefano della Bella
ca. 1650–64

The Tree House at Pratolino, Stefano della Bella Italian, Etching; first state of two — The Tree House at Pratolino
Stefano della Bella
ca. 1653

Designs for Ornamental Motifs with Figures, Real and Imaginary Animals, and Coats of Arms of the Medici Grand Dukes, Stefano della Bella Italian, Pen and brown ink over black chalk or leadpoint (?) — Designs for Ornamental Motifs with Figures, Real and Imaginary Animals, and Coats of Arms of the Medici Grand Dukes
Stefano della Bella
n.d.

A cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, plate 6 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, plate 6 from "Nouvelles inventions de Cartouches"
Stefano della Bella
Pierre Mariette le fils
ca. 1647

A cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, plate 10 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, plate 10 from "Nouvelles inventions de Cartouches"
Stefano della Bella
Pierre Mariette le fils
ca. 1647

A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, plate 7 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, plate 7 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche formed by a tiger skin and flanked by two centaurs, plate 4 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche formed by a tiger skin and flanked by two centaurs, plate 4 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, plate 10 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, plate 10 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche flanked by dragons, their tails supporting a crown at top, plate 8 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche flanked by dragons, their tails supporting a crown at top, plate 8 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche flanked by Apollo and Pan, plate 5 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche flanked by Apollo and Pan, plate 5 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches", Stefano della Bella Italian, Etching — A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches"
Stefano della Bella
ca. 1647

A cartouche with a sundial, a skull with feathers on its head at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis), Stefano della Bella Italian, Etching, letterpress visible on verso — A cartouche with a sundial, a skull with feathers on its head at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis)
Stefano della Bella
ca. 1640–60

A cartouche with armor, a skull with armor and a helmet with feathers at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis), Stefano della Bella Italian, Etching, letterpress visible on verso — A cartouche with armor, a skull with armor and a helmet with feathers at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis)
Stefano della Bella
ca. 1640–60

Two Goats Nibbling Branches, Stefano della Bella Italian, Etching — Two Goats Nibbling Branches
Stefano della Bella
ca. 1653

Head, from the Kinnaird Sketchbook, Stefano della Bella Italian, Black chalk with touches of pen and brown ink — Head, from the Kinnaird Sketchbook
Stefano della Bella
17th century

Landscape, Stefano della Bella Italian, Pen and brown ink — Landscape
Stefano della Bella
17th century

Studies of Boats, Stefano della Bella Italian, Pen and brown ink with black chalk — Studies of Boats
Stefano della Bella
17th century

The altar of the holy sacrament; at left, the sacrament beneath a canopy, carried in procession and followed by the Louis XIV and Anne of Austria heading towards a large arched structure, spectators at left and right kneel in front of tapestries after Raphael, Stefano della Bella Italian, Etching; third state of eight — The altar of the holy sacrament; at left, the sacrament beneath a canopy, carried in procession and followed by the Louis XIV and Anne of Austria heading towards a large arched structure, spectators at left and right kneel in front of tapestries after Raphael
Stefano della Bella
ca. 1648

A cartouche with a loom, a skull at top, bones to either side, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis), Stefano della Bella Italian, Etching, letterpress visible on verso — A cartouche with a loom, a skull at top, bones to either side, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis)
Stefano della Bella
ca. 1640–60

A cartouche with a wreath of laurel and palms, a skull and crossbones at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis), Stefano della Bella Italian, Etching, letterpress visible on verso — A cartouche with a wreath of laurel and palms, a skull and crossbones at top, from "Eight Emblems for the Funeral of Francesco de Medici" (Huit emblèmes pour les funérailles du prince François de Médicis)
Stefano della Bella
ca. 1640–60

Genie of Drawing, Stefano della Bella Italian, Pen and brown ink — Genie of Drawing
Stefano della Bella
1610–64

Cartouche for Le Pont Neuf, Stefano della Bella Italian, Pen and brown ink with black chalk — Cartouche for Le Pont Neuf
Stefano della Bella
17th century

The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), Stefano della Bella Italian, Etching; second state of two — The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
Stefano della Bella
1656

Plate 1: The Entrance of the Polish Ambassador into Rome, the Medici coat of arms at left, Stefano della Bella Italian, Etching; first state of three — Plate 1: The Entrance of the Polish Ambassador into Rome, the Medici coat of arms at left
Stefano della Bella
1633

The Journey of Jacob in Egypt, Stefano della Bella Italian, Etching; third state of four — The Journey of Jacob in Egypt
Stefano della Bella
ca. 1647

Saint John the Baptist holding his folded robe, Stefano della Bella Italian, Etching; second state of three — Saint John the Baptist holding his folded robe
Stefano della Bella
Pierre Mariette
ca. 1641

Saint John the Baptist eating a piece of fruit, an oval composition, Stefano della Bella Italian, Etching; third state of three — Saint John the Baptist eating a piece of fruit, an oval composition
Stefano della Bella
Pierre Mariette
ca. 1641

The Virgin and Child with Saint John, a round composition, Stefano della Bella Italian, Etching; third state of three — The Virgin and Child with Saint John, a round composition
Stefano della Bella
Pierre Mariette
ca. 1641

Rest on the Flight into Egypt, Stefano della Bella Italian, Etching; second state of two — Rest on the Flight into Egypt
Stefano della Bella
Pierre Mariette
ca. 1641

Two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, plate 5 from "Various Figures" (Agréable diversité de figures), Stefano della Bella Italian, Etching; fourth state of five (De Vesme) — Two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, plate 5 from "Various Figures" (Agréable diversité de figures)
Stefano della Bella
Israël Henriet
1642

Title page for "The Child Nino" (Il Nino Figlio), a stage with the curtain drawn, the coat of arms of the duke of Modena at top center, spectators below, Stefano della Bella Italian, Etching — Title page for "The Child Nino" (Il Nino Figlio), a stage with the curtain drawn, the coat of arms of the duke of Modena at top center, spectators below
Stefano della Bella
ca. 1655

Medici coat of arms in bottom center, title page 2 from "In Morte del Serenissimo Principe Francesco di Toscana, Orazione", Stefano della Bella Italian, Letterpress, etching — Medici coat of arms in bottom center, title page 2 from "In Morte del Serenissimo Principe Francesco di Toscana, Orazione"
Multiple artists/makers
1634

Frieze with a Triton and Mermaid holding up a Shell, title page from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami), Stefano della Bella Italian, Etching — Frieze with a Triton and Mermaid holding up a Shell, title page from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Stefano della Bella
Nicolas Langlois
ca. 1645–50

Design for a Frieze with Felines holding up a Garland and the Medici Coat of Arms in the Center, plate 2 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami), Stefano della Bella Italian, Etching — Design for a Frieze with Felines holding up a Garland and the Medici Coat of Arms in the Center, plate 2 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Stefano della Bella
Nicolas Langlois
ca. 1645–50

Design for a Frieze with Two Putti holding a crown over the letter 'L' (for Louis XIV?), plate 3 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami), Stefano della Bella Italian, Etching — Design for a Frieze with Two Putti holding a crown over the letter 'L' (for Louis XIV?), plate 3 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Stefano della Bella
Nicolas Langlois
ca. 1645–50

Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, plate 4 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami), Stefano della Bella Italian, Etching — Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, plate 4 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Stefano della Bella
Nicolas Langlois
ca. 1645–50