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Design for a Stage Set at the Opéra, Paris: Church Interior, Eugène Cicéri French, Pen and red ink, gouache, and graphite
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri
1830–90
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Mission San Xavier del Bac, Tucson, Arizona, Ansel Easton Adams American, Gelatin silver print
Mission San Xavier del Bac, Tucson, Arizona
Ansel Easton Adams
1968, printed 1974
Design for a Stage Set, Eugène Cicéri French
Design for a Stage Set
Eugène Cicéri
1830–90
High Court (La Haut Cour de Justice), Chandigarh, India., Le Corbusier French, born Switzerland, Black ink on graph paper
High Court (La Haut Cour de Justice), Chandigarh, India.
Le Corbusier
1951–56
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Interior of the Basilica of San Marco, Showing the Crossing and the Choir, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink over black chalk
Interior of the Basilica of San Marco, Showing the Crossing and the Choir
Canaletto (Giovanni Antonio Canal)
ca. 1763–68
Paul Rudolph : young mover, changing the look of American architecture, Condé Nast
Paul Rudolph : young mover, changing the look of American architecture
Publisher Condé Nast
1963
Daasdorf, Lyonel Charles Feininger American, Woodcut
Daasdorf
Lyonel Charles Feininger
1918
Architectural model, Mezcala artist(s), Stone, Mezcala
Architectural model
Mezcala artist(s)
300 BCE–300 CE
Design for Ceiling, Hershey Community Theater, Hershey, Pennsylvania, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat, American
Design for Ceiling, Hershey Community Theater, Hershey, Pennsylvania
Louis C. Tiffany
Tiffany Studios
ca. 1915
Design for a Stage Set, Eugène Cicéri French
Design for a Stage Set
Eugène Cicéri
1828–90
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Charles Percier French, Pen and black and gray ink, graphite, black chalk
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Workshop of Charles Percier
Workshop of Pierre François Léonard Fontaine
ca. 1800–50
[Hall of Justice, Alhambra, Granada], Unknown, Albumen silver print from glass negative
[Hall of Justice, Alhambra, Granada]
Unknown
1880s–90s
Design for Stable Arches, Hôtel Candamo, Jules-Edmond-Charles Lachaise French, Pen and black ink, watercolor
Design for Stable Arches, Hôtel Candamo
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
ca. 1873
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Architectural model, Mezcala artist(s), Greenstone, Mezcala
Architectural model
Mezcala artist(s)
200 BCE–500 CE
Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome, Bastiano Torrigiani Italian, Pen and ink
Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome
Former Attribution Bastiano Torrigiani
ca. 1585–90
[Strand Theater, Near Old Saybrook, Connecticut: Detail of Archway], Walker Evans American, Instant internal dye diffusion transfer print (Polaroid SX-70)
[Strand Theater, Near Old Saybrook, Connecticut: Detail of Archway]
Walker Evans
1973–74
Cottage Residences; or a Series of Designs for Rural Cottages and Cottage-Villas, and Their Grounds, Adapted to North America, Andrew Jackson Downing American, Illustrations: wood engraving; a watercolor tipped in
Cottage Residences; or a Series of Designs for Rural Cottages and Cottage-Villas, and Their Grounds, Adapted to North America
Author Andrew Jackson Downing
Illustrator Alexander Jackson Davis
Publisher Wiley & Putnam
1842
Design for a Stage Set at the Opéra, Paris: Church Interior, Eugène Cicéri French, Pen and gray, red, and black ink, brush and gray wash, over graphite
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri
1830–90
[Wall Street Looking West Towards Trinity Church, New York City], Walker Evans American, Film negative
[Wall Street Looking West Towards Trinity Church, New York City]
Walker Evans
1929–30
Sketches for an Ecclesiastical Stall (recto and verso), Augustus Welby Northmore Pugin British, Graphite, pen and brown ink
Sketches for an Ecclesiastical Stall (recto and verso)
Augustus Welby Northmore Pugin
1830–52
[Chamber of Commerce Building, Savannah, Georgia], Walker Evans American, Film negative
[Chamber of Commerce Building, Savannah, Georgia]
Walker Evans
1935
Cross Section of the Northern Half of the Choir and Flying Buttresses of the Cathedral of Saint Vitus (Veitsdom), Prague, Peter Parler, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Cross Section of the Northern Half of the Choir and Flying Buttresses of the Cathedral of Saint Vitus (Veitsdom), Prague
Peter Parler
ca. 1360
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Charles Percier French, Pen and black and gray ink, graphite, black chalk
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Workshop of Charles Percier
Workshop of Pierre François Léonard Fontaine
ca. 1800–50
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
[Sign on Apartment Building Facade: "Rooms with Bath for Gentlemen", New York City], Walker Evans American, Film negative
[Sign on Apartment Building Facade: "Rooms with Bath for Gentlemen", New York City]
Walker Evans
1928–30
[Row of Town Houses, South Boston, Massahcuetts], Walker Evans American, Film negative
[Row of Town Houses, South Boston, Massahcuetts]
Walker Evans
1930–31
["Deep South: New Orleans, Vieux Carré": Album Page with Seven Mounted Photographs], Peter Sekaer American, born Denmark, Gelatin silver print
["Deep South: New Orleans, Vieux Carré": Album Page with Seven Mounted Photographs]
Peter Sekaer
ca. 1936
Front Door for Whitby, William P. Chapman House, Rye, New York, Alexander Jackson Davis American, Watercolor and ink.
Front Door for Whitby, William P. Chapman House, Rye, New York
Alexander Jackson Davis
ca. 1853
The World of Emblematics, No. 2, Clarence John Laughlin American, Gelatin silver print
The World of Emblematics, No. 2
Clarence John Laughlin
1960
Vitruvius Britannicus or The British Architect, The Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain,..., Colen Campbell British, Scottish, Illustrations: etching and engraving
Vitruvius Britannicus or The British Architect, The Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain,...
Author Colen Campbell
Author John Woolfe
1715
Design for Window, Anonymous, Italian, 16th century Italian, Pen and brown ink
Design for Window
Anonymous, Italian, 16th century
16th century
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Charles Percier French, Pen and black and gray ink, graphite, black chalk
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Workshop of Charles Percier
Workshop of Pierre François Léonard Fontaine
ca. 1800–50
Plaque, Wood, American
Plaque
American
ca. 1876
Design for the Entrance to a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink
Design for the Entrance to a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Architectural Model, Stone, Mezcala
Architectural Model
Mezcala
1st–8th century

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.
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