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1-42 of 98 results for Tara
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Department
Standing Tara, Bronze, India
Standing Tara
India
ca. 12th century
Seated Tara, Dry lacquer, Tibet
Seated Tara
Tibet
15th–16th century
Maharana Sarup Singh Inspects a Prize Stallion, Tara, Opaque watercolor, ink, and gold on paper, Western India, Rajasthan, Mewar
Maharana Sarup Singh Inspects a Prize Stallion
Tara
1845–46
Tara, the Buddhist Savior, Gilt copper alloy with color and semiprecious stone inlay, Nepal, Kathmandu Valley
Tara, the Buddhist Savior
Nepal, Kathmandu Valley
14th century
Tara, Bronze with silver inlay, India, Bihar
Tara
India, Bihar
12th century
Twenty-One Emanations of the Goddess Tara, Stone with polychrome, Tibet
Twenty-One Emanations of the Goddess Tara
Tibet
14th century
Untitled (Pins), Tara Donovan American, #17 steel dressmaker pins
Untitled (Pins)
Tara Donovan
2004
Tara, Copper alloy, North India (possibly Uttar Pradesh)
Tara
North India (possibly Uttar Pradesh)
ca. 7th century
Tara, Brass inlaid with silver and copper, Pakistan (Swat Valley region)
Tara
Pakistan (Swat Valley region)
7th century
White Tara and Green Tara, Distemper on cloth, Western Tibet (Guge)
White Tara and Green Tara
Western Tibet (Guge)
1450–1500
Tara Thakoorani (The Goddess Tara), Gouache and ink on paper, India, West Bengal
Tara Thakoorani (The Goddess Tara)
India, West Bengal
early 20th century
Eka-Tara, Gourd, skin, bamboo, Indian
Eka-Tara
Indian
late 19th century
Seated Tara, Silver, Indonesia (Java)
Seated Tara
Indonesia (Java)
second half of the 9th–early 10th century
Seated Tara, Bronze, India
Seated Tara
India
ca. 10th century
Seated Tara, Polychromed wood, Nepal (Kathmandu Valley)
Seated Tara
Nepal (Kathmandu Valley)
17th century
Standing Tara, Copper with gilt, Nepal (Kathmandu Valley)
Standing Tara
Nepal (Kathmandu Valley)
17th–18th century
Tara Brooch, Elkington & Co. British, Gilded copper alloy, silver, glass, and enamel, Irish
Tara Brooch
Elkington & Co.
early 20th century
Goddess Tara, Lithograph, printed in black with hand-coloring with watercolor and selectively applied glaze, West Bengal, Calcutta
Goddess Tara
West Bengal, Calcutta
ca. 1880–85
Tara, a form of Kali (Tara Thakoorani), Gouache and ink on paper, India, Kolkata, West Bengal
Tara, a form of Kali (Tara Thakoorani)
India, Kolkata, West Bengal
early 20th century
Votive Plaque with White Tara, Black clay with color and gilt, Tibet
Votive Plaque with White Tara
Tibet
16th–19th century
Seated Green Tara, Bronze, Tibet
Seated Green Tara
Tibet
17th–18th century
Standing Four-Armed Avalokiteshvara Flanked by Tara and Bhrikuti(?), Bronze with silver inlay, Indonesia (Java)
Standing Four-Armed Avalokiteshvara Flanked by Tara and Bhrikuti(?)
Indonesia (Java)
second half of the 9th–early 10th century
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara , Wood with traces of gilding and color, Tibet

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

Tibet
14th–15th century
Tara, the Buddhist Savior, Gilt-copper alloy with color and gold paint, Nepal (Kathmandu Valley)
Tara, the Buddhist Savior
Nepal (Kathmandu Valley)
12th–early 13th century
Votive Plaque Showing Tara, Clay, Tibet
Votive Plaque Showing Tara
Tibet
ca. 16th–18th century
Tara, the Buddhist Savioress , Bronze, Bangladesh (probably Comilla District)

Tara, the Buddhist Savioress

Bangladesh (probably Comilla District)
ca. second half of the 8th century
Standing Tara, the Buddhist Savioress, Bronze, Pakistan (Northwest Frontier Providence, Swat Valley)
Standing Tara, the Buddhist Savioress
Pakistan (Northwest Frontier Providence, Swat Valley)
9th century
Seated Tara, the Buddhist Savior, Copper alloy inlaid with gold and silver, Tibet
Seated Tara, the Buddhist Savior
Tibet
13th–15th century
Seated Boddhisattva, Tara, on Lotus Throne, Framed painting; ink and color on paper, China (?)
Seated Boddhisattva, Tara, on Lotus Throne
China (?)
15th century
Diptych of Kali / Tara, wrathful protectors, Calcutta Art Studio, Chromolithographic on paper, India, Kolkata, West Bengall
Diptych of Kali / Tara, wrathful protectors
Calcutta Art Studio
1885–90
Seated Multi-Armed Tara (The Buddhist Savioress), Bronze, India (Bihar)
Seated Multi-Armed Tara (The Buddhist Savioress)
India (Bihar)
9th century
Plaque with Seated Dhanada-Tara and Attendant, Ivory, Sri Lanka
Plaque with Seated Dhanada-Tara and Attendant
Sri Lanka
ca. 17th century
Shrine Relief Fragment Depicting Ashtamahabhaya Tara, the Buddhist Savioress , Wood, India (Himachal Pradesh)

Shrine Relief Fragment Depicting Ashtamahabhaya Tara, the Buddhist Savioress

India (Himachal Pradesh)
10th–11th century
"Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza), Basavana, Ink, opaque watercolor, and gold on cloth; mounted on paper
"Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza)
Attributed to Basavana
Attributed to Shravana
Attributed to Tara
ca. 1564–69
"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza), Shravana, Ink, opaque watercolor, and gold on cloth; mounted on paper
"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza)
Attributed to Shravana
Attributed to Dasavanta
Attributed to Tara
ca. 1564–69
Green Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Ink and color on palm leaf, India (Bihar or West Bengal)
Green Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
India (Bihar or West Bengal)
12th century
White Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Ink and color on palm leaf, India (Bihar or West Bengal)
White Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
India (Bihar or West Bengal)
12th century
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century
White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh
White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century
Wrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript , Opaque watercolor on palm leaf, India (Bengal) or Bangladesh

Wrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript

India (Bengal) or Bangladesh
ca. 1090
Dress
Design House Imitation of Christ
Designer Tara Subkoff
spring/summer 2021

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