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Nazi-era provenance
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More than 10,000 results for The Architecture of Armenia: From the 4th to the 17th Century

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Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem), T'oros the Deacon Armenian, Ink and pigments on oriental paper, Armenian — Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem)
T'oros the Deacon
1311

Patio from the Castle of Vélez Blanco, Marble of Macael (Sierra de Filabres), Spanish, Almería — Patio from the Castle of Vélez Blanco
Spanish, Almería
1506–15

Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas, Pot-metal glass and vitreous paint, French — Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
French
ca. 1200–1210

Medallion with a seated deity and a male worshiper, Silver, gold foil, Urartian — Medallion with a seated deity and a male worshiper
Urartian
ca. 8th–7th century BCE

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

The Mete of the Muse, Fred Wilson American, Bronze, patina, paint — The Mete of the Muse
Fred Wilson
2006

The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers Franco-Netherlandish, Tempera, gold, and ink on vellum, French — The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers
1405–1408/1409

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

The Temple of Dendur, Aeolian sandstone — The Temple of Dendur
completed by 10 B.C.

Rowel Spur (Left), in the Style of the 17th Century, Iron alloy, tin, German — Rowel Spur (Left), in the Style of the 17th Century
German
probably 19th century

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood — The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450

Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate, Master of the Triptych of Louis XII, Painted enamel, copper, French — Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate
Master of the Triptych of Louis XII
early 16th century

Century Vase, Karl L. H. Müller American, Porcelain, American — Century Vase
Karl L. H. Müller
Union Porcelain Works
1877

Bronze figure of a boy in Eastern dress, Bronze, Greek, Ptolemaic or Roman — Bronze figure of a boy in Eastern dress
Greek, Ptolemaic or Roman
mid-late 1st century BCE

Tār, wood, lamb skin?, wire, gut, metal, bone, Azerbaijani — Tār
Azerbaijani
19th century

The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas — The Coronation of the Virgin
Annibale Carracci
after 1595

The Crucifixion with the Virgin and Saint John, Hendrick ter Brugghen Dutch, Oil on canvas — The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
ca. 1624–25

The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton British — The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton
John Britton
Longman and Co.
1827

The Antioch "Chalice", Silver, silver-gilt, Byzantine — The Antioch "Chalice"
Byzantine
500–550

Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus, Pot-metal glass, vitreous paint, French — Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus
French
ca. 1200–1210

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Abolitionists in the Park, Nicole Eisenman American, Oil on canvas — The Abolitionists in the Park
Nicole Eisenman
2020–22

The Harvesters, Pieter Bruegel the Elder Netherlandish, Oil on wood — The Harvesters
Pieter Bruegel the Elder
1565

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán — Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Fragment of a shabti of the 4th prophet of Amun Mentuemhat, Serpentinite — Fragment of a shabti of the 4th prophet of Amun Mentuemhat
ca. 690–645 B.C.

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel — Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510

Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics, Pot-metal glass, vitreous paint, and lead, French — Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics
French
ca. 1245–47

Diptych with the Coronation of the Virgin and the Last Judgment, Elephant ivory, with metal mounts, French — Diptych with the Coronation of the Virgin and the Last Judgment
French
ca. 1260–70

Relief from the Tomb of Nespekashuty, Limestone, paint — Relief from the Tomb of Nespekashuty
656–650 BC