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The Bridge at Villeneuve-la-Garenne, Alfred Sisley  British, Oil on canvas
Alfred Sisley
1872
Perspective view of the Illuminations on the Pont Notre Dame, in celebration of the recovery of the health of Louis XIV, January 30, 1687, Anonymous, Engraving
Anonymous
Publisher Basset
1750 (?)
Pont-Neuf, Paris, Charles Meryon  French, Etching and drypoint; tenth state of eleven
Charles Meryon
1853
The Marble Bridge, Near the Lake, from the series, Views in Central Park, New York, Part 3, Louis Prang & Co.  American, Color lithograph
Publisher Louis Prang & Co.
1864
View of the Bridge of Washerwomen at the Peasant House, Quentin Pierre Chedel  French, Etching
Quentin Pierre Chedel
François Boucher
mid-18th century
Pont-Neuf, Paris, from "Etchings of Paris", Charles Meryon  French, Etching and drypoint; seventh state of eleven
Charles Meryon
1853
Evening, Little Waterloo Bridge, James McNeill Whistler  American, Transfer lithograph with stumping; second stateof two (Chicago); printed in black ink on medium weight  cream laid paper
James McNeill Whistler
1896
Pont-au-change, Paris, Charles Meryon  French, Etching and drypoint on laid paper; fifth state of twelve
Charles Meryon
1854
The Bridge and Castel S. Angelo (Veduta del Ponte e Castello Sant'Angelo, Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1754
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784), Charles Meryon  French, Etching
Charles Meryon
After Victor Jean Nicolle
1855
Syout, Pont Sur le Grand Canal, Félix Teynard  French, Salted paper print from paper negative
Félix Teynard
Printer Imprimerie Photographique de H. de Fonteny et Cie
1851–52, printed 1853–54
Bridge in Rome, Joseph Vernet  French, Engraving
After Joseph Vernet
Engraver Joseph C. Maillet
ca. 1770
View of a bridge over the Colares river near Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Lithographer Manuel Luis
1840
High Bridge, New York, Henry Ward Ranger  American, Oil on canvas, American
Henry Ward Ranger
1905
Paysage, Gilles Demarteau  French, Stipple engraving printed in red ink
Gilles Demarteau
After Jean-Baptiste Huet I
18th century
Pont-au-change, Paris, Charles Meryon  French, Etching and drypoint on laid paper; fifth state of twelve
Charles Meryon
1854
Engagement of Princess Charlotte to William of Orange, London, 1813, Anonymous, British, 19th century  British, Pen and black ink, watercolor, and gouache (bodycolor), over graphite
Anonymous, British, 19th century
ca. 1813
The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching, aquatint and mezzotint; first state of five (Finberg)
Designed and etched by Joseph Mallord William Turner
Engraved and published by Charles Turner
June 10, 1808
Reverse Copy of Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from "Les Caprices", Anonymous, Etching
Anonymous
After Jacques Callot
17th century
Lyon, Viaduc du Rhône, Edouard Baldus  French, born Prussia, Albumen silver print from glass negative
Edouard Baldus
ca. 1861
Pont-Neuf, Paris, Charles Meryon  French, Etching and drypoint (burnished) on laid paper; eighth state of eleven; with additions in graphite
Charles Meryon
1853
Bridge at the 7th Avenue Entrance, from the series, Views in Central Park, New York, Part 3, Louis Prang & Co.  American, Color lithograph
Publisher Louis Prang & Co.
1864
Boneys Broken Bridge, Thomas Rowlandson  British, Hand-colored etching
Multiple artists/makers
June 12, 1809
Vue de Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris), Jacques Callot  French, Etching; fifth state of five (Lieure)
Jacques Callot
ca. 1630
The Old Fortress, Joseph Vernet  French, Engraving; second state of two
After Joseph Vernet
Engraver Jean Jacques Le Veau
ca. 1750–1800
Westminster Bridge, the Surrey side, Samuel Scott  British, Watercolor and black chalk, with touches of pen and ink
Samuel Scott
ca. 1750
View of Tower near Blois, Quentin Pierre Chedel  French, Etching
Quentin Pierre Chedel
After François Boucher
mid 18th century
Le Pont-au-Change vers 1784, Charles Meryon  French, Etching; first state of six
Charles Meryon
after Victor Jean Nicolle
1855
Fancy Bridge No. 14, from the series, Views in Central Park, New York, Part 3, Louis Prang & Co.  American, Color lithograph
Publisher Louis Prang & Co.
1864
Château de Chenonceau, No 2, Charles Meryon  French, Etching; third of three states
Charles Meryon
1856
Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
After Israel Silvestre
ca. 1748
Castle St. Angelo, Joseph Vernet  French, Engraving
After Joseph Vernet
Engraver Carl Guttenberg
ca. 1772
Landscape with Bridge, Joseph Wagner  Italian, Etching
Artist and publisher Joseph Wagner
After Charles Louis Clérisseau
ca. 1750–70
View From a Bridge, William Wynne Ryland  British, Etching
William Wynne Ryland
After François Boucher
Riverscape with a Double Bridge, Lucas Gassel  Netherlandish, Etching and engraving
Lucas Gassel
Publisher Published by Aux Quatre Vents
ca. 1560–70
The Pont Neuf, Johan Barthold Jongkind  Dutch, Oil on canvas
Johan Barthold Jongkind
1849–50
View of the Tiber river, a large tree to left, two groups of women to left in the foreground, a bridge leading to the Castello Sant'Angelo to left, above which a large flag is hoisted, clouds of gunsmoke to right and left of the castle, Stefano della Bella  Italian, Etching
Stefano della Bella
ca. 1656
Morning, An Overcast Day, Rouen, Camille Pissarro  French, Oil on canvas
Camille Pissarro
1896
Ponte Rotto (Pons Aemilius), Rome (31. Rome. 1842. Ponte Rotto.), Joseph-Philibert Girault de Prangey  French, Daguerreotype
Joseph-Philibert Girault de Prangey
1842
Pont-au-Change, Paris, from "Etchings of Paris", Charles Meryon  French, Etching and drypoint on laid paper; fifth state of twelve
Charles Meryon
1854
Regensburg, Wenceslaus Hollar  Bohemian, Etching, only state
Wenceslaus Hollar
1652–77
River Landscape with Three Bare Willow-Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village, Augustin Hirschvogel  German, Etching
Augustin Hirschvogel
1546

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