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View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole American, Oil on canvas, American
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow
Thomas Cole
1836
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole American, Oil and pencil on composition board, American
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)
Thomas Cole
1836
Chest of drawers, Cherry, American
Chest of drawers
American
1770–1800
Desk, Mahogany, white pine, American
Desk
American
1760–90
La Grenouille et la Boeuf, plate 96 from "Fable de la Fontaine", Théophile Chauvel French, Etching
La Grenouille et la Boeuf, plate 96 from "Fable de la Fontaine"
Théophile Chauvel
Printer Auguste Delâtre
Publisher Cadart & Luquet
1864
Nubie. Vue Cavalière de la Seconde Cataracte, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative
Nubie. Vue Cavalière de la Seconde Cataracte
Maxime Du Camp
Printer Imprimerie photographique de Blanquart-Évrard, à Lille
1850
Vue prise à la Seconde Cataracte, Maxime Du Camp French, Salted paper print from paper negative
Vue prise à la Seconde Cataracte
Maxime Du Camp
March 1850
Oxcart Approaching a Fortified Building, Achille-Etna Michallon French, Point of brush and brown wash, over graphite
Oxcart Approaching a Fortified Building
Achille-Etna Michallon
1817
Trembles au bord de la Seine, Félix Bracquemond French, Etching, drypoint; second state of three
Trembles au bord de la Seine
Félix Bracquemond
ca. 1884
Price's Candle-Works (Price's Candle Factory), James McNeill Whistler American, Drypoint, printed in black ink on dark ivory Japan; ninth state of thirteen (Glasgow)
Price's Candle-Works (Price's Candle Factory)
James McNeill Whistler
1876–77
Chelsea Bridge and Church, James McNeill Whistler American, Etching and drypoint, printed in black ink on ivory laid paper; fifth state of seven (Glasgow)
Chelsea Bridge and Church
James McNeill Whistler
1871
The Meeting of the Waters, Killarney, Lord Otho Fitzgerald British, Albumen silver print
The Meeting of the Waters, Killarney
Lord Otho Fitzgerald
1854
Nubie. Rive Orientale du Nil (Village de Bab). Vue prise au sud de Philoe, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative
Nubie. Rive Orientale du Nil (Village de Bab). Vue prise au sud de Philoe
Maxime Du Camp
Printer Imprimerie photographique de Blanquart-Évrard, à Lille
1850
Landscape with Willow Trees, Charles Jacque French, Etching
Landscape with Willow Trees
Charles Jacque
1845
The Early Ploughman, or The Morning Spread Upon the Mountains, Samuel Palmer British, Etching; fifth state of nine
The Early Ploughman, or The Morning Spread Upon the Mountains
Samuel Palmer
before 1861
River Landscape, Anthonie Waterloo Dutch, Black and white chalk, brush and gray wash; traces of framing line in pen and black ink
River Landscape
Anthonie Waterloo
17th century
The Cabin Boy Tows the Boat, Charles-François Daubigny French, Etching; second state of three (Delteil)
The Cabin Boy Tows the Boat
Charles-François Daubigny
1861
Newburg [Newburgh] (No. 14 of The Hudson River Portfolio), John Hill American, born England, Aquatint printed in color with hand-coloring; first state of two (Koke)
Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)
Etcher John Hill
after William Guy Wall
Publisher Henry J. Megarey
1825
Première Cataracte, Vue Générale Prise de la Point Méridionale de l'Ile d'Éléphantine, Félix Teynard French, Salted paper print from paper negative
Première Cataracte, Vue Générale Prise de la Point Méridionale de l'Ile d'Éléphantine
Félix Teynard
Printer Imprimerie Photographique de H. de Fonteny et Cie
1851–52, printed 1853–54
The Rock in the Middle of the River, Allart van Everdingen Dutch, Engraving; second state of three
The Rock in the Middle of the River
Allart van Everdingen
17th century
The Hidden Treasure (The Parables of Our Lord and Saviour Jesus Christ), Sir John Everett Millais British, Wood engraving; proof
The Hidden Treasure (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
Engraver Engraved and printed by Dalziel Brothers
1864
River Landscape, Jan Porcellis Dutch, Black chalk
River Landscape
Jan Porcellis
n.d.
View on the Hudson River (Copy after Engraving by Weld and S. Springsguth in Weld, Travels Through the States of North America, 1807), Pavel Petrovich Svinin Russian, Watercolor and gouache on white laid paper, American
View on the Hudson River (Copy after Engraving by Weld and S. Springsguth in Weld, Travels Through the States of North America, 1807)
Pavel Petrovich Svinin
After Isaac Weld
1811–ca. 1813
Village on a River, Jan Ruischer Dutch, Etching and drypoint, third state of three
Village on a River
Jan Ruischer
Anthonie Waterloo
17th century
Bachots au bords de la Seine, Félix Bracquemond French, Drypoint on laid paper; second state of two
Bachots au bords de la Seine
Félix Bracquemond
1858
Vue prise au Sud-Est de Philae - Village d'El-Bâb, Maxime Du Camp French, Salted paper print from paper negative
Vue prise au Sud-Est de Philae - Village d'El-Bâb
Maxime Du Camp
1849–50
The River Seine at the Bend of the Mall, Reinier Nooms, called Zeeman Dutch, Etching; second state
The River Seine at the Bend of the Mall
Reinier Nooms, called Zeeman
17th century
View of Old Customs House in Rome, Jean Jacques de Boissieu French, Etching with drypoint; third state of four
View of Old Customs House in Rome
Jean Jacques de Boissieu
1807
Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond, Thomas Rowlandson British, Soft-ground etching and aquatint
Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond
Etcher Thomas Rowlandson
After Thomas Gainsborough
1783–84
River Landscape with Sailboats, Aelbert Cuyp Dutch, Black chalk and gray, yellow, and grayish green wash; traces of a colorless varnishlike substance (probably gum arabic) on the grayish green wash toward the right; brown framing lines at the top and bottom and dark brown framing lines at the sides.
River Landscape with Sailboats
Aelbert Cuyp
ca. 1640–42
Canal Landscape with Figures, Abraham de Verwer Dutch, Pen and brown ink, brown and gray wash.
Canal Landscape with Figures
Abraham de Verwer
17th century
La Seine au Bas-Meudon, Félix Bracquemond French, Etching; second state of four
La Seine au Bas-Meudon
Félix Bracquemond
1868
[The Nile in front of the Theban Hills], John Beasley Greene American, Salted paper print from paper negative
[The Nile in front of the Theban Hills]
John Beasley Greene
1853–54
Batu-el-Hadjar. Vue prise à la Seconde Cataracte, Maxime Du Camp French, Salted paper print
Batu-el-Hadjar. Vue prise à la Seconde Cataracte
Maxime Du Camp
1849–51
Vue prise au Sud-Est de Philae - Cherk-el-Hesseh, Maxime Du Camp French, Salted paper print from paper negative
Vue prise au Sud-Est de Philae - Cherk-el-Hesseh
Maxime Du Camp
April 15, 1850
The Early Ploughman, Samuel Palmer British, Etching; fifth state of nine (probably)
The Early Ploughman
Samuel Palmer
1861
Old Westminster Bridge, James McNeill Whistler American, Etching and drypoint, printed in black ink on fine fibrous laid Japan paper; third state of four (Glasgow)
Old Westminster Bridge
James McNeill Whistler
1859
River Landscape with Three Fisherman, Jean Jacques Le Veau French
River Landscape with Three Fisherman
Jean Jacques Le Veau
After Allart van Everdingen
Barge on the Bank of a River, Adolphe Appian French, Etching; first state of three
Barge on the Bank of a River
Adolphe Appian
1865
Ville d'Avray: Boatman on a Pond (Evening Effect), Camille Corot French, Etching and drypoint; second state of three
Ville d'Avray: Boatman on a Pond (Evening Effect)
Camille Corot
1862
Fort Edward (No. 10 of The Hudson River Portfolio), John Hill American, born England, Aquatint printed in color with hand-coloring; first state of three (Koke)
Fort Edward (No. 10 of The Hudson River Portfolio)
Etcher John Hill
after William Guy Wall
Publisher Henry J. Megarey
1822–23
Palisades (No. 19 of The Hudson River Portfolio), John Hill American, born England, Aquatint with watercolor; proof before letters
Palisades (No. 19 of The Hudson River Portfolio)
John Hill
After William Guy Wall
Publisher Henry J. Megarey
1823–24

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