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Showing 9,365 results for Thomas Wilcocks Sully
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George Washington, Thomas Wilcocks Sully, Oil on canvas, American
Thomas Wilcocks Sully
1840
Frederick Gutekunst
Thomas Wilcocks Sully
1860s
Queen Victoria, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1838
Mother and Son, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1840
Mrs. John Biddle (Eliza Falconer Bradish), Thomas Sully  American, Oil on canvas, American
Thomas Sully
1818
Mrs. Katherine Matthews, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1812–13
Portrait of the Artist, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1821
The Student, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1839
Child Asleep (The Rosebud), Thomas Sully  American, Oil on canvas, American
Thomas Sully
1841
Sarah Annis Sully (Mrs. Thomas Sully), Thomas Sully  American, Oil on canvas, American
Thomas Sully
1832
John Finley, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1821
Madame Jerome Bonaparte (Elizabeth Patterson), Thomas Sully  American, Watercolor on ivory, American
Thomas Sully
Gilbert Stuart
ca. 1805–10
Study of the Throne in the House of Lords (Study for Portrait of Queen Victoria), Thomas Sully  American, Graphite on paper, American
Thomas Sully
ca. 1838
Alfred Sully, Thomas Sully  American, Watercolor on ivory, American
Thomas Sully
ca. 1839
Portrait of a Lady, Thomas Sully  American, Watercolor on ivory, American
Thomas Sully
ca. 1843
Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
After Reynolds; Mother and Three Children; Draped Figure Studies (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Standing Man, with Scroll (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Diagram of the Colors Used to Paint the Portrait of Queen Victoria, Thomas Sully  American, Brown ink and oil on paper, American
Thomas Sully
ca. 1838
Entombment (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Two Standing Women Flanking an Opening onto a Landscape, Two Pedistals with Urns at Right (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Composition with Bathing Venus Pudica Type; a Triton; a Fleeing Figure (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Nude Man Leaning Over Rock; Seated Female Figure; Seated Nude Female Figure with Hands to Face; Two Men Carrying Dead Body (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Half-length Portrait of a Seated Mature Gentleman; a Smiling Girl; a Full-length Portrait of a Man Before an Arch (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Portrait of a Cleric; Standing Man in Animal Skins; Portrait of a Woman; Man's Head (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Figure Studies, Thomas Sully  American, Ink wash on brown laid paper, American
Thomas Sully
1810–20
Christ Healing the Sick, after Rembrandt  (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Woman at a Window (from Sketchbook), Thomas Sully  American, Pen and brown ink washes (bistre?) on off-white laid paper, American
Thomas Sully
1810–20
Two Seated Figures; One Sleeping Figure; Standing Man Leaning on Ship Railing (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Figure Studies after Rembrandt Etchings (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Sketches of Two Sentry Types; Male and Female Monarch Types [male possibly King Lear] (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Raising of Lazarus (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Creation of Adam; Sleeping Adam, after Michaelangelo; Other Figures; Profile of Head of Man in Helmut (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
John Quincy Adams, Thomas Sully  American, Watercolor, black chalk, and graphite on off-white laid paper, American
Thomas Sully
1824
Composition Sketch for an Adoration of the Magi [?] and A Bishop Blessing [Marriage at Bolsena?] (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Various Figure Sketches, Including Two Battling Equestrains, Two Wrestlers (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Seated Woman Holding Baby; Ionic Porch and Balustrade, Three Fleeting Figures (from Rubens Massacre of Innocents? Or Allegory of War) (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Doric Rotunda Interior with Curtains; Four Figure Studies, Including a Female Nude Bather with Putti, and a Martyrdom [of St. Bartholomew?] (from Sketchbook), Thomas Sully  American, Ink, wash, on paper, American
Thomas Sully
1810–20
Mrs. Thomas Sully (Sarah Annis), Thomas Sully  American, Watercolor on ivory, American
Thomas Sully
ca. 1802
William Gwynn, Thomas Sully  American, Oil on canvas, American
Thomas Sully
1821