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Allegorical thesis print with various figures, set in an architectural structure, Philippe Thomassin French, Engraving
Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
After Francesco Nappi
1608
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels, Philippe Thomassin French, Engraving
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Philippe Thomassin
After Giorgio Vasari
Publisher Giovanni Giacomo De Rossi
1611–12
The Entombment, Philippe Thomassin French, Engraving
The Entombment
Philippe Thomassin
After Federico Barocci
1589
A seated woman holding a closed fan before a drawn curtain, a tree and sky beyond, Henri Simon Thomassin French, Etching with engraving
A seated woman holding a closed fan before a drawn curtain, a tree and sky beyond
Henri Simon Thomassin
After Antoine Watteau
ca. 1710–41
Melancholia, Henri Simon Thomassin French, Red chalk
Melancholia
Henri Simon Thomassin
After Domenico Fetti
ca. 1729–40
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror, Henri Simon Thomassin French, Etching
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
After Caravaggio (Michelangelo Merisi)
1707–41
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror, Henri Simon Thomassin French, Etching
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
After Caravaggio (Michelangelo Merisi)
Sitter Caravaggio (Michelangelo Merisi)
1707–41
Allegory on Melancholy, with a woman kneeling towards the left holding a skull, Henri Simon Thomassin French, Etching and engraving
Allegory on Melancholy, with a woman kneeling towards the left holding a skull
Henri Simon Thomassin
After Domenico Fetti
1729–40
Allegory on Melancholy, with a woman kneeling towards the left holding a skull, Henri Simon Thomassin French, Etching and engraving
Allegory on Melancholy, with a woman kneeling towards the left holding a skull
Henri Simon Thomassin
After Domenico Fetti
1729–40
The Magnificat, Henri Simon Thomassin French, Etching
The Magnificat
Henri Simon Thomassin
After Jean-Baptiste Jouvenet
1724
Violin Bow
Stamped: Gand & Bernardel (prob. Claude Thomassin)
Claude Thomassin
late 19th century
Recueil des Figures, Groupes, Thermes, Fontaines, Vases, et autres Ornemens... dans le Château et Parc de Versailles
Engraver Engraved and published by Simon Thomassin
1694
Design for an Ornamental Bowl with the Battle of the Triton and the arms of Joannes Vitiello
Philippe Thomassin
After Bernardino Passeri
Dedicatee Johannes Vitellio
ca. 1617–19
The Virgin in glory standing on a cloud surrounded by her attributes, after Barocci
Multiple artists/makers
1591
Dance of the Muses, with Apollo at center and a musician at each end
Philippe Thomassin
After Baldassarre Tommaso Peruzzi
1615
Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils, Antoine Watteau French
Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils
Multiple artists/makers
1710?–?1720
The victory of Scipio over Syphax, Master of the Die Italian, Engraving
The victory of Scipio over Syphax
Master of the Die
Publisher Philippe Thomassin
1530–60
The Triumph of Scipio who rides on a horse followed by captured slaves, Master of the Die Italian, Engraving
The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
Publisher Philippe Thomassin
1530–60
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, Master of the Die Italian, Engraving
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
Publisher Philippe Thomassin
1530–60
Le Parisien, from Le Moniteur de la Mode, no. 7
Alexandre Lacauchie
Engraved by Thomassin
July 1850
Le Palais des Tuileries, Domaine de la Couronne.
Printer Printed by L. E. Thomassin et Cie.
1837
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
Publisher Philippe Thomassin
1580–90
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
Publisher Philippe Thomassin
1580–90
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
Publisher Philippe Thomassin
1580–90
Le Gladiateur
After Michel Monier
Engraver Simon Thomassin
1717
The Ascension
Designed by Jacopo Zucchi
Philippe Thomassin
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', Master of the Die Italian, Engraving
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Master of the Die
After Baldassarre Tommaso Peruzzi
Publisher Philippe Thomassin
1530–60
The Rape of Ganymede, Anonymous, Engraving
The Rape of Ganymede
Multiple artists/makers
1542–60
The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left, Master of the Die Italian, Engraving
The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Master of the Die
Publisher Philippe Thomassin
Publisher Giovanni Giacomo De Rossi
1530–60
Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
After Raphael (Raffaello Sanzio or Santi)
Publisher Philippe Thomassin
1530–60
Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left, Master of the Die Italian, Engraving
Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left
Master of the Die
After Raphael (Raffaello Sanzio or Santi)
Publisher Philippe Thomassin
1530–60