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Showing 2,202 results for Tobias Jansen Kremer

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Spoon, Toebias Jansen I or, Silver, German, Emden — Spoon
Toebias Jansen I
Tobias Jansen Kremer
1634

Sugar box with cover, Tobias Remshardt, Silver gilt, German, Augsburg — Sugar box with cover
Tobias Remshardt
1730

Book cover for Pentateuch and Five Scrolls, Tobias Schier Polish, Silver, chased, pierced and embossed and partially gilt, German, Breslau (Wrocław) — Book cover for Pentateuch and Five Scrolls
Tobias Schier
silver: 1721–ca. 1727; book: 1699–1701 and 1700–1701

Clock watch with astronomical dial and sundial, Jan Jansen Bockeltz Dutch, Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver, Dutch, Haarlem — Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz
ca. 1605–10

Panorama, Urban Warfare Training Center, Tze'elim, Shai Kremer Israeli, Chromogenic print — Panorama, Urban Warfare Training Center, Tze'elim
Shai Kremer
2007

Model for a portrait medal of Augustus, Elector of Saxony, Tobias Wolff , Silesia (Breslau) or Saxony (Dresden?), Honey-stone, Polish or German — Model for a portrait medal of Augustus, Elector of Saxony
Tobias Wolff
1575

Spoon, Hendrick Jansen Sympa, Silver, Dutch, Dokkum — Spoon
Hendrick Jansen Sympa
ca. 1660–69

Untitled, Gert Tobias German, born Romania, A portfolio of 12 etchings and white ground aquatints — Untitled
Multiple artists/makers
2011

English Horn, Johann Tobias Uhlmann Austrian, Nickel-silver, boxwood, Austrian — English Horn
Johann Tobias Uhlmann
ca. 1860–70

Contrabassoon in C, Johann Tobias Uhlmann Austrian, Maple, brass, Austrian — Contrabassoon in C
Johann Tobias Uhlmann
1825–33

Pair-case watch, S. I. Tobias, Gold, British, Liverpool — Pair-case watch
S. I. Tobias
1824–25

Stove, David II Pfau, Faience (tin-glazed earthenware), Swiss, Winterthur — Stove
Multiple artists/makers
ca. 1684–85

Mountainous Landscape with Tobias and the Angel, Tobias Verhaecht Netherlandish, Pen and brown ink, brush and brown wash — Mountainous Landscape with Tobias and the Angel
Tobias Verhaecht
1575–1631

Mountainous Landscape with Travelers on a Road, Tobias Verhaecht Netherlandish, Pen and brown ink, brown and blue wash, black chalk — Mountainous Landscape with Travelers on a Road
Tobias Verhaecht
1616

Design for a Coat of Arms with Putti holding Garlands, Tobias Stimmer Swiss, Pen and black ink, brush and gray and rose wash. — Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
1550–84

Mountainous Landscape, Tobias Verhaecht Netherlandish, Pen and brown ink, brush and brown and blue wash — Mountainous Landscape
Tobias Verhaecht
1576–1631

A Dog Looking to the Right, Tobias Stimmer Swiss, Pen and gray ink, brush and black and gray wash — A Dog Looking to the Right
Tobias Stimmer
1564

Astronomical Clock in the Cathedral in Strasbourg, Tobias Stimmer Swiss, Woodcut printed from two blocks on two sheets with letterpress text — Astronomical Clock in the Cathedral in Strasbourg
Tobias Stimmer
Johann Fischart
1574

Neue Künstliche Figuren Biblischer Historien, Tobias Stimmer Swiss, Woodcuts — Neue Künstliche Figuren Biblischer Historien
Tobias Stimmer
Thomas Guarin
1576

Wooded Landscape with Stag Hunt, Tobias Verhaecht (?) Netherlandish, Black chalk, pen and brown ink, brown wash — Wooded Landscape with Stag Hunt
Tobias Verhaecht
late 16th–early 17th century

The Death of Aeschylus, Tobias Verhaecht Netherlandish, Pen and brown ink, brown and blue wash — The Death of Aeschylus
Tobias Verhaecht
1576–before 1606

Gründtliche Beschreibung der freyen ritterlichen unnd adelichen Kunst des Fechtens in allerley gebreuchlichen Wehren mit vil schönen und nützlichen Figuren gezieret und fürgestellet (A Thorough Description of the Free Knightly and Noble Art of Fencing, in All the Typical Guards, Adorned and Arranged with Many Beautiful and Useful Figures), Joachim Meyer German, Ink, paper, German, Strasbourg — Gründtliche Beschreibung der freyen ritterlichen unnd adelichen Kunst des Fechtens in allerley gebreuchlichen Wehren mit vil schönen und nützlichen Figuren gezieret und fürgestellet (A Thorough Description of the Free Knightly and Noble Art of Fencing, in All the Typical Guards, Adorned and Arranged with Many Beautiful and Useful Figures)
Joachim Meyer
Tobias Stimmer
dated 1570

Watch, M. I. Tobias and Company British, Gold, British — Watch
M. I. Tobias and Company
1810–29

Carl Ehrenswärd as Apollo, flying to inspect Sergel and Abilgaard, Johann Tobias Sergel Swedish, Pen and brown and gray ink, brush and brown and gray wash, over traces of graphite. — Carl Ehrenswärd as Apollo, flying to inspect Sergel and Abilgaard
Johann Tobias Sergel
1797

Venus preventing Aeneas from killing Helen, Johann Tobias Sergel Swedish, Pen and brown ink, brown wash, over graphite — Venus preventing Aeneas from killing Helen
Johann Tobias Sergel
Anonymous, French, 18th century
late 18th century

Patroclus being carried to his funeral pyre as Achilles places a lock of hair on the body, Johann Tobias Sergel Swedish, Etching — Patroclus being carried to his funeral pyre as Achilles places a lock of hair on the body
Johann Tobias Sergel
ca. 1766

Daddy, William R. Tobias American, Photomechanical process — Daddy
Multiple artists/makers
1976

Le Guide du Fabricant de Meubles. Album sur L'Ébenisterie.

Multiple artists/makers

n.d. [after 1839]

Silo and Fields

Edward Jansen

WPA

1935–43

[Joseph Jansen]

G. & A. Overbeck

Joseph Jansen

after 1868

Franz Maria Jansen

1918

Angela Bing Jansen

1977

The Academy: Anatomy

Angela Bing Jansen

1973

The Academy: Bird Cage

Angela Bing Jansen

1973

The Academy: Closet

Angela Bing Jansen

1973

Triumph of Mordecai, Hans Ulrich Fisch vom Stein I Swiss, Pen and black ink, brush and brown wash — Triumph of Mordecai
Hans Ulrich Fisch vom Stein I
Tobias Stimmer
early to mid-17th century

Abraham Joel Tobias

WPA

1935–43

Abraham Joel Tobias

WPA

1935–43

America Septentrionalis Concinnata juxta Observationes... [Map of North America, Mexico and part of South America]

Tobias Conrad Lotter

1760

Sculptor at Work on a Colossal Statue, Carl August Ehrensvärd Swedish, Pen and brown ink, brush and gray wash, white gouache, on gray paper. — Sculptor at Work on a Colossal Statue
Carl August Ehrensvärd
Johann Tobias Sergel
mid-18th–18th century