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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 17 results for Venanzio Monaldini
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Serie Di Mascheroni Cavati Dall'Antico
Aloisio Giovannoli
Venanzio Monaldini
1781
De Larvis Scenicis et Figuris Comicis Antiquorum Romanorum. . .Edito Secunda, 1754
Multiple artists/makers
1754, 1757
Science Books: Gemmae Antiquae Litteratae; Espozione Anatomica della Struttura del Corpo Umano del Winslow, tradotto dal Franzese (...) tome 1 and 2, Francesco Ficoroni Italian, Letterpress and etching
Science Books: Gemmae Antiquae Litteratae; Espozione Anatomica della Struttura del Corpo Umano del Winslow, tradotto dal Franzese (...) tome 1 and 2
Multiple artists/makers
1757; 1746; 1767
In honor of the Episcopal Jubilee of Cardinal Oppizzoni, Archbishop of Bologna
Maldini
1859
Mortar, Guglielmo de Monaldis, Bronze, Italian, Venice
Mortar
Guglielmo de Monaldis
1502
Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition, Poppi (Francesco Morandini) Italian, Red and black chalk
Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition
Poppi (Francesco Morandini)
ca. 1570
Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso), Poppi (Francesco Morandini) Italian, Red chalk on off-white paper. Recto: squared in red chalk
Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso)
Poppi (Francesco Morandini)
1544–97
Studies of the Head of an Infant (after a three-dimensional model), Poppi (Francesco Morandini) Italian, Black chalk
Studies of the Head of an Infant (after a three-dimensional model)
Poppi (Francesco Morandini)
1572–74
Llanto de la Fama Reales Exequias..da Maria Amalia de Saxonia, Reyna de las Españas, Celebradas en la Santa Iglesia Cathedral, de la Imperial Corte Mexicana
Felix Venancio Malo
Joseph Rodriguez del Toro
[1761]
Design for the End Pier of a Table, Giovanni Battista Naldini Italian, Pen and brown ink, brush and brown wash, over black chalk
Design for the End Pier of a Table
Giovanni Battista Naldini
1537–91
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Multiple artists/makers
1537–91
The Dead Christ Supported by Three Figures, Giovanni Battista Naldini Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
1537–91
Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso), Giovanni Battista Naldini Italian, Red chalk (recto and verso)
Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso)
Giovanni Battista Naldini
1537–91
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso), Giovanni Battista Naldini Italian, Pen and brown ink, over leadpoint
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Giovanni Battista Naldini
ca. 1557
Innamoramento di Ruggeretto Figliuolo di Ruggero Ré di Bulgaria
Panfilo di Renaldini
Trino di Monferrato
1555
Statue of Saint Gaetano in Saint Peter's Basilica, Rome
Miguel de Sorello
Carlo Monaldi
1737
El Goffredo ... canta alla Barcariola
Multiple artists/makers
1693