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View of Toledo, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas
View of Toledo
El Greco (Domenikos Theotokopoulos)
ca. 1599–1600
London from Arundel House, Wenceslaus Hollar Bohemian, Etching, first or second state of two, cannot be determined due to trimming
London from Arundel House
Wenceslaus Hollar
1643
Prospects of London Before and After the Great Fire, Wenceslaus Hollar Bohemian, Etching; second state of five
Prospects of London Before and After the Great Fire
Wenceslaus Hollar
1666
View of New York from Brooklyn Heights, Frances Flora Bond Palmer American, born England, Hand-colored lithograph
View of New York from Brooklyn Heights
Frances Flora Bond Palmer
Publisher Lithographed and published by Nathaniel Currier
1849
View of Florence from the Basilica di San Miniato al Monte, Anonymous, British, 19th century British, Watercolor
View of Florence from the Basilica di San Miniato al Monte
Anonymous, British, 19th century
possibly 1850–60
A South East View of the City of New York, in North America, Pierre Charles Canot French, Etching and engraving
A South East View of the City of New York, in North America
Multiple artists/makers
ca. 1768
Vue générale d'Esné (No. 2, partie médiale), Maxime Du Camp French, Salted paper print from paper negative
Vue générale d'Esné (No. 2, partie médiale)
Maxime Du Camp
1849–50
New York from Heights Near Brooklyn [The Wall View from Brooklyn], John Hill American, born England, Hand-colored etching and aquatint
New York from Heights Near Brooklyn [The Wall View from Brooklyn]
Etcher John Hill
After William Guy Wall
1823
Tétouan from the Terrace of Cohen’s House, Morocco, David Roberts British, Scottish, Watercolor and gouache over soft dark graphite on gray paper
Tétouan from the Terrace of Cohen’s House, Morocco
David Roberts
April 10, 1833
Jérusalem. Tour Antonia et Environs, Louis de Clercq French, Albumen silver print from paper negative
Jérusalem. Tour Antonia et Environs
Louis de Clercq
Lithographer H. Jannin
Printer J. Blondeau et Antonin
1860 or later
Augsburg, from "German Views", Wenceslaus Hollar Bohemian, Etching, only state
Augsburg, from "German Views"
Etcher Wenceslaus Hollar
After Matthäus Merian the Elder
1665
Avignon, Edouard Baldus French, born Prussia, Albumen silver print from glass negative?
Avignon
Edouard Baldus
ca. 1861
Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas
Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745
Montreal, John Thomson British, Scottish, Albumen silver print from glass negative
Montreal
Attributed to John Thomson
1865
Richmond, Virginia. Looking toward Manchester, Alexander Gardner American, Scottish, Albumen silver print from glass negative
Richmond, Virginia. Looking toward Manchester
Alexander Gardner
Former Attribution Formerly attributed to Mathew B. Brady
ca. 1865
[Richmond, Virginia, after the Evacuation], Alexander Gardner American, Scottish, Albumen silver print from glass negative
[Richmond, Virginia, after the Evacuation]
Attributed to Alexander Gardner
Former Attribution Formerly attributed to Mathew B. Brady
1865
Bonn, Wenceslaus Hollar Bohemian, Etching; second state of two
Bonn
Wenceslaus Hollar
1642–1644
The Wilkinson Album, Luigi Pesce Italian, Albumen silver and salted paper prints
The Wilkinson Album
Multiple artists/makers
1840s–60s
Prospect of the inner part of Tangier, Wenceslaus Hollar Bohemian, Etching; second state of two
Prospect of the inner part of Tangier
Wenceslaus Hollar
ca. 1670
Savanah, Georgia No. 1, George N. Barnard American, Albumen silver print from glass negative
Savanah, Georgia No. 1
George N. Barnard
1860s
St. Peters from the Pincian Hill, Jane Martha St. John British, Albumen silver print
St. Peters from the Pincian Hill
Possibly by Jane Martha St. John
1853–56
View from the Artist's Studio Window, Rome, Max Klinger German, Etching and drypoint
View from the Artist's Studio Window, Rome
Max Klinger
1890
Regeliers Poort, Reinier Nooms, called Zeeman Dutch, Etching
Regeliers Poort
Reinier Nooms, called Zeeman
mid-17th century
View on the Quirinal Hill, Rome, Simon Denis Flemish, Oil on paper, laid down on canvas
View on the Quirinal Hill, Rome
Simon Denis
1800
Macao, John Thomson British, Scottish, Albumen silver print from glass negative
Macao
Attributed to John Thomson
ca. 1869
Ruins on North Bank of Canal, Richmond, Alexander Gardner American, Scottish, Albumen silver print from glass negative
Ruins on North Bank of Canal, Richmond
Alexander Gardner
Former Attribution Formerly attributed to Mathew B. Brady
1865
View of Antwerp from Braun and Hogenberg's Civitates Orbis Terrarum, Joris Hoefnagel Netherlandish, Hand-colored etching
View of Antwerp from Braun and Hogenberg's Civitates Orbis Terrarum
Multiple artists/makers
1572–94
Speyer, Wenceslaus Hollar Bohemian, Etching, second state of two (New Hollstein)
Speyer
Wenceslaus Hollar
Publisher Abraham Hogenberg
1635
Moscow, the Kremlin in the Distance, Roger Fenton British, Salted paper print from paper negative
Moscow, the Kremlin in the Distance
Roger Fenton
1852
Strasbourg, Wenceslaus Hollar Bohemian, Etching; second state of three
Strasbourg
Wenceslaus Hollar
1642–44
Post Office, Broadway, Hudson River and Jersey Shore, Charles Magnus & Company American, Hand-colored wood engraving
Post Office, Broadway, Hudson River and Jersey Shore
Publisher Charles Magnus & Company
after 1878
Ingolstadt, from "German Views", Wenceslaus Hollar Bohemian, Etching, only state
Ingolstadt, from "German Views"
Wenceslaus Hollar
1665
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), Charles Meryon French, Etching with engraving
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle)
Charles Meryon
After Victor Jean Nicolle
1855
London from Arundel House (copy), Wenceslaus Hollar Bohemian, Etching
London from Arundel House (copy)
Copy after Wenceslaus Hollar
17th century (?)
Passau, from "German Views", Wenceslaus Hollar Bohemian, Etching, only state
Passau, from "German Views"
Wenceslaus Hollar
1652–77
Panorama de la Cité, Edouard Baldus French, born Prussia, Albumen silver print from glass negative
Panorama de la Cité
Edouard Baldus
1860s
Kampen, Wenceslaus Hollar Bohemian, Etching; second state of two
Kampen
Wenceslaus Hollar
1642–44
A View of Moulins, Henri-Joseph Harpignies French, Graphite and watercolor on heavy wove paper
A View of Moulins
Henri-Joseph Harpignies
ca. 1850–60
Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber, Antonio Tempesta Italian, Etching with some engraving; undescribed state
Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber
Antonio Tempesta
Publisher Giovanni Domenico de Rossi
Dedicatee Cardinal Camillo Pamphili
1645
San Francisco, Carleton E. Watkins American, Albumen silver print from glass negative
San Francisco
Carleton E. Watkins
1864, printed ca. 1876
[Egypt], Joseph-Philibert Girault de Prangey French, Daguerreotype
[Egypt]
Joseph-Philibert Girault de Prangey
1842–44
Nashville from the Capitol, George N. Barnard American, Albumen silver print from glass negative
Nashville from the Capitol
George N. Barnard
1860s

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