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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,280 results for Virginia Ferrari

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Design for a Decanter, Virginia Ferrari Italian, Watercolor, over graphite. Design pasted to brown mounting paper. — Design for a Decanter
Virginia Ferrari
19th century

Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood — Saints John the Evangelist and Lawrence
Defendente Ferrari

Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk. — Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530

Woman with Flowered Collar, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Woman with Flowered Collar
Virginia Hendrickson Irvin
ca. 1950

Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1948

Standing Virgin Holding the Christ Child, Gaudenzio Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, on blue paper; squared in red chalk — Standing Virgin Holding the Christ Child
Gaudenzio Ferrari
1475–1546

Left Half of a Wall Decoration for a Chapel, Francesco Ferrari Italian, Pen, brown ink and wash with touches of blue and green wash, over black chalk — Left Half of a Wall Decoration for a Chapel
Francesco Ferrari
ca. 1690

[Walker Evans, Destin Beach, Florida], Virginia Hubbard American, Instant internal dye diffusion transfer print (Polaroid SX-70) — [Walker Evans, Destin Beach, Florida]
Virginia Hubbard
August 9, 1974

[Walker Evans Seated on the Beach, Destin, Florida], Virginia Hubbard American, Instant internal dye diffusion transfer print (Polaroid SX-70) — [Walker Evans Seated on the Beach, Destin, Florida]
Virginia Hubbard
1974

Untitled (still life), Virginia Admiral American, Charcoal on paper — Untitled (still life)
Virginia Admiral
1941

Sidereal Inscriptions #3-512, Virginia Jaramillo American, Pigments on handmade paper — Sidereal Inscriptions #3-512
Virginia Jaramillo
1988

Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper — Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726

Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk — Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726

Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink — Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44

Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso) — Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744

Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso) — Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
Lorenzo de' Ferrari
1680–1744

De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut — De Florum Cultura
Multiple artists/makers
1633

Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving — Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646

Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper — Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726

Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso) — Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90

The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso) — The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744

The Annunciation, Pietro Melchiorre Ferrari Italian, Pen and brown ink, brush and brown and gray-green wash, over traces of black chalk. Lightly squared in black chalk — The Annunciation
Pietro Melchiorre Ferrari
1735–87

The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash — The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726

Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso) — Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726

Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite — Susanna and the Elders
Gregorio de' Ferrari
1647–1726

Bessie Moore, Virginia Richmond Reynolds American, Watercolor on ivory, American — Bessie Moore
Virginia Richmond Reynolds
1899

My Mother, Virginia Hendrickson Irvin American, Watercolor on ivory, American — My Mother
Virginia Hendrickson Irvin
ca. 1940

Self-Portrait, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Self-Portrait
Virginia Hendrickson Irvin
ca. 1940

Carey Ambler, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Carey Ambler
Virginia Hendrickson Irvin
1950s

Little Charlie, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Little Charlie
Virginia Hendrickson Irvin
ca. 1937

Madonna, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Madonna
Virginia Hendrickson Irvin
ca. 1948

Reflection, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Reflection
Virginia Hendrickson Irvin
ca. 1958

Charles E. Irvin, Sr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Charles E. Irvin, Sr.
Virginia Hendrickson Irvin
ca. 1945

Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1935

Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1935

Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1940

Rev. Charles E. Irvin, Virginia Hendrickson Irvin American, Watercolor on ivory, American — Rev. Charles E. Irvin
Virginia Hendrickson Irvin
1967

Virginia H. Irvin and Son, Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American — Virginia H. Irvin and Son, Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1934