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1-42 of 390 results for Vitaly Komar
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Date
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Object type / material
Geographic location
Department
Blindman's Buff, Komar & Melamid  American, Oil on canvas
Multiple artists/makers
1982–83
Questions New York Moscow New York Moscow, Douglas Davis, Vitaly Komar, and Alexander Melamid  American and Russian, Gelatin silver prints
Multiple artists/makers
1976 and 1978, printed 1980
Rubáiyát of Omar Khayyám : the astronomer-poet of Persia, Omar Khayyám  Iranian
Multiple artists/makers
1884
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar  Spanish, Alabaster, Spanish
Francí Gomar
ca. 1456–1458
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar  Spanish, Alabaster, Spanish
Francí Gomar
ca. 1456–1458
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar  Spanish, Alabaster with traces of paint and gilding, Spanish
Francí Gomar
ca. 1456–1458
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar  Spanish, Alabaster, Spanish
Francí Gomar
ca. 1456–1458
Picture Frame, Southern Italy  Southern Italy, Carved and gilt poplar
Southern Italy
late 17th century
Scenes of the Four Seasons in Kyoto, Genki (Komai Ki)  Japanese, Handscroll; ink and color on silk, Japan
Genki (Komai Ki)
1778
Untitled, Jiri Kolar  Czechoslovakian, Cut and pasted printed paper with traces of graphite on cardboard
Jiri Kolar
ca. 1975
Chair, Ray Komai  American, Plywood, cherry wood, steel, rubber
Ray Komai
JG Furniture Co., Inc, New York, NY
1949
Homage to Georges Braque, Jiri Kolar  Czechoslovakian, Cut and torn pasted printed papers on wood panel
Jiri Kolar
1982
Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris
Fernando Coustellier y Vital
Between 1816 and 1830
Frame, Italy (Rome), Poplar
Italy (Rome)
ca. 1680–1700
Reverse ogee frame, Italy (Naples), Poplar, marbleized base, carved and gilded frame, Italian, Naples
Italy (Naples)
ca. 1660
A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian
Central Italy
17th century
Reverse ogee frame, Southern Italy  Southern Italy, Poplar, Southern Italian
Southern Italy
late 17th–early 18th century
Cassetta frame, Italy (Milan), Poplar, Italian, Milan
Italy (Milan)
ca. 1630
Case (Inrō) with Design of Clamshells and Fireflies, Koma Yasutada  Japanese, Case: powdered gold and silver (maki-e) and gold foil on red lacquer with mother-of-pearl inlay; Fastener (ojime): silver with design of bird and flowers in gold; Toggle (netsuke): carved ivory and colored lacquer with design of Daikoku in ivory and carnelian inlays, Japan
Koma Yasutada
late 18th century
Case (Inrō ) with Design of a Gourd Vine, Koma Yasutada  Japanese, Case: gold, colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Toggle (netsuke): ivory and lacquer carved in the shape of a Noh dancer, Japan
Koma Yasutada
18th century
Case (Inrō) with Design of Curtains of State and a Woman's Fan, Koma Kōryū  Japanese, Roiro (waxen) lacquer with decoration in togisashi sprinkled and polished lacquer; Ojime: gold lacquer bead; Netsuke: ivory "Dream of a Clam", Japan
Koma Kōryū
late 18th–19th century
Case (Inrō) with Design of People Catching Fireflies, Koma Kōryū  Japanese, Roiro (waxen) lacquer with decoration in togidashi sprinkled and polished lacquer and nashiji (pear-skin) lacquer; Interior: nashiji and fundame; Ojime: metal (zogan) inlay with spider; Netsuke: carved wood with stone inlay of snail on broken roof tile, Japan
Koma Kōryū
19th century
Inrō with Peacocks and Flowers, Koma Yasutada  Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi and hiramaki-e<br/>Netsuke: Kintarō with forest animals on peach stone; ivory, mother-of-pearl, tortoise shell <br/>Ojime: melon; red bronze with iron and gilding, Japan
Koma Yasutada
19th century
Inrō with Bird on a Blossoming Plum Tree, Koma Yasutada  Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi maki-e<br/>Netsuke: box with plovers; red lacquer ground with gold and brown hiramaki-e<br/>Ojime: bead with flowers; shibuichi and enamel, Japan
Koma Yasutada
19th century
Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide  Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan
Koma Sadahide
second half of the 18th century
Inrō with Hawks on Perches, Koma Kōryū  Japanese, Black lacquer ground with gold and silver togidashi, takamaki-e and hiramaki-e, red lacquer, and applied gold and silver foil<br/>Netsuke: gourd; guri lacquer, silver ring and stopper in chrysanthemum shape<br/>Ojime: butterfly and flower; cloisonné bead, Japan
Koma Kōryū
19th century
Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover, Koma Kōryū  Japanese, Lacquer, silver ground, gold, black and red togidashi, ivory lid; Interior: nashiji and fundame, Japan
Koma Kōryū
19th century
Case (Inrō) with Design of Sheaves of Rice in Boats, Koma School  Japanese, Gold maki-e with mother-of-pearl inlay and black lacquer <br/>Ojime: ivory <br/>Netsuke: carved bone with moon and goose, Japan
Koma School
19th century
Incense Box with Scene from Noh Play Kokaji

, Koma School  Japanese, Black lacquer with gold, silver, and red hiramaki-e and togidashimaki-e, Japan
Koma School
second half of the 19th century
Textile piece, Omar Kiam  American, born Mexico, Rayon (Enka), printed, American
Multiple artists/makers
1945
Ancestor Figure (Konumb or Atei), Wood, paint, Kopar people
Kopar people
19th century
Figure, Wood, paint, Kopar or Angoram people
Kopar or Angoram people
late 19th–early 20th century
Flute Mask, Wood, paint, seeds, fiber, Angoram or Kopar people
Angoram or Kopar people
late 19th–early 20th century
Ancestor Figure (Konumb or Atei), Wood, paint, Kopar or Angoram people
Kopar or Angoram people
19th century
Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe), Genki (Komai Ki)  Japanese, Woodblock print; ink and color on paper, Japan
Genki (Komai Ki)
1895
Yanji with Orchids and Yang Guifei with Peonies, Genki (Komai Ki)  Japanese, Pair of hanging scrolls; ink and color on silk, Japan
Genki (Komai Ki)
1785
Cupid about to fire an arrow, Bronze, on a later stone and wood base, probably Italy
probably Italy
18th or 19th century
Reverse ogee frame, Poplar, Southern Italy
Southern Italy
late 19th century (style 17th century)
Reverse frame, Poplar, Southern Italy
Southern Italy
early 18th century
Reverse cassetta mirror frame, Poplar, Southern Italy
Southern Italy
ca. 1950 (style 17th century)
Reverse Cassetta frame, Pine, Southern Italy
Southern Italy
mid-17th century
Reverse ripple frame, Pine, Southern Italy (?)
Southern Italy (?)
late 17th to early 18th century