ticketsMember | Make a donation

Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,725 results for Wild & Chevalier
Sort by:
Great Western March (Sheet music cover)
Multiple artists/makers
ca. 1838
Spoon, Jeremias Wild, Silver, once parcel gilt, German, Augsburg
Spoon
Jeremias Wild
early 17th century
Shirt, Elizabeth Wild Hitchings, linen, American
Shirt
Elizabeth Wild Hitchings
1816–17
Wild & Lethal Trash French, (a) plastic (polyvinyl chloride), metal; (b) nylon, metal; (c) nylon, cotton; (d) plastic, Belgian
Wild & Lethal Trash
Walter Van Beirendonck
spring/summer 1996
Jacket, Wild & Lethal Trash French, plastic (polyvinyl chloride), Belgian
Jacket
Wild & Lethal Trash
Walter Van Beirendonck
spring/summer 1996
Jacket, Wild & Lethal Trash French, plastic (polyvinyl chloride), Belgian
Jacket
Wild & Lethal Trash
Walter Van Beirendonck
spring/summer 1996
Ensemble, Walter Van Beirendonck Belgian, (a) Lycra; (b) wool, mixed media; (c, d, e) plastic, French
Ensemble
Walter Van Beirendonck
Wild & Lethal Trash
spring/summer 1997
Fragment of a terracotta plate, Terracotta, East Greek, Wild Goat Style
Fragment of a terracotta plate
East Greek, Wild Goat Style
7th century BCE
Fragment of a terracotta oinochoe (jug), Terracotta, East Greek, Wild Goat Style
Fragment of a terracotta oinochoe (jug)
East Greek, Wild Goat Style
7th century BCE
Fragment of a terracotta oinochoe (jug), Terracotta, East Greek, Wild Goat Style
Fragment of a terracotta oinochoe (jug)
East Greek, Wild Goat Style
7th century BCE
Fragment of a terracotta stemmed dish, Terracotta, East Greek, Wild Goat Style
Fragment of a terracotta stemmed dish
East Greek, Wild Goat Style
late 7th–early 6th century BCE
12 Perspective Views of the Exterior and Interior Parts of Canterbury Cathedral; 12 Perspective Views of the Cathedral Church of York; An Illustration of the Architecture of the Cathedral Church of Lichfield; An Illustration of the Architecture of the Cathedral Church of Lincoln
Multiple artists/makers
1807
An Illustration of the Architecture and Sculpture of the Cathedral Church of Worcester
Charles Wild
W. Nicol
1823
Twelve Etched Outlines, selected from the Architectural Sketches made in Belgium, Germany and France
Charles Wild
1833
A complete list in miniature of latest scroll saw designs
H. L. Wild
1880–89 (?)
La Galerie de Girardon, Nicolas Chevalier French, Etching and engraving
La Galerie de Girardon
Nicolas Chevalier
René Charpentier
18th century
La Galerie de Girardon, Nicolas Chevalier French, Etching and engraving
La Galerie de Girardon
Nicolas Chevalier
René Charpentier
18th century
La Galerie de Girardon, Nicolas Chevalier French, Etching and engraving
La Galerie de Girardon
Nicolas Chevalier
René Charpentier
18th century
La Galerie de Girardon, Nicolas Chevalier French, Etching and engraving
La Galerie de Girardon
Nicolas Chevalier
René Charpentier
18th century
King Richard and Queen Isabel (Shakespeare, King RIchard II, Act 5, Scene 1), William Chevalier French, Etching and engraving
King Richard and Queen Isabel (Shakespeare, King RIchard II, Act 5, Scene 1)
Multiple artists/makers
1825–40
Two women in a landscape, Frédéric Chevalier, Etching
Two women in a landscape
Frédéric Chevalier
19th century
Vue Générale de New-York
Multiple artists/makers
ca. 1850
Sans profession, from "Bohèmes, Masques et Visages", Paul Gavarni [Chevalier] French, Lithograph
Sans profession, from "Bohèmes, Masques et Visages"
Paul Gavarni [Chevalier]
Lemercier & Cie.
19th century
Le Diable a Paris. . . Paris et Les Parisiens, Vol. I-II, Paul Gavarni [Chevalier] French, Wood engraving
Le Diable a Paris. . . Paris et Les Parisiens, Vol. I-II
Multiple artists/makers
1845
A Sailor Standing on the Shore, Paul Gavarni [Chevalier] French, Pen and brown ink with wash and watercolor, heightened with white on cream wove paper, laid on card
A Sailor Standing on the Shore
Paul Gavarni [Chevalier]
1859–60
Woman Seated, Seen from Back, Paul Gavarni [Chevalier] French, Black chalk on paper
Woman Seated, Seen from Back
Paul Gavarni [Chevalier]
19th century
The Chestnut Seller (La Marchande de Chataignes), Chevalier de Parlington, Etching; third state of three (Bocher)
The Chestnut Seller (La Marchande de Chataignes)
Chevalier de Parlington
Augustin de Saint-Aubin
1762
How much can you get from an old thing like that? As much as you can get from...Romeo, Juliet, plate VII from the suite Parisian Follies, published in Le Charivari, November 25, 1846, Paul Gavarni [Chevalier] French, Lithograph; first and only state
How much can you get from an old thing like that? As much as you can get from...Romeo, Juliet, plate VII from the suite Parisian Follies, published in Le Charivari, November 25, 1846
Multiple artists/makers
November 25, 1846
Look Lodie! Look... (Voyons Lodie! Voyons...), plate 44 from "Les Lorettes", Paul Gavarni [Chevalier] French, Crayon and ink lithograph; third and final state
Look Lodie! Look... (Voyons Lodie! Voyons...), plate 44 from "Les Lorettes"
Multiple artists/makers
February 13, 1843
Rien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari", Paul Gavarni [Chevalier] French, Lithograph; first state of three
Rien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari"
Paul Gavarni [Chevalier]
October 21, 1842
"On porte beaucoup de fleurs, ce printemps, surtout sur les chapeaux", from Les Anglais Chez Eux, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. III, Paul Gavarni [Chevalier] French, Lithograph; second state of two (Armelhault & Bocher)
"On porte beaucoup de fleurs, ce printemps, surtout sur les chapeaux", from Les Anglais Chez Eux, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. III
Multiple artists/makers
1853
French Calendar for the Year 1816 (Galerie Generale des Souverains des Etats Européens), Chevalier Henry Guillot French, Engraving
French Calendar for the Year 1816 (Galerie Generale des Souverains des Etats Européens)
Multiple artists/makers
1816
"We're wearing lots of flowers this spring, especially on hats" (Fashionable Magazine), plate IX from the suite The English At Home, from Masks and Faces, Paul Gavarni [Chevalier] French, Lithographic stone
"We're wearing lots of flowers this spring, especially on hats" (Fashionable Magazine), plate IX from the suite The English At Home, from Masks and Faces
Paul Gavarni [Chevalier]
1853
New York, Vue Générale
Multiple artists/makers
ca. 1850
La fin d'un roman, from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 50
Multiple artists/makers
1853
Les robe' à flas flas, vois-tu, Sandrine, c'est toujours les mêmes qui les chiffonnent et les mêmes qui les savonnent, from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 33
Multiple artists/makers
1853
Viens çà Purame!, from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 34
Multiple artists/makers
1853
Beauminet M'ame Octave abuse de vot' défiance!, from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 29
Multiple artists/makers
1853
Jeune homme, vous avez des capitaux, mais vous n'avez pas d'expèrience; c'est égal, vous m'intéressez., from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 28
Multiple artists/makers
1853
Eh! bien, Mosieu!, from Masques et Visages, par Gavarni. Série nouvelle. Par-ci, par-là, plate 27
Multiple artists/makers
1853