Tickets
English
DonateMembership
Tickets

Search for Art

34 results for William Bennet
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Stove plate
William Bennet
1769
Sketches Drawn from the Life, vol. 1
Multiple artists/makers
1814
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1
Multiple artists/makers
1809
Quarantine, Staten Island, William James Bennett American, Watercolor, gouache, and ink gouache on off-white wove paper, American
Quarantine, Staten Island
William James Bennett
1833
Weehawken from Turtle Grove, William James Bennett American, Watercolor and graphite on off-white wove paper, American
Weehawken from Turtle Grove
William James Bennett
William Guy Wall
ca. 1830
View of South Street, from Maiden Lane, New York City, William James Bennett American, Watercolor on off-white wove paper, American
View of South Street, from Maiden Lane, New York City
William James Bennett
ca. 1827
The Old Hall, Hardwick, Derbyshire, from "Illustrated London News", William Bennett British, Wood engraving
The Old Hall, Hardwick, Derbyshire, from "Illustrated London News"
William Bennett
May 23, 1863
Fulton Street & Market, New York (The Bennett View of Fulton Street), William James Bennett American, Hand-colored aquatint
Fulton Street & Market, New York (The Bennett View of Fulton Street)
William James Bennett
Henry J. Megarey
1834
South Street from Maiden Lane, New York, in 1828, William James Bennett American, Aquatint
South Street from Maiden Lane, New York, in 1828
William James Bennett
Henry J. Megarey
1834
Fulton Street and Market, New York, William James Bennett American, Aquatint
Fulton Street and Market, New York
William James Bennett
Henry J. Megarey
1834
South St. from Maiden Lane, William James Bennett American, Aquatint
South St. from Maiden Lane
William James Bennett
Henry J. Megarey
1834
View of the Ruins after the Great Fire in New York, Dec. 16th - 17th, 1835, as seen from Exchange Place
Multiple artists/makers
1836
The Equinoctial off Sandy Hook (New York Mirror)
William James Bennett
before 1844
Niagara Falls from the American Side
Multiple artists/makers
1840
A Brisk Gale, Bay of New York
William James Bennett
1839
View of the New York Quarantine, Staten Island
Multiple artists/makers
1833
New York Taken From the Bay Near Bedlows Island
Multiple artists/makers
1836
View of the Great Fire in New York, December 16th & 17th 1835, as Seen from the top of the Bank of America, Corner of Wall and William Streets
Multiple artists/makers
1836
New York from Brooklyn Heights
Multiple artists/makers
1837
Niagara Falls, Part of the British Fall, taken from under the Table Rock
Multiple artists/makers
1829
Niagara Falls, Part of the American Fall, from the foot of the Stair Case
Multiple artists/makers
1829
West Point, from Phillipstown
William James Bennett
Currier & Ives
1831
The Hay Sloops of the North River
William James Bennett
1843
Weekhawken, Asher Brown Durand American, Steel engraving; third state of three
Weekhawken
Asher Brown Durand
William James Bennett
1833
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4), Martin & Johnson, New York American, Stipple and line engraving
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)
Multiple artists/makers
1855
The Falls of the Sawkill, Asher Brown Durand American, Steel engraving
The Falls of the Sawkill
Multiple artists/makers
1830
Bitch and Pups
Multiple artists/makers
1825
View of the Jet at Harlem River
Multiple artists/makers
1843
View of the Ruins after the Great Fire in New York, December 16th - 17th, 1835, as seen from Exchange Place
Multiple artists/makers
1836
Illustrations of the Croton Aqueduct
Multiple artists/makers
1843
The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations, William Cullen Bryant American, Illustrations: engraving
The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations
Multiple artists/makers
1830
Scrap-book containing 169 India paper proofs
Multiple artists/makers
1844–83
Pictorial Photographs. A Record of the Photographic Salon of 1897. In Seventeen Plates Reproduced in Photogravure, W. Thomas British, Photogravures
Pictorial Photographs. A Record of the Photographic Salon of 1897. In Seventeen Plates Reproduced in Photogravure
Multiple artists/makers
1897
Pictorial Photographs. A Record of the Photographic Salon of 1896. In Eighteen Plates Reproduced in Photogravure
Multiple artists/makers
1880s