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1-42 of 12,030 results for William Hamilton
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Male with a staff in a storm (recto). Anatomical studies of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and gray wash, over graphite<br/>Verso: pen and brown ink
Male with a staff in a storm (recto). Anatomical studies of a foot (verso)
William Hamilton
William Shakespeare
1770–80
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage, William Hamilton British, Stipple engraving with etching, printed with some color
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage
Multiple artists/makers
1788
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England"), William Hamilton British, Etching and stipple engraving
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England")
Multiple artists/makers
May 1, 1787
John the Baptist and two men, with Christ, William Hamilton British, Pen and black ink, brush and brown wash over graphite
John the Baptist and two men, with Christ
William Hamilton
1770–80
A king with his horse, alarmed by ghostly women, William Hamilton British, Pen and brown ink, brush and brown and gray wash and watercolor, over graphite
A king with his horse, alarmed by ghostly women
William Hamilton
1770–80
A man in chains converses with a woman, William Hamilton British, Pen and brown and gray ink, brush and gray and brown wash, over graphite
A man in chains converses with a woman
William Hamilton
1770–80
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and brown ink and graphite
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
William Hamilton
1770–80
The Abduction of Deianira, William Hamilton British, Pen and black ink over graphite, with watercolor
The Abduction of Deianira
William Hamilton
1770–80
Amymone (?) with a lecherous satyr, William Hamilton British, Pen and black ink over graphite, with watercolor
Amymone (?) with a lecherous satyr
William Hamilton
1770–80
A figure in armor, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
A figure in armor
William Hamilton
1770–80
Classical military subject, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
Classical military subject
William Hamilton
1770–80
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and black ink, brush and wash, over graphite
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso)
William Hamilton
1770–80
Woman sheltering a child in a landscape, William Hamilton British, Pen and brown ink, brush and gray wash, over graphite
Woman sheltering a child in a landscape
William Hamilton
1770–80
Pair of cassolettes, Willliam Hopkins Croft (British, ca. 1730–1811 London), Enamel on copper, gilt bronze, British, London
Pair of cassolettes
Willliam Hopkins Croft
William Hamilton
1787
Pastoral Days and Memories of a New England Year
Multiple artists/makers
1882
Nine plates from an unidentified drawing book
William Hamilton Gibson
E. S. H.
1870–95
The Conclusion of the Treaty of Troyes, Francesco Bartolozzi Italian, Stipple engraving; third state
The Conclusion of the Treaty of Troyes
Francesco Bartolozzi
William Hamilton
1788
The Cabin, Francis Scott King American, Engraving
The Cabin
Francis Scott King
William Hamilton Gibson
ca. 1880–1910
Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6), Peltro William Tomkins British, Etching and engraving, hand-colored
Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6)
Multiple artists/makers
1791
Caractacus Delivered to Ostorius, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in color; fourth state
Caractacus Delivered to Ostorius
Multiple artists/makers
February 14, 1788
June, Francesco Bartolozzi Italian, Etching and engraving; third state
June
Multiple artists/makers
July 10, 1789
Poetry and History Presenting Painting with Subjects, Francesco Bartolozzi Italian, Etching and engraving
Poetry and History Presenting Painting with Subjects
Multiple artists/makers
1794
Prince Edmund, surnam'd Ironside and Algitha, Francesco Bartolozzi Italian, Stipple engraving, printed in reddish-brown ink
Prince Edmund, surnam'd Ironside and Algitha
Multiple artists/makers
1786
The Resentment of Queen Catherine (Paul de Rapin, History of England), John Ogborne British, Stipple engraving with etching
The Resentment of Queen Catherine (Paul de Rapin, History of England)
Multiple artists/makers
1790
Ma Chère Ami
Francesco Bartolozzi
William Hamilton
1765–1800
Genius Unveiling Nature, Ticket for Walker's Lectures
Francesco Bartolozzi
William Hamilton
1794
Strolls by Starlight and Sunshine, Alice Cordelia Morse American, Green cloth over boards with gold decoration
Strolls by Starlight and Sunshine
Multiple artists/makers
1891
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), James Fittler British, Engraving
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2)
Multiple artists/makers
1794
Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), Francesco Bartolozzi Italian, Stipple engraving, and etching, printed in brown ink
Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5)
Multiple artists/makers
June 15, 1785
Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1), John Ogborne British, Stipple engraving
Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1)
Multiple artists/makers
1791
The Goblin Story
Multiple artists/makers
July 1, 1795
The Death of Arthur, James Fittler British, Engraving
The Death of Arthur
Multiple artists/makers
1793
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Peter Simon British, Stipple engraving
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1)
Multiple artists/makers
first published 1789; reissued 1852
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4), Peter Simon British, Etching and engraving
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)
Multiple artists/makers
September 29, 1792
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau, Count Anthony Hamilton Irish
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau
Multiple artists/makers
1876
The Unfortunate Death of Major André, from Barnard's New, Complete and Authentic History of England, Jabez Goldar British, Etching and engraving
The Unfortunate Death of Major André, from Barnard's New, Complete and Authentic History of England
Multiple artists/makers
1782
St. Lucia in the West Indies, taken Possession of by Admiral Barrington, from Barnard's New Complete & Authentic History of England
Multiple artists/makers
1781–83, or 1791
The French Admiral Count de Grasse, Delivering his Sword to Admiral (now Lord) Rodney, from Barnard's New Complete & Authentic History of England
Multiple artists/makers
1781–83, or 1791
The Gallant and Right Hon. Captain Lord Robert Manners Mortally Wounded, on board the Resolution, 12th of April, 1782, from Barnard's New Complete & Authentic History of England
Multiple artists/makers
1781–83, or 1791
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1), Thomas Ryder I British, Etching and engraving
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1)
Multiple artists/makers
first published 1793; reissued 1852
Medal cabinet, William Vile British, Mahogany with carved and applied decoration, British
Medal cabinet
William Vile
John Cobb
1760–61
From Sir William Hamilton's Collection, James Gillray British, Hand-colored etching
From Sir William Hamilton's Collection
Multiple artists/makers
May 8, 1801