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1-42 of 100 results for Zéphirin Belliard
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Despair, Zéphirin Belliard French, Lithograph
Despair
Multiple artists/makers
1830–58
Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens, Charles Nicolas Cochin II French, Paper, leather, French
Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens
Charles Nicolas Cochin II
Jérôme Charles Bellicard
1754
Sofa (ottomane veilleuse), Jean-Baptiste I Tilliard or French, Carved and gilded beechwood, upholstered in modern red velours de Gênes, French
Sofa (ottomane veilleuse)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex, Nicholas Hilliard British, Vellum laid on card
Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
Nicholas Hilliard
1588
Portrait of a Woman, Nicholas Hilliard British, Vellum laid on card
Portrait of a Woman
Nicholas Hilliard
ca. 1590
Portrait of a Woman, Nicholas Hilliard British, Vellum
Portrait of a Woman
Nicholas Hilliard
1597
Watch, Nicolas Galliard (or Gaillard), Silver, French, Lyons
Watch
Nicolas Galliard (or Gaillard)
ca. 1590
Pair of side chairs, Jean-Baptiste I Tilliard French, Carved and painted wood; silk upholstery, French, Paris
Pair of side chairs
Jean-Baptiste I Tilliard
mid-18th century
Fire screen, Jean-Baptiste I Tilliard French, Carved and gilded beechwood, embroidered silk (not original), French, Paris
Fire screen
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60
Pair of armchairs, Jean-Baptiste II Tilliard French, Carved and painted fruitwood; floral needlepoint upholstery, French, Paris
Pair of armchairs
Jean-Baptiste II Tilliard
ca. 1760
Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French
Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French
Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in blue velvet, French
Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered with blue velvet, French
Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet., French, Paris
Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50
Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet, French, Paris
Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50
Otis Bull
D. Bullard
Vase (vase hollandais), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres
Vase (vase hollandais)
Multiple artists/makers
1761
Notebook with Views of the Excavations at Herculaneum and of Other Italian Cities, Jérôme Charles Bellicard French, Notebook of 55 pages on 29 leaves. Last leaf is hinged onto blank leaf. Two leaves are numbered 36 bis and 37 bis (in addition to pages 36, 37). Four leaves are missing between pages 1 and 2; one leaf is missing between pages 7 and 8; two leaves are missing between pages 23 and 24; two leaves are missing between pages 39 and 40; two leaves are missing between pages 51 and 52. Late-eighteenth-century or early-nineteenth-century sprinkled leather binding with marbleized endpapers.
Notebook with Views of the Excavations at Herculaneum and of Other Italian Cities
Jérôme Charles Bellicard
1750–51
Architectural Capriccio, from "Vues de Rome", Jérôme Charles Bellicard French, Etching
Architectural Capriccio, from "Vues de Rome"
Jérôme Charles Bellicard
1745–80
Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome", Jérôme Charles Bellicard French, Etching
Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome"
Jérôme Charles Bellicard
1750
Mary, Queen of Scots, Nicholas Hilliard British, Engraving
Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)
Mary, Queen of Scots, Nicholas Hilliard British, Engraving
Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)
Mary, Queen of Scots, Nicholas Hilliard British, Engraving
Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)
Saucer, Vincennes Manufactory French, Soft-paste porcelain, French, Vincennes
Saucer
Vincennes Manufactory
André-Vincent Vielliard
ca. 1752–53
Flower vase with stand (vase hollandais nouveau) (one of a pair), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres
Flower vase with stand (vase hollandais nouveau) (one of a pair)
Sèvres Manufactory
André-Vincent Vielliard
1761
Flower vase with stand (vase hollandais nouveau) (one of a pair), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres
Flower vase with stand (vase hollandais nouveau) (one of a pair)
Sèvres Manufactory
André-Vincent Vielliard
1761
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795
Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen)
Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen)
Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Portrait of Jacques Pernetti, Jean-Baptiste Tilliard French, Etching and engraving
Portrait of Jacques Pernetti
Jean-Baptiste Tilliard
Jean Etienne Liotard
n.d.
Pas de Deux, Tiré du Second Acte de l'Opera de Sylvie: Exécuté par Mr. Dauberval & Mlle. Allard, Jean-Baptiste Tilliard French, Etching and engraving
Pas de Deux, Tiré du Second Acte de l'Opera de Sylvie: Exécuté par Mr. Dauberval & Mlle. Allard
Multiple artists/makers
ca. 1767