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Showing 100 results for Zéphirin Belliard

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Despair, Zéphirin Belliard French, Lithograph — Despair
Multiple artists/makers
1830–58

Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens, Charles Nicolas Cochin II French, Paper, leather, French — Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens
Charles Nicolas Cochin II
Jérôme Charles Bellicard
1754

Sofa (ottomane veilleuse), Jean-Baptiste I Tilliard or French, Carved and gilded beechwood, upholstered in modern red velours de Gênes, French — Sofa (ottomane veilleuse)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60

Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris — Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750

Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris — Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750

Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex, Nicholas Hilliard British, Vellum laid on card — Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
Nicholas Hilliard
1588

Portrait of a Woman, Nicholas Hilliard British, Vellum — Portrait of a Woman
Nicholas Hilliard
1597

Portrait of a Woman, Nicholas Hilliard British, Vellum laid on card — Portrait of a Woman
Nicholas Hilliard
ca. 1590

Pair of side chairs, Jean-Baptiste I Tilliard French, Carved and painted wood; silk upholstery, French, Paris — Pair of side chairs
Jean-Baptiste I Tilliard
mid-18th century

Pair of armchairs, Jean-Baptiste II Tilliard French, Carved and painted fruitwood; floral needlepoint upholstery, French, Paris — Pair of armchairs
Jean-Baptiste II Tilliard
ca. 1760

Watch, Nicolas Galliard (or Gaillard), Silver, French, Lyons — Watch
Nicolas Galliard (or Gaillard)
ca. 1590

Fire screen, Jean-Baptiste I Tilliard French, Carved and gilded beechwood, embroidered silk (not original), French, Paris — Fire screen
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60

Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris — Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750

Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris — Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750

Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French — Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century

Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French — Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century

Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in blue velvet, French — Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century

Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered with blue velvet, French — Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century

Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet., French, Paris — Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50

Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet, French, Paris — Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50

D. Bullard

Vase (vase hollandais), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres — Vase (vase hollandais)
Multiple artists/makers
1761

Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome", Jérôme Charles Bellicard French, Etching — Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome"
Jérôme Charles Bellicard
1750

Notebook with Views of the Excavations at Herculaneum and of Other Italian Cities, Jérôme Charles Bellicard French, Notebook of 55 pages on 29 leaves. Last leaf is hinged onto blank leaf. Two leaves are numbered 36 bis and 37 bis (in addition to pages 36, 37). Four leaves are missing between pages 1 and 2; one leaf is missing between pages 7 and 8; two leaves are missing between pages 23 and 24; two leaves are missing between pages 39 and 40; two leaves are missing between pages 51 and 52. Late-eighteenth-century or early-nineteenth-century sprinkled leather binding with marbleized endpapers. — Notebook with Views of the Excavations at Herculaneum and of Other Italian Cities
Jérôme Charles Bellicard
1750–51

Architectural Capriccio, from "Vues de Rome", Jérôme Charles Bellicard French, Etching — Architectural Capriccio, from "Vues de Rome"
Jérôme Charles Bellicard
1745–80

Mary, Queen of Scots, Nicholas Hilliard British, Engraving — Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)

Mary, Queen of Scots, Nicholas Hilliard British, Engraving — Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)

Mary, Queen of Scots, Nicholas Hilliard British, Engraving — Mary, Queen of Scots
Nicholas Hilliard
Mary, Queen of Scots
19th century (?)

Saucer, Vincennes Manufactory French, Soft-paste porcelain, French, Vincennes — Saucer
Vincennes Manufactory
André-Vincent Vielliard
ca. 1752–53

Flower vase with stand (vase hollandais nouveau) (one of a pair), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres — Flower vase with stand (vase hollandais nouveau) (one of a pair)
Sèvres Manufactory
André-Vincent Vielliard
1761

Flower vase with stand (vase hollandais nouveau) (one of a pair), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres — Flower vase with stand (vase hollandais nouveau) (one of a pair)
Sèvres Manufactory
André-Vincent Vielliard
1761

Portrait of Jacques Pernetti, Jean-Baptiste Tilliard French, Etching and engraving — Portrait of Jacques Pernetti
Jean-Baptiste Tilliard
Jean Etienne Liotard
n.d.

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching; first state of three (Cohen) — Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen) — Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795

Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen) — Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795

Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen) — Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795

Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen) — Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795

Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen) — Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795

Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen) — Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen) — Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795