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More than 10,000 results for bit, West European; bosses, Italian
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Curb Bit, Iron alloy, tin, copper alloy, gold, bit, West European; bosses, Italian
bit, West European; bosses, Italian
bit, ca. 1700; bosses, late 16th–early 17th century
Hagar and Ishmael, Benjamin West  American, Oil on canvas, American
Benjamin West
1776, reworked 1803
Moses Shown the Promised Land, Benjamin West  American, Oil on wood, American
Benjamin West
1801
Omnia Vincit Amor, or The Power of Love in the Three Elements, Benjamin West  American, Oil on canvas, American
Benjamin West
1809
Sarah Ursula Rose, Benjamin West  American, Oil on canvas, American
Benjamin West
1756
Curb Bit, Iron alloy, copper alloy, gold, bit, German or Netherlandish; bosses, German
bit, German or Netherlandish; bosses, German
17th century
Pair of mantelpiece vases, West Pans  Scottish, Soft-paste porcelain, Scottish, West Pans, Musselborough
West Pans
William Littler
ca. 1770–74
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Goddess who bestows riches, probably Sri Lakshmi, Molded terracotta, India, Chandraketugarh, West Bengal
India, Chandraketugarh, West Bengal
1st century BCE
Turkey, Benjamin West  American, Pen and brown ink on wove paper, American
Benjamin West
Panthea Stabs Herself beside the Corpse of Abradatas, Benjamin West  American, Brown ink, washes, and black chalk on white laid paper, American
Benjamin West
The Finding of the Body of Clytemnestra, Benjamin West  American, Pen and black ink, watercolor washes, and black chalk on off-white laid paper, American
Benjamin West
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald", Benjamin West  American, Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper., American
Benjamin West
1784
The Angel at the Tomb of Christ, Benjamin West  American, Pen and iron-gall ink on white laid paper, American
Benjamin West
ca. 1812
Study for the Crucifixion, Benjamin West  American, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash, American
Benjamin West
1788
Anotomaical Description of the Hand and the Wrist, Benjamin West  American, Black ink, watercolor washes, and black chalk on off-white laid paper, American
Benjamin West
Maternity, Benjamin West  American, Red chalk on thin off-white laid paper, mounted on off-white laid paper, American
Benjamin West
1784
Panthea Stabs Herself beside the Corpse of Abradatas, Benjamin West  American, Brown ink, ink washes, and black chalk on white laid paper, American
Benjamin West
Scene at Margate, Benjamin West  American, Pen, brown ink, and white chalk on blue laid paper, American
Benjamin West
The Damsel and Orlando, Benjamin West  American, Oil on canvas, American
Benjamin West
ca. 1793
Two-handled cup, Matthew West, Silver, Irish, Dublin
Matthew West
ca. 1775
Bowl, Matthew West, Silver, Irish, Dublin
Matthew West
1784–85
Tjitjiti, Carlene West  Australian (Aboriginal), Synthetic polymer paint on canvas, mounted to Masonite
Carlene West
2015
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Italian
ca. 1530
Teabowl and saucer, West Pans Porcelain Manufactory  Scottish, Soft-paste porcelain, Scottish, West Pans, Musselborough
West Pans Porcelain Manufactory
ca. 1755
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Italian, Siena
ca. 1490–1500
Curb Bit, Iron alloy, copper alloy, bit, German or French; bosses, French or South Netherlandish
bit, German or French; bosses, French or South Netherlandish
ca. 1530–50
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Multiple artists/makers
second half 16th century and second half 19th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Italian (Tuscan)
ca. 1500–1550
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Portal from the Church of San Leonardo al Frigido, Biduinus  Italian, Marble (Carrara marble), Italian
Biduinus
ca. 1175
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano  Italian, Marble, Italian
Giovanni Pisano
ca. 1301, with later additions
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Matteo Sellas
ca. 1630–50
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
Rebecchino, Boxwood, rosewood, ebony, Italian
Italian
ca. 1420
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century