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Studies of Saint John the Baptist, Copy after Rogier van der Weyden  Flemish, Metalpoint on gray prepared paper, Flemish
Copy after Rogier van der Weyden
after 1455
Study of Lower Legs and an Arm, William Pitts  British, Pen and brown ink
William Pitts
early to mid-19th century
Study of the Right Leg of a Male Child, Raphael (Raffaello Sanzio or Santi)  Italian, Pen and brown ink over black chalk and stylus underdrawing
Attributed to Raphael (Raffaello Sanzio or Santi)
Studies of Heads, Battista Franco  Italian, Engraving with etching
Battista Franco
16th century
Plate for the ‘Atlas Anatomico’ (unpublished), Crisóstomo Alejandrino José Martínez y Sorli  Spanish, Etching
Crisóstomo Alejandrino José Martínez y Sorli
Plate ca. 1680–94; printed 1740
Study of the left hand of Mme de Pompadour, François Boucher  French, Black chalk with slight touches of red chalk, heightened with white; framing lines in pen and brown ink
François Boucher
18th century
Ecorché: Torso of a Male Cadaver, Eugène Delacroix  French, Red, black, and white fabricated chalk, graphite
Eugène Delacroix
1828?
Studies of Legs, Hands, and Torso, Anonymous, Italian, 18th century  Italian, Black chalk and pen and brown ink
Anonymous, Italian, 18th century
1700–50
Figure Studies, after Flaxman, Eugène Delacroix  French, Graphite, pen and iron gall ink
Eugène Delacroix
After John Flaxman
ca. 1821
Studies of the Christ Child, Raphael (Raffaello Sanzio or Santi)  Italian, Red chalk
Raphael (Raffaello Sanzio or Santi)
1513–14
Anatomical drawing, Anonymous, French, 18th century  French, Pen and ink, brush and gray wash on blue paper
Anonymous, French, 18th century
18th century
Anatomical drawing, Anonymous, French, 18th century  French, Pen and ink, brush and gray wash on blue paper
Anonymous, French, 18th century
18th century
Anatomical Studies of a Leg (recto); Study of a Leg (verso), Michelangelo Buonarroti  Italian, Pen and brown ink, and red chalk (recto); pen and brown ink (verso)
School of Michelangelo Buonarroti
1475–1564
Male head in profile to left with muscles exposed, Wenceslaus Hollar  Bohemian, Etching; only state
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1660
Five Legs and Three Feet, Luca Ciamberlano  Italian, Engraving
Luca Ciamberlano
After Agostino Carracci
17th century
Anatomical Studies of Legs, Eugène Delacroix  French, Counterproof of a drawing in red and black chalk, with black chalk additions
Eugène Delacroix
1820–1863
Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini  Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount
Attributed to Francesco Allegrini
After Michelangelo Buonarroti
1624–63
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Red chalk and brush and red wash on beige paper.  Composition outlined on all borders with ruled lines in black chalk
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Study of Nudes, Reginald Marsh  American, Pen and black ink on paper
Reginald Marsh
Anatomical Study of a Knee, Michelangelo Buonarroti  Italian, Pen and brown ink
School of Michelangelo Buonarroti
1475–1564
Studies of Heads and Hands, Anonymous, French, 17th century  French, Black and red chalk
Anonymous, French, 17th century
17th century
Two eyes and two heads, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
1644–52
Studies of Hands, Alphonse Legros  French and British, Metalpoint on prepared paper
Alphonse Legros
1880–92
Drawing of Anatomical Parts, Charles Sheeler  American, Pen and blue ink on paper
Charles Sheeler
1948
Studies of a Head and a Hand, Andrea del Sarto (Andrea d'Agnolo)  Italian, Red chalk
Andrea del Sarto (Andrea d'Agnolo)
1510
Study of a Left Leg and Drapery, Bronzino (Agnolo di Cosimo di Mariano)  Italian, Black chalk
Bronzino (Agnolo di Cosimo di Mariano)
ca. 1550
Studies of a baby, Frederick Goodall  British, Black and white chalk on brown paper
Frederick Goodall
1868

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