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A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn) Dutch, Red chalk
The Last Supper, after Leonardo da Vinci
Rembrandt (Rembrandt van Rijn)
1634–35
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Leonardo da Vinci (1452–1519), Antonio Berini, Glass and gold, Italian, Rome
Leonardo da Vinci (1452–1519)
Antonio Berini
early 19th century
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci Italian, Aquatint and etching
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum"
Sitter Leonardo da Vinci
1786
Three Horse Heads after Leonardo da Vinci
After Leonardo da Vinci
After Giovanni Antonio da Brescia
ca. 1580–1620
The Head of a Grotesque Man in Profile Facing Right, Leonardo da Vinci Italian, Pen and brown ink, on off-white paper (now darkened)
The Head of a Grotesque Man in Profile Facing Right
After Leonardo da Vinci
after 1500
Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi) Italian, Oil and gold on wood
Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi)
ca. 1504
Madonna of the Yarnwinder (The Lansdowne Madonna), Leonardo da Vinci and Studio Italian, Oil transferred from walnut panel
On loan to The Met
Madonna of the Yarnwinder (The Lansdowne Madonna)
Leonardo da Vinci
ca. 1501
Head of a Man in Profile Facing to the Left, Leonardo da Vinci Italian, Pen and brown ink, over soft black chalk
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
1490–94
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci
ca. 1506–8
Leonardo da Vinci (1452–1519)
Medalist: Léonard-Girard Hérard
Manufactory Cast after the original by the Paris Mint
17th and 20th century
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci Italian, Pen and brown ink (recto and verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
1496
Allegory of Painting (The Death of Leonardo da Vinci), Giuseppe Cades Italian, Etching
Allegory of Painting (The Death of Leonardo da Vinci)
Giuseppe Cades
Subject Leonardo da Vinci
ca. 1780–99
The Death of Leonardo da Vinci, Joseph Théodore Richomme French, Etching and engraving
The Death of Leonardo da Vinci
Joseph Théodore Richomme
After Jean Auguste Dominique Ingres
Subject Leonardo da Vinci
ca. 1825
Leonardo da Vinci
After Giovanni Francesco Melzi
Publisher Biblioteca Ambrosiana
Sitter Leonardo da Vinci
1780–1830
The Assumption of the Virgin, Bergognone (Ambrogio di Stefano da Fossano) Italian, Oil and gold on wood
The Assumption of the Virgin
Bergognone (Ambrogio di Stefano da Fossano)
ca. 1510
Traitté de la Peinture, Leonardo da Vinci Italian, Printed book
Traitté de la Peinture
Multiple artists/makers
1651
Divina proportione, Leonardo da Vinci Italian, Book with woodcut illustrations
Divina proportione
Designer after Leonardo da Vinci
Fra Luca Pacioli
Publisher Paganinus de Paganinus
June 1, 1509
Leonardo da Vinci
Multiple artists/makers
1682–95
To the Memory of Leonardo da Vinci
Medalist: Luigi Cossa
19th century
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli) Italian, Oil on wood
Diana the Huntress
Giampietrino (Giovanni Pietro Rizzoli)
Characaturas by Leonardo da Vinci from Drawings by Wincelslaus (sic) Hollar out of the/ Portland Museum, published as the act directs Nov. 1. 1786 by/ John Clarke. N. 291 Strand, Price 15 in Boards, Wenceslaus Hollar Bohemian, Etching
Characaturas by Leonardo da Vinci from Drawings by Wincelslaus (sic) Hollar out of the/ Portland Museum, published as the act directs Nov. 1. 1786 by/ John Clarke. N. 291 Strand, Price 15 in Boards
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Portrait of a Man, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Oil on wood
Portrait of a Man
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
shortly after 1497
Head of a man with serious expression, Wenceslaus Hollar Bohemian, Etching; only state
Head of a man with serious expression
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Head studies, Wenceslaus Hollar Bohemian, Etching; second state of two; later printing
Head studies
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1645
Head of a bald, sinewy man looking downwards, Wenceslaus Hollar Bohemian, Etching; only state
Head of a bald, sinewy man looking downwards
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1648
Male head in profile to left with muscles exposed, Wenceslaus Hollar Bohemian, Etching; only state
Male head in profile to left with muscles exposed
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1660
Ecorche head of a man in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Ecorche head of a man in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1660
Skull in profile to right, Wenceslaus Hollar Bohemian, Etching; only state
Skull in profile to right
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1645
Male torso from neck to hip in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Male torso from neck to hip in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1645
Grotesque old man with flattened nose in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Grotesque old man with flattened nose in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Head of an old man wearing cap in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Head of an old man wearing cap in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Man with doleful expression to left with hand emerging from cloak, Wenceslaus Hollar Bohemian, Etching; first state of two
Man with doleful expression to left with hand emerging from cloak
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Head of a bald man in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Head of a bald man in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Saints Peter, Martha, Mary Magdalen, and Leonard, Correggio (Antonio Allegri) Italian, Oil on canvas
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri)
ca. 1515
Head of a muscular old man in profile to left with flowing hair, Wenceslaus Hollar Bohemian, Etching; only state
Head of a muscular old man in profile to left with flowing hair
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Bust of a deformed woman with curly hair in profile to the left, Wenceslaus Hollar Bohemian, Etching; only state
Bust of a deformed woman with curly hair in profile to the left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1665
Head of a toothless man with bare, sinewy neck in profile to left, Wenceslaus Hollar Bohemian, Etching; only state
Head of a toothless man with bare, sinewy neck in profile to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1648
Man with caricatured features and hair streaming behind, in half-length to left, Wenceslaus Hollar Bohemian, Etching; only state
Man with caricatured features and hair streaming behind, in half-length to left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1648
Head and shoulder of a child, in profile to right, Wenceslaus Hollar Bohemian, Etching; only state
Head and shoulder of a child, in profile to right
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1645