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1-42 of 252 results for mihrab
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Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
Mihrab (Prayer Niche)
dated 755 AH/1354–55 CE
Tile from a Mihrab, Stonepaste; modeled, painted under transparent glaze
Tile from a Mihrab
dated 722 AH/1322–23 CE
Mihrab wall hanging
India
19th century
Mezquita. Interior Capilla del Mihrab
T. Molina
1880s–90s
[Cordoba, The Mihrab at the Mosque]
Rafael Garzón
1880s–90s
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to Qadimi
Painting attributed to 'Abd al-Vahhab
ca. 1525–30
Mihrab, Ketchaoua Mosque
Olivier Bro de Comères
1833–40
"Manuchihr Welcomes Sam but Orders War upon Mihrab", Folio 80v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Manuchihr Welcomes Sam but Orders War upon Mihrab", Folio 80v from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to 'Abd al-'Aziz
ca. 1525
"Zal Questions Sam's Intentions Regarding the House of Mihrab", Folio 81v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Zal Questions Sam's Intentions Regarding the House of Mihrab", Folio 81v from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to 'Abd al-'Aziz
ca. 1525–30
Dado Panel, Plaster; cast
Dado Panel
20th century
Dado Panel, Stucco; carved
Dado Panel
10th century
Tile with Niche Design, Stonepaste; molded and monochrome glazed
Tile with Niche Design
dated 712 AH/1312–13 CE
"Bellini" Carpet, Wool (warp, weft, and pile); symmetrically knotted pile
"Bellini" Carpet
16th–17th century
Partial Niche-Form Tile, Stonepaste; luster-painted on opaque white glaze, modeled
Partial Niche-Form Tile
second half 13th century
Dado Panel, Plaster; cast
Dado Panel
20th century
Tile Panel in the form of an Architectural Niche, Hasan ibn `Ali ibn Ahmad Babavaih Iranian, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled
Tile Panel in the form of an Architectural Niche
Hasan ibn `Ali ibn Ahmad Babavaih
first half 14th century
Embossed Candlestick, Stonepaste; applied decoration, monochrome painted under turquoise glaze
Embossed Candlestick
12th century
Bottle with Gilded Flowers, Glass, purple; mold blown, gilded
Bottle with Gilded Flowers
18th century
Tile from an Inscriptional Frieze, Stonepaste; modeled, inglaze painted in blue, luster-painted on opaque white glaze
Tile from an Inscriptional Frieze
dated 734 AH/1334 CE
Detail of Mihrab, Ketchaoua Mosque (recto); Women's Heads (verso)
Olivier Bro de Comères
1833–40
Gravestone of Fudayl ibn Musa, Alabaster; carved
Gravestone of Fudayl ibn Musa
10th–11th century
Candlestick, Brass; inlaid with silver
Candlestick
first half 14th century
Candlestick, Brass; inlaid with silver
Candlestick
first half 14th century
Prayer Rug with Triple Arch Design, Wool (warp, weft, and pile); symmetrically knotted pile
Prayer Rug with Triple Arch Design
probably late 18th century
"Zal Slays Khazarvan", Folio 104r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Zal Slays Khazarvan", Folio 104r from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to 'Abd al-Vahhab
Workshop director Mir Musavvir
ca. 1525–30
Dado Panel, Plaster; cast
Dado Panel
20th century
Tile from a Frieze, Stonepaste; overglaze painted (so-called mina'i)
Tile from a Frieze
first half 13th century
"Senneh" Prayer Rug, Cotton (warp), wool (weft); tapestry-woven
"Senneh" Prayer Rug
late 18th–early 19th century
Carpet, Cotton (warp and weft), wool (weft), silk (weft), metal wrapped silk thread; tapestry-woven
Carpet
dated 1188 AH/1774 CE
'Bellini' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
'Bellini' Carpet
first half 16th century
Panel of al-Khatun (the lady) Fatima bint Zahir al-Din, Marble; carved in relief
Panel of al-Khatun (the lady) Fatima bint Zahir al-Din
11th–12th century
Tile Panel, Stonepaste; molded and luster-painted
Tile Panel
13th century
Tile from a Frieze, Stonepaste; molded, luster-painted, and glazed
Tile from a Frieze
dated 734 AH/1334 CE
Tile with Niche Design and Inscription, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled decoration
Tile with Niche Design and Inscription
early 14th century
Prayer Rug with Niche Design, Wool (warp, weft, and pile); symmetrically knotted pile
Prayer Rug with Niche Design
19th century
Dado Panel, Plaster; cast
Dado Panel
20th century
"Suggestion for, Marble & Mosaic Floor, In Private Room of, Mrs. Genevieve M. Stevenson, Chicago, Illinois, Rosehill Community Mausoleum, Chicago, Illinois", Louis C. Tiffany American, Transparent and opaque watercolor, and graphite on paper, American
"Suggestion for, Marble & Mosaic Floor, In Private Room of, Mrs. Genevieve M. Stevenson, Chicago, Illinois, Rosehill Community Mausoleum, Chicago, Illinois"
Louis C. Tiffany
Louis C. Tiffany Studios Corporation, 1932-ca. 1938
ca. 1932–33
"Bellini" Carpet, Wool (warp, weft and pile); symmetrically knotted pile
"Bellini" Carpet
17th century
Prayer Rug with Niche Design, Wool (warp, weft, and pile), cotton (pile); symmetrically knotted pile
Prayer Rug with Niche Design
late 18th–early 19th century
Lotto Carpet, Wool (warp, weft and pile); symmetrically knotted pile
Lotto Carpet
17th century
Prayer Rug with Triple Arch Design, Wool (warp, weft, and pile); symmetrically knotted pile
Prayer Rug with Triple Arch Design
18th century
Batik with Talismanic Calligraphic Motifs, Cotton; tulis batik
Batik with Talismanic Calligraphic Motifs
19th–early 20th century