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A Nightmare, Frederick Augustus Sandys British, Zincotype
A Nightmare
Frederick Augustus Sandys
May 4, 1857
The Nightmare, 347 Suite, Pablo Picasso Spanish, Sugar-lift aquatint
The Nightmare, 347 Suite
Pablo Picasso
Printer Aldo and Piero Crommelynck
Publisher Galerie Louise Leiris
1968
Le Cauchemar (The Nightmare), published in "La Caricature", Honoré Daumier French, Lithograph
Le Cauchemar (The Nightmare), published in "La Caricature"
Multiple artists/makers
February 23, 1832
New York Nightmare: Air-burst Atomic Bombs Make Cities in the Northeast Obsolete..., John Carlton American, Gelatin silver print
On loan to The Met
New York Nightmare: Air-burst Atomic Bombs Make Cities in the Northeast Obsolete...
John Carlton
1949
Un Cauchemar (The Nightmare), published in La Caricature
Honoré Daumier
Printer Delaunois
Publisher Aubert et Cie
1831
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth
Publisher Currier & Ives
1875
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth
Publisher Currier & Ives
1875
A deputy's nightmare: –Oh my friend, what has happened? –I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
A deputy's nightmare: –Oh my friend, what has happened? –I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869
Honoré Daumier
Printer Walter Frères
Publisher Arnaud de Vresse
December 7, 1869
A deputy's nightmare: – Oh my friend, what has happened? – I dreamed I was invalidated, from "News of the day", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
A deputy's nightmare: – Oh my friend, what has happened? – I dreamed I was invalidated, from "News of the day"
Honoré Daumier
Printer Destouches
Publisher Arnaud de Vresse
December 7, 1869
A deputy's nightmare: –Oh my friend, what has happened? –I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869, Honoré Daumier French, Lithograph on newsprint; second state of two, proof (Delteil)
A deputy's nightmare: –Oh my friend, what has happened? –I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869
Honoré Daumier
Printer Walter Frères
Publisher Arnaud de Vresse
December 7, 1869
A beast of prey about to attack people, from "El Sombrerón", Alfredo Zalce Mexican, Linocut
A beast of prey about to attack people, from "El Sombrerón"
Alfredo Zalce
1945
Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition
Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition
Max Klinger
Printer Printed by F. Felsing
1881
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint and burin
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Abduction (plate nine from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state two of five
Abduction (plate nine from Paraphrase on the Finding of a Glove)
Max Klinger
Printer Printed by F. Felsing
1881
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)
Goya (Francisco de Goya y Lucientes)
1799
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)
Goya (Francisco de Goya y Lucientes)
1799
Oversized skulls representing evil forces (the black market, bribes and famine) chasing two skeletons, José Chávez Morado Mexican, Linocut on tan paper
Oversized skulls representing evil forces (the black market, bribes and famine) chasing two skeletons
José Chávez Morado
1945
La Tentation de Saint Antoine (The Temptation of St. Anthony), Rodolphe Bresdin French, Etching
La Tentation de Saint Antoine (The Temptation of St. Anthony)
Rodolphe Bresdin
19th century
Skeleton on horseback trampling others beneath him (Corrido of Stalingrad), Leopoldo Méndez Mexican, Linocut
Skeleton on horseback trampling others beneath him (Corrido of Stalingrad)
Leopoldo Méndez
1942
The Night Hours, from "Familiar Little Scenes" by Claude Terrasse, Pierre Bonnard French, Lithograph
The Night Hours, from "Familiar Little Scenes" by Claude Terrasse
Pierre Bonnard
ca. 1893–94
The Werewolf or the Cannibal, Lucas Cranach the Elder German, Woodcut
The Werewolf or the Cannibal
Lucas Cranach the Elder
A demon holding a young boy by his shoulders over a group of vultures, illustration for 'La Escala de Viento', José Guadalupe Posada Mexican, Zincograph
A demon holding a young boy by his shoulders over a group of vultures, illustration for 'La Escala de Viento'
José Guadalupe Posada
Publisher Antonio Vanegas Arroyo
Printer José Sanchez
ca. 1880–1910 (a later impression)
Plate 69 from "Los Caprichos": Blow (Sopla), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin
Plate 69 from "Los Caprichos": Blow (Sopla)
Goya (Francisco de Goya y Lucientes)
1799
Soubor dřevorytů z koncentračního tábora, Bohumil Stibor Czechoslovakian
Soubor dřevorytů z koncentračního tábora
Bohumil Stibor
1946
The Flood, Hilda Katz American, Linocut
The Flood
Hilda Katz
1949
Page 22: a man with his arm around a woman, demons terrorising another man at right, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 22: a man with his arm around a woman, demons terrorising another man at right, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Publisher Arsacio Vanegas Arroyo
1943
The horse abductor, from "The Disparates" (Follies / Irrationalities) , Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint

The horse abductor, from "The Disparates" (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 64 from "Los Caprichos": Bon voyage (Buen Viage), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
1799
Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
Goya (Francisco de Goya y Lucientes)
1799
Death with a Woman in His Lap (Tod Mit Frau Im Schoss), Käthe Kollwitz German, Woodcut
Death with a Woman in His Lap (Tod Mit Frau Im Schoss)
Käthe Kollwitz
1921
Life in Camp, Part 1: An Unwelcome Visit, Winslow Homer American, Color lithograph
Life in Camp, Part 1: An Unwelcome Visit
After Winslow Homer
Publisher Louis Prang & Co.
1864
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Disorderly Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Expulsion from Paradise from the portfolio ¦Biblical Scenes¦, Lovis Corinth German, Woodcut
Expulsion from Paradise from the portfolio ¦Biblical Scenes¦
Lovis Corinth
1919
Macbeth III, Wilhelm Lehmbruck German, Drypoint; only state
Macbeth III
Wilhelm Lehmbruck
Publisher T. C. & E. C. Jack
Subject William Shakespeare
1918
'The horse abductor' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'The horse abductor' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Weeping Woman in Front of a Wall, Pablo Picasso Spanish, Aquatint and drypoint
Weeping Woman in Front of a Wall
Pablo Picasso
Printer Printed by Jacques Frélaut
Publisher Published by Galerie Louise Leiris
1937, printed 1961
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint on wove paper
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
1799 (published 1908–12)
Abraham's Dream! – "Coming Events Cast Their Shadows Before", Louis Maurer American, born Germany, Lithograph
Abraham's Dream! – "Coming Events Cast Their Shadows Before"
Multiple artists/makers
1864
Vindriset, Brita Molin Swedish, Embossing with intaglio in red, green, black, and violet
Vindriset
Brita Molin
1968
Little Miss Muffet III, from "Nursery Rhymes", Paula Rego British, Etching and aquatint
Little Miss Muffet III, from "Nursery Rhymes"
Multiple artists/makers
1989

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