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Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1520–40

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two — The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Parmigianino (Girolamo Francesco Maria Mazzola)

Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving — Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)

Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint — St. James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint; first state of two — Entombment Facing Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving; first state of two — Entombment Facing Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

St. Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

St. Thais, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Thais
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — The Two Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over traces of black chalk — Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1535–38

Male Nude Torso with Raised Arms, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk — Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522–24

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk — Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522

The Virgin Walking to the Right Carrying the Christ Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk, over stylus sketch — The Virgin Walking to the Right Carrying the Christ Child
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Roman or Greek Warriors Celebrating after a Victory., Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on beige paper — Roman or Greek Warriors Celebrating after a Victory.
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
n.d.

The Sacrifice, or Mucius Scaevola, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Chiaroscuro woodcut — The Sacrifice, or Mucius Scaevola
After Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
early to mid-16th century

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Attributed to Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Astrology, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Astrology
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Saint Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Saint Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Saint James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two — Saint James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Former Attribution Formerly attributed to Francesco Allegrini
1530–40

The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — The Two Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Astrology, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint — Astrology
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

A Youth with Two Old Men, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — A Youth with Two Old Men
Parmigianino (Girolamo Francesco Maria Mazzola)

St. Peter and St. John Healing the Cripples at the Gate of the Temple, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — St. Peter and St. John Healing the Cripples at the Gate of the Temple
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving and drypoint printed in brown; second state of four — Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1530

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