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Bust of Pseudo-Seneca, Peter Paul Rubens , and Assistant (?) Flemish, Pen and brown ink over black chalk heightened with white, with brush and gray ink
Peter Paul Rubens
1600–1626
The Coronation of the Virgin, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1632–33
The Feast of Acheloüs, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
and Jan Brueghel the Elder
ca. 1615
A Forest at Dawn with a Deer Hunt, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1635
The Glorification of the Eucharist, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1630–32
Study of Two Heads, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1609
The Triumph of Henry IV, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1630
Wolf and Fox Hunt, Peter Paul Rubens and Workshop Flemish, Oil on canvas
Peter Paul Rubens
ca. 1616
Descent from the Cross, Peter Paul Rubens  Flemish, Boxwood, Flemish
Based on a composition by Peter Paul Rubens
17th century
Atalanta and Meleager, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1616
Venus and Adonis, Peter Paul Rubens  Flemish, Oil on canvas
Peter Paul Rubens
probably mid-1630s
Cambyses Appointing Otanes Judge, Peter Paul Rubens  Flemish, Oil on wood
Copy after Peter Paul Rubens
Frans Francken I (1542–1616), Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
Susanna and the Elders, Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
Virgin and Child, Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
Saint Catherine of Alexandria, Peter Paul Rubens  Flemish, Etching, counterproof of the first state of three, with corrections in pen and brown ink and black chalk
Peter Paul Rubens
ca. 1620
A Sermon in a Village Church, Peter Paul Rubens  Flemish, Black chalk, oil- and water-based paints
Peter Paul Rubens
ca. 1630
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso), Peter Paul Rubens  Flemish, Pen and brown ink, over black chalk
Peter Paul Rubens
Former Attribution Formerly attributed to Anthony van Dyck
ca. 1601–02 (recto); ca. 1601 (verso)
Martyrdom of Saint Lawrence, Peter Paul Rubens  Flemish, Black chalk, pen and brown ink, brush and brown wash, heightened with white; contours traced with stylus for transfer
Workshop of Peter Paul Rubens
Attributed to Anthony van Dyck
early 17th century
Palazzi di Genova, Peter Paul Rubens  Flemish, Printed text with etched illustrations
After Peter Paul Rubens
1622
Pompa Introitus...Ferdinand, Austriaci. Antwerp, Peter Paul Rubens  Flemish, Etching
After Peter Paul Rubens
Theodoor van Thulden
Jan Caspar Gevaerts
1635
Drunkeness of Bacchus, Peter Paul Rubens  Flemish, Engraving and etching; first state of four (Hollstein)
After Peter Paul Rubens
Jonas Suyderhoef
Publisher Pieter Soutman
1630–57
Battle Scene, Peter Paul Rubens  Flemish, Pen and brown ink, brush and brown wash, heightened with cream-coloured gouache, on brown paper
Workshop of Peter Paul Rubens
n.d.
Study of a Standing Female Saint, Peter Paul Rubens  Flemish, Brush and light brown wash, over a little black chalk, on light grayish paper; certain contours reinforced in pen and dark brown ink
Circle of Peter Paul Rubens
n.d.
Head of a Satyr (Silenus), Peter Paul Rubens  Flemish, Black chalk and brush and brown wash
Attributed to Peter Paul Rubens
ca. 1620–30
Head of Silenus, Peter Paul Rubens  Flemish, Black chalk on light brown paper
Circle of Peter Paul Rubens
early 17th century
Hermaphrodite, Peter Paul Rubens  Flemish, Red chalk heightened with white
Attributed to Peter Paul Rubens
17th century
The Prophets David and Daniel, Peter Paul Rubens  Flemish, Red chalk, brush and red and pink wash, bodycolor, heightened with white
Peter Paul Rubens
After Raphael (Raffaello Sanzio or Santi)
ca. 1601–2
Presentation in the Temple, Peter Paul Rubens  Flemish, Pen, brush and brown ink on pale tan paper; reverse, black chalk and brown ink
Peter Paul Rubens
recto 1611; verso 1601-2